The Great Masturbator, Salvador Dali, 1929

Distorted yellow figure in surrealistic landscape under deep blue sky

Artist
Laerrus
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  The Great Masturbator, Salvador Dali, 1929
  
  Model: Stable (v2)*
  
  Size: 2741 X 1828 (5.01 MP)
  
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  Prompt: Dali had a very strange relationship with his penis 1929 The Great Masturbator The painting may represent Dalí's severely conflicted attitudes towards sexual intercourse and his lifelong phobia of female genitalia right at the cross section of meeting and falling in love with Gala. When he was a young boy, Dalí's father exposed him to a book of explicit photos demonstrating the horrific effects of venereal disease, perpetuating traumatic associations of sex with morbidity and rot in his mind. Made of and for his wife, Gala. Who is representing the masturbater and not to Salvador's Willy it is said, or known, Salvador, afraid of intercourse tried to promote his wife being with other men.
  
  Using base image: Yes (Effect strength - 60%)
  
  Base image resolution: 3MP
  
  Face enhance: No
  
  Upscale & Enhance: 5
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Prompt: Dali had a very strange relationship with his penis 1929 The Great Masturbator The painting may represent Dalí's severely conflicted attitudes towards sexual intercourse and his lifelong phobia of female genitalia right at the cross section of meeting and falling in love with Gala. When he was a young boy, Dalí's father exposed him to a book of explicit photos demonstrating the horrific effects of venereal disease, perpetuating traumatic associations of sex with morbidity and rot in his mind. Made of and for his wife, Gala. Who is representing the masturbater and not to Salvador's Willy it is said, or known, Salvador, afraid of intercourse tried to promote his wife being with other men.

Modifiers:

sharp focus intricate many rainbow bubbles portrait very attractive beautiful dynamic lighting award winning ultra detailed colourful cinematic postprocessing SALVADOR DALI surrealistic Romanticism

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More about The Great Masturbator, Salvador Dali, 1929

Central to the piece is a large distorted human face looking down upon a landscape, a familiar rocky shoreline scene reminiscent of Dalí's home in Catalonia. A nude female figure representing Dalí's new-at-the-time muse Gala rises from the head, symbolic of the type of fantasy a man would conjure while engaged in the practice suggested by the title. Her mouth near a male's crotch suggests impending fellatio while he seems to be literally "cut" at the knees from which he bleeds, a sign of a stifled sexuality. Other motifs in the painting include a grasshopper - a consistent beacon for sexual anxiety in Dalí's work, ants - elusion to decay and death, and an egg - representing fertility.