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The image captures a moment suspended between ritual and ruin, the aftermath of some sacred violence. At the center stands a monstrance—once a vessel of divine display, now corrupted into an anatomical reliquary. Its gilt frame, warped by unseen heat, resembles a skeletal sun, its rays crooked and tarnished, clutching at the dim air as if trying to recall a sanctity long fled. Within its hollow core, no consecrated host remains—only a faint, opalescent residue, like the ghost of transubstantiation.
Around its base, small demonic frogs congregate, their skin glistening with amphibian luminescence, as though baptized in brimstone. They croak in uneven rhythm, producing a sound somewhere between laughter and lamentation. Each frog bears a faint mark—a sigil or blister—that mirrors the monstrous geometry of the monstrance above them. They appear as witnesses or attendants, mocking the ceremony that expelled whatever unholy presence still lingers in the air.