The Flight Out of Sahara Amidst a Sand Storm

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  • Sucram Hog's avatar Artist
    Sucram...
  • DDG Model
    DaVinci2
  • Access
    Public
  • Created
    1mo ago
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Prompt

Add Full coloured, blue, green, red, brown, black, gold, silver, white, to the image, Oil Speed Painting on Canvas, Textured Brush strokes with Paint Splatter; By Jeremy Mann, Bernie Wrightson, Frank Frazetta, Yoji Shingawa; Masterpiece, 16K Concept Art, Trending on Artstation;: A fantasy artwork depicting a group of muscular warriors with horned helmets, some of them are also shirtless. In the background a large, tall, and dark gothic castle is visible. The foreground warriors are standing on a rocky terrain under a bright white sky with faint indications of lightning or magical energy. The color palette is predominantly white, blue, and gray, with hints of brown and green. The style is reminiscent of heroic fantasy illustrations, apocalyptic and haunting atmosphere, hyperrealistic, sharp focus, Cameron Gray. The background showcases a smoky and overcast atmosphere, in the cover of night under a full moon, dark, mysterious & eerie. Predominantly cool colours with rose, black, rust, burgundy, and black. Soft watercolour, extra water in Art Deco by Annigoni, Egon Schiele, Milo Manara, Botticelli, Catrin Welz-Stein, Jean Metzinger, Klimt, perfect eyes, perfect handsface, highly detailed, complementary colours, hyper detailed. Watercolor and ink splatter, dynamic pose, dark blue background, unreal engine, greg Rutkowski, loish, rhads, beeple, makoto shinkai and lois van baarle, Ilya Kuvshinov, rossdraws, tom bagshaw, alphonse mucha, global illumination, detailed and intricate environment, chiaroscuro lit contrast, style of Gustave Doré, Annigoni, Egon Schiele, Milo Manara, Botticelli, Catrin Welz-Stein, Jean Metzinger, Klimt, Zdzisław Beksiński, Lawrence Alma-Tadema, global illumination, detailed and intricate environment, chiaroscuro lit contrast.

More about The Flight Out of Sahara Amidst a Sand Storm

A dynamic, medium-shot, impressionistic painting captures a horse race in progress on a sandy beach. Four riders and their horses, rendered in vivid detail, surge forward from left to right across the canvas. A lone female rider on a white horse, her dark hair streaming behind her, takes the lead. She wears a practical teal shirt, brown trousers, and dark brown riding boots, gripping a whip in her right hand as she gazes intently ahead.

Behind her and to the right, a second rider in a tan jacket and brown trousers, also holding a whip, urges on a light brown horse. Slightly further back, a third rider in a white jacket and blue helmet, also with a whip, rides a dark brown horse, its face visible but its body partially obscured by the horse in front. The fourth rider, positioned at the far right, wears a red jacket and is seen from the chest up on a brown horse, its body partially obscured by the edge of the frame.

The horses are depicted in full stride, their legs kicking up a flurry of water and sand from the shallow, reflective water that stretches across the lower portion of the image. The sand blends into the hazy background, while the upper section of the painting

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