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Inside a secret underground laboratory, a glowing relic levitates within a containment field, its radiant energy warping the air into surreal ripples of crimson, emerald, and violet. Scientists in hazmat suits circle nervously, scribbling frantic notes as shadows stretch unnaturally across steel walls. The artifact pulses with otherworldly brilliance, casting jagged silhouettes that shimmer with neon hues. Stylized in bold graphic novel tones, high contrast, exaggerated perspectives, and dramatic chiaroscuro, infused with vivid, saturated colors and surreal highlights, the scene brims with tension, mystery, and cosmic dread. The style is reminiscent of Frank Miller and Bill Sienkiewicz, with dynamic lighting and a palpable sense of unease.
A back shot of an astronaut in an orange space suit and a dark purple helmet with a clear visor with a beige backpack, standing in a large metallic room with purple, green, and red lightings and scientific elements. The astronaut is facing two large green glowing portals on the walls. The room is square-shaped, with a metal ceiling, floor, and walls. The ceiling has two large white rectangular lights. The floor where the astronaut is standing has a glowing purple circle under him/her. There is a red cylindrical light fixture to the left of the left portal, and beside it is another one on the right. Both of them are attached to the walls. These red lights illuminate the wall with red reflections around it. The room is filled with wires and electrical panels. To the right of the right portal, there is a large control panel with two digital displays, followed by another red cylindrical light fixture, and then another small electrical panel. Below these elements, at the foot of the wall, there is a metallic open box with electrical elements like wires and processors.
