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Soft Watercolor & ink on silk painting of a Surrealistic Portrait by Beksinski of a chinese kungfu master in torn shabby robes summoning just one silver dragon, dynamic posing reflecting action and agressivity , wearing war gauntlet, with highly detailed faces and with walls covered with Japanese motifs & hieroglyphics, apocalyptic and haunting atmosphere, hyperrealistic, sharp focus, Cameron Gray. The background showcases a smoky and overcast atmosphere, in the cover of night under a full moon, dark, mysterious & eerie. Predominantly cool colours with rose, black, rust, burgundy, and black. Soft watercolour, extra water in Art Deco by Annigoni, Egon Schiele, Milo Manara, Botticelli, Catrin Welz-Stein, Jean Metzinger, Klimt, perfect eyes, perfect handsface, highly detailed, complementary colours, hyper detailed. Watercolor and ink splatter, dynamic pose, dark blue background, unreal engine, greg Rutkowski, loish, rhads, beeple, makoto shinkai and lois van baarle, ilya kuvshinov, rossdraws, tom bagshaw, alphonse mucha, global illumination, detailed and intricate environment, chiaroscuro lit contrast.
Divine Dragon Swishes its Tail (神龍擺尾, Shén lóng bǎi wěi): The form comes from the Zhèn trigram 九四, ‘to tread on’ which is part of the Book of Changes. The master who created the ‘Eighteen Dragon-Subduing Palms’ actually named the stance “Treading on the Tiger’s Tail”. It was a more powerful description compared to ‘Attacking the Tiger from Behind’ because if one steps on the tiger’s tail, it will no doubt turn around and attack furiously. However, the later generation felt that this description in the Book of Changes was too soft and not pleasing to the tongue. Thus, they changed it to the ‘Divine Dragon Swings Its Tail’.
