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A monumental radioactive zombie apocalypse depicted in an ultra-detailed Baroque painting style, inspired by 17th-century European masters and Digirobson, Anjomestre. The scene shows a devastated city transformed into a nightmarish cathedral of ruin, with colossal crumbling architecture, broken domes, shattered columns, and ornate statues collapsing into radioactive ash. Dozens of grotesque zombies roam the scene, their decaying bodies glowing with eerie green and toxic neon radiation, veins illuminated from within, skin partially translucent, exposing irradiated bones and organs. Some zombies wear remnants of royal baroque garments, torn velvet cloaks, gilded armor, and decayed ceremonial robes, blending aristocratic elegance with horrific mutation. A dramatic central composition features survivors in the foreground illuminated by intense chiaroscuro lighting: harsh beams of divine-like light cutting through thick radioactive fog, contrasted with deep, oppressive shadows. The survivors appear desperate and heroic, wearing tattered survival gear mixed with baroque-era clothing elements, their faces marked by fear, determination, and tragedy. The sky is a swirling inferno of dark storm clouds mixed with radioactive auroras, glowing green, yellow, and sickly cyan, raining luminous ash and particles. In the distance, a ruined palace emits a blinding radioactive glow, as if a cursed relic or nuclear event has corrupted the world itself. Every surface is rich in texture: cracked marble, peeling gold leaf, melted stone, decayed flesh, floating embers, and drifting radioactive dust. The color palette is dominated by deep blacks, burnt umbers, blood reds, oxidized golds, and toxic neon greens, maintaining a painterly oil-on-canvas look with visible brush strokes and layered paint depth. Cinematic composition, epic scale, extreme detail, dramatic perspective, volumetric lighting, god rays, heavy atmosphere, emotional intensity, high contrast, masterwork quality, museum-level painting, hyper-realistic textures combined with classical baroque aesthetics, apocalyptic horror, dark fantasy realism, 8K detail.
In a dramatic, wide-shot, full-body fantasy illustration by artist Luis Sim, a male vampire hunter, with fair skin, brown messy hair, and glasses, stands heroically in the foreground, facing forward on a raised platform. He wears a brown leather vest, a white collared shirt, and brown pants with knee-high boots and a long, tattered brown coat, with a gun holster at his waist. He is surrounded by an army of green-glowing eyed zombies, some with exposed ribs, in various states of decay, walking towards him. In the immediate foreground to the left is a zombie dressed in a red and black royal suit with a ruffled collar and to the right, a zombie in a black and gold royal suit with a black hat, both walking towards the center. The background features a massive, dilapidated cathedral with a partially ruined dome, surrounded by crumbling pillars and archways. The sky is dark and stormy, illuminated by a vibrant, swirling green aurora borealis, casting a mystical yet ominous glow. A single ray of sunlight pierces through the clouds from the upper right, highlighting the scene with an ethereal glow. Two large, pale statues of men with spears flank the central platform. The stone floor is
