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The painting is combines elements of cartoon-style sketches with the Renaissance style; it was created using solid lines, dry pigments in muted shades of sepia, ochre, and blue. Setting — a courtroom. At the center, slightly in the background, stands a heavy wooden table. Behind it stands a young anthropomorphic white tiger with blue hair. Shackles gleam on his wrists, his hands hang down, yet his posture is confident. A calm smile crosses his face as he declares: “Protest art is also ART!”. To his left, at the same table, sits his lawyer — a man in an antique Renaissance suit. He has bowed his head, pressing his palms to his forehead. To the right, the judge in a black robe and a white wig, tilted to one side, leans forward angrily. His face is flushed red, eyes blazing, as he points his gavel toward the tiger, ready to deliver judgment. On the left side of the hall, the jury benches are filled with bewildered people. Some clutch their heads, others cross their arms sternly. Among them, a lady in a lavish gown rises and faints backward, one hand on her forehead, the other waving a fan, eyes rolling as astonished men behind her rush to catch her.
This striking painting blends cartoon aesthetics with Renaissance artistry, showcasing a courtroom scene. A confident anthropomorphic tiger stands at a heavy table, shackled yet smiling, proclaiming the value of protest art. His lawyer, in a vintage suit, appears distressed, while an irate judge leans forward, gavel in hand. The jury, a mix of shocked spectators, reacts dramatically, highlighting the tension of the moment.
