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A full-bodied woman sitting in a chair near a robot, there is beauty in ugliness and ugliness in beauty. Inspired by the style of Adrian Ghenie, Esao Andrews, Jenny Saville, Edward Hopper, surrealism, Angelcore art by James Jean, Takato Yamamoto, and 1950s retro-future art, this piece incorporates cubist designs, borders, lines, decorations, and machines with muted colors.