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Industral complexes filled with pipings & scaffolding with spheric shaped storage facilities; full brilliantly coloured: By Hayao Miyazaki: oil painting of a Surrealistic Portrait by Beksinski of a squid with tentacles grabbing 2 girls, one girl in military green camouflage deep space diving suits, with large black mine-like diving helmet, perfect flawless hands in black gloves, with clear spheric headgear, with black tubings or cables linked to large suspended spherical mine-like high tech ball in dynamic artistic pose, the other a japanese school girl in uniform suspended in a foetus position with eyes closed; side glance; wet on wet, maximalist; expressive; figure; form; impression; dark mood, translucent; additive; influence of Gottfried Helnwein and Ali Cavanaugh; seeing the soul in a finite moment of infinity. vulnerable but steadfast; organic and loose; ghostly realism, add industrialized background.
A surreal, detailed painting in the style of Boris Vallejo or Frank Frazetta, featuring two large, green, metallic, octopus-like machines with tentacles that act as suspension wires and ropes connected to three astronauts in deep sea suits standing in calm, greenish-blue water. The larger machine, on the left, has one large circular lens and a smaller sphere attached to its side, with an elaborate, detailed metal structure containing tiny domes, antennas, and ladders on top. The smaller machine, on the right, has multiple lenses of varying sizes and a smaller sphere attached to its side. A light grey, spiraling, circular diagram or blueprint is in the top left corner, overlapping the head of the largest machine. A small, orange, spherical buoy floats in the center, between the two machines. The background is a pale, off-white, slightly green sky, with the overall impression of a vast, tranquil, and mysterious open ocean.