TWETER AND THE MONKEY MAN

TWETER AND THE MONKEY MAN

• Model: FluX

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Create an insanely detailed, surreal yet vividly realistic florescent dayglow pen and ink watercolor illustration featuring A brutally detailed, cinematic illustration of an action-packed high-speed chase. A scarred, wild-eyed Monkey Man, resembling a grotesque, muscular Australopithecus, wearing leather biker gear, drives a roaring, dented muscle car (like a 1970 Dodge Charger) down a cracked, rain-slick American highway at night. Monkey Man has a giant smoking joint clenched between his jagged teeth and is firing a massive handgun out the driver’s side window at pursuing police cars, which explode in the background with shards of glass, bullets, and flames. In the passenger seat, Tweeter, a wiry, androgynous outlaw with wild eyes and a slick leather jacket, holds up a giant plastic bag of marijuana buds in one hand while chugging from a bottle of whiskey with the other. Bullets fly, tires screech, blood spurts from a shattered rearview mirror. The atmosphere is electric with danger and punk outlaw energy. The scene is rendered in hyper-detailed, gritty graphic novel style — a cross between Quentin Tarantino, Ralph Steadman, and Frank Miller, with chaotic linework and splashes of watercolor blood. Neon signs blur past, helicopters swarm above, and a flashing motel sign reads: “No Mercy. No Exit.” The car’s license pl This illustration is rendered in the detailed style of Charles Burns, Jean Giraud (Moebius), Victor Moscoso, Maxfield Parrish, Peter Max, Mark Ryden, Alex Gray, Kim Deitch, Robert Williams, Eric Stanton, Robert Crumb, Alberto Vargas, Gene Bilbrew, Rick Griffin Audrey Beardsley, Peter Max style
  • Using base image: No
  • Aspect Ratio: landscape_wide