Prompt:
Create a surreal, emotionally rich portrait in a collagraphy-inspired style influenced by Albert Pinkham Ryder, Ho Baron, and Gerald Brom. Incorporate a dreamy, ethereal quality with deep emotional resonance, integrating stippling, cracked paint, visible paper fibers, and faded ink for tactile realism. Use a close-up focus with detailed skin textures, flowing tousled light hair, and soft eroticism in the gaze. The background is a forest setting, filled with stylized, exaggerated trees rendered in sea-green, khaki, and light-ochre.
The overall composition is guided by Nino Eliashvili, André Hambourg, and Ignasi Mundo, enriched with the color sensibilities of Overton Loyd, Albert Bierstadt, and Ed Binkley. Lighting is dynamic, with golden hour rays, HDR/DOF/Bokeh effects, and raytraced shadows (intensity 1.6), evoking luminism and liminality.
Use a stylized cartoon-like base layered with alcohol ink effects, bright watercolor oversprays, and smeary dyed line-art. Infuse the subject with plasticity (1.6), stylization (1.4), and subsurface scattering (1.4) to emphasize dimensional realism and softness. Apply multi-perspective and multi-dimensional elements for depth and spatial distortion.
Color palette: light-yellow, pastel green, auburn, and delicate greens in an indiecore tone. Add warm, vivid outlines and simplistic facial features with subtle sculpting. Skin complexion is set to 1.3–1.4 for a natural, slightly stylized tone. Incorporate dyed lighting effects reminiscent of Ed Paschke and Gabriel Pacheco, with visual motifs from Devin Allen, Jacques de Loustal, Isabelle Arsenault, and Man Ray.
Include fabric layers blending with flares, turbulent splashes of ink, pellucid light fragments, and an overall dreamlike, tactile atmosphere—one that plays with light and shadow in complex, abstract ways, evoking both surrealism and intimacy.