Surreal Stained Glass Triptych with Medieval Woman

Valid Triptych of Modernity and Nature

Artist
lucrece bo...
DDG Model
SeeDream
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Public
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1mo ago
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  Valid Triptych of Modernity and Nature
  
  Model: SeeDream
  
  Size: 1664 X 2224 (3.70 MP)
  
  Used settings:
  
  Prompt: Gettin’ Old Ain’t What It Used To Be A psychedelic stained-glass style painting, with three figures, the female figure in the middle with long dark hair, wearing a dark blue dress with a landscape on the chest and a surrealist landscape on the abdomen, with a melting clock and a melting phone, with a hand coming out of the right side and another on the left side holding her. The man on the left has green skin and a green body with plants, fruits, birds, two lobsters, and shells, and a skull on the top left. The man on the right has green skin and a green body with plants, fruits, two lobsters and two birds, and a skeleton on the left. The background is a plain dark blue. A tribal border surrounds the figures. #figures #landscapesurrealism #psychedelic #stainedglass #surrealism, vintage 1950s advertisement poster, retro Americana illustration, old printed magazine texture, faded ink, distressed paper texture, cinematic poster composition, painterly commercial art, nostalgic atmosphere, handcrafted vintage printing aesthetic, elongated elegant proportions, muted warm color palette, cream and amber tones, dramatic shadows, soft halftone texture, aged paper grain, mid-century advertising illustration, classic liquor poster aesthetic, slightly imperfect printing alignment, vintage ink bleeding, faded lithograph texture on A Russian postman in rusty and cadaveric frame is standing on a desolate plain and swept by the wind, fixing a retro futuristic urban landscape of the 50s before Christ, dilapidated in the distance. The sky is a yellow lemon with bruised stripes, heavy with predictable storms. The scene is rendered with sharp, pixelated textures and bold vector lines, evoking a sense of environmental decomposition and forgotten technology. Art by Zdzisław Beksiński and H.R. Giger, with a touch of Moebius. 3D Volumetric. No signature.
  
  Using base image: Yes
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Prompt: Gettin’ Old Ain’t What It Used To Be A psychedelic stained-glass style painting, with three figures, the female figure in the middle with long dark hair, wearing a dark blue dress with a landscape on the chest and a surrealist landscape on the abdomen, with a melting clock and a melting phone, with a hand coming out of the right side and another on the left side holding her. The man on the left has green skin and a green body with plants, fruits, birds, two lobsters, and shells, and a skull on the top left. The man on the right has green skin and a green body with plants, fruits, two lobsters and two birds, and a skeleton on the left. The background is a plain dark blue. A tribal border surrounds the figures. #figures #landscapesurrealism #psychedelic #stainedglass #surrealism, vintage 1950s advertisement poster, retro Americana illustration, old printed magazine texture, faded ink, distressed paper texture, cinematic poster composition, painterly commercial art, nostalgic atmosphere, handcrafted vintage printing aesthetic, elongated elegant proportions, muted warm color palette, cream and amber tones, dramatic shadows, soft halftone texture, aged paper grain, mid-century advertising illustration, classic liquor poster aesthetic, slightly imperfect printing alignment, vintage ink bleeding, faded lithograph texture on A Russian postman in rusty and cadaveric frame is standing on a desolate plain and swept by the wind, fixing a retro futuristic urban landscape of the 50s before Christ, dilapidated in the distance. The sky is a yellow lemon with bruised stripes, heavy with predictable storms. The scene is rendered with sharp, pixelated textures and bold vector lines, evoking a sense of environmental decomposition and forgotten technology. Art by Zdzisław Beksiński and H.R. Giger, with a touch of Moebius. 3D Volumetric. No signature.
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Prompt

Gettin’ Old Ain’t What It Used To Be A psychedelic stained-glass style painting, with three figures, the female figure in the middle with long dark hair, wearing a dark blue dress with a landscape on the chest and a surrealist landscape on the abdomen, with a melting clock and a melting phone, with a hand coming out of the right side and another on the left side holding her. The man on the left has green skin and a green body with plants, fruits, birds, two lobsters, and shells, and a skull on the top left. The man on the right has green skin and a green body with plants, fruits, two lobsters and two birds, and a skeleton on the left. The background is a plain dark blue. A tribal border surrounds the figures. #figures #landscapesurrealism #psychedelic #stainedglass #surrealism, vintage 1950s advertisement poster, retro Americana illustration, old printed magazine texture, faded ink, distressed paper texture, cinematic poster composition, painterly commercial art, nostalgic atmosphere, handcrafted vintage printing aesthetic, elongated elegant proportions, muted warm color palette, cream and amber tones, dramatic shadows, soft halftone texture, aged paper grain, mid-century advertising illustration, classic liquor poster aesthetic, slightly imperfect printing alignment, vintage ink bleeding, faded lithograph texture on A Russian postman in rusty and cadaveric frame is standing on a desolate plain and swept by the wind, fixing a retro futuristic urban landscape of the 50s before Christ, dilapidated in the distance. The sky is a yellow lemon with bruised stripes, heavy with predictable storms. The scene is rendered with sharp, pixelated textures and bold vector lines, evoking a sense of environmental decomposition and forgotten technology. Art by Zdzisław Beksiński and H.R. Giger, with a touch of Moebius. 3D Volumetric. No signature.

More about Valid Triptych of Modernity and Nature

A vibrant digital painting, heavily influenced by pixel art and stained-glass aesthetics, showcasing a triptych-like composition. The upper half is dominated by a central female figure with long dark hair and striking blue eyes, dressed in a dark blue, low-cut gown with puffed sleeves. Her dress features a pixelated landscape scene on the bodice. She holds an old-fashioned telephone receiver in one hand and a modern cell phone in the other, both connected by a chain to a pocket watch hanging from her neck. Her arms are raised, her hands resting on the shoulders of two green-skinned humanoid figures that flank her.

These figures are depicted in a stained-glass style, with segmented green skin, and are adorned with various objects. The male figure on the left has a pixelated lemon covering part of his head like a hat. His body is decorated with plants, red apples, yellow lemons, a blue bird, and a red lobster. To his left, a white skull and a white seashell float in the air. A white skeleton appears near his waist.

The male figure on the right mirrors the left, also green-skinned and segmented. His head is natural, with brown hair and green eyes. His body is similarly