Pop Art Illustration of a Woman with Geometric Patterns

Travelling Mate

121

Artist
Maximilian...
DDG Model
DaVinci2
Access
Public
Created
2w ago
Try (1)
Public
121

2

45
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- Info
  Travelling Mate
  
  Model: DaVinci2
  
  Size: 976 X 1224 (1.19 MP)
  
  Used settings:
  
  Prompt: Headshot in style of Maggie Vandewalle and Ed Binkley, layered textures, reminiscent of a 1970s comic book cover by Stan Lee. geometrical line-art by Ilya Zomb, collage art reminiscence, solo, handsome female, asymmetrically washed out colors by James Wilson Morrice, pulp art, stylized pointilism, line-art 1.9, parallax occlusion 1.5, 3 point lighting, beautiful gentildonna \(umamusume\), shades of light pastel tones, graphical outlines of various colors, plasticity 1.6, dyed. Layered and stylized portraiture by Ed Binkley and John Buscema, liminal, complex color shifts in tints, revealing, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, dyed, liminal, plasticity akin to Ed Binkley, groovy, complex stylization by Alexander Calder, mainly squiggly Linocut portrait, smeary, side view, stylized, logo, funky upper body portrait, contoured, thinned watercolor, 3d brushed texture outines, octane render, LiDAR point cloud, negative lucas numbers. UHD, HDR. Mip-mapping 1.3, dark fantasy meets surrealism, paper-cut technique, sculpted, flowing hair illusion, stylized portrait beautiful 1960's comic book art, complex stylization, surrealistic orphism, golden ratio composition, stylized details, hues for a touch of realism in prismatic light, displacement mapping, reflective mapping 1.8, dark, gothical, regionalism, abstract expressionistic, stylized, elongated lines, stencil remniscence, moody expression, color palette, coloring reminiscent of Catrin Welz-Stein's acrylic ink and charcoal line art zentangle style mix. Mip-mapping 1.8, stylized pointilism, rich colors inducing movement and emotion, harmonious contrast, immersive depth, UHD, HDR, Mip-mapping 1.8, polished, kinetic stylization 1.9 by William Holman Hunt, watercolor and ink by Lee Krasner, paint-stained colors textured with a mix of dark and light tones. Bold brushstrokes are clearly visible, concentration, empathy, introspection. Maximalism, rule of thirds. Plasticity 1.3, ambient occlusion 1.3, parallax occlusion 1.3, raytraced shadows 1.3, dynamic lighting 1.3, 3d effect, foampunk style lighting by Ed Paschke, impossible light transitions, hues, tints of Ed Binkley, intricate facial features.128k,
  
  Using base image: Yes
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Prompt: Headshot in style of Maggie Vandewalle and Ed Binkley, layered textures, reminiscent of a 1970s comic book cover by Stan Lee. geometrical line-art by Ilya Zomb, collage art reminiscence, solo, handsome female, asymmetrically washed out colors by James Wilson Morrice, pulp art, stylized pointilism, line-art 1.9, parallax occlusion 1.5, 3 point lighting, beautiful gentildonna \(umamusume\), shades of light pastel tones, graphical outlines of various colors, plasticity 1.6, dyed. Layered and stylized portraiture by Ed Binkley and John Buscema, liminal, complex color shifts in tints, revealing, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, dyed, liminal, plasticity akin to Ed Binkley, groovy, complex stylization by Alexander Calder, mainly squiggly Linocut portrait, smeary, side view, stylized, logo, funky upper body portrait, contoured, thinned watercolor, 3d brushed texture outines, octane render, LiDAR point cloud, negative lucas numbers. UHD, HDR. Mip-mapping 1.3, dark fantasy meets surrealism, paper-cut technique, sculpted, flowing hair illusion, stylized portrait beautiful 1960's comic book art, complex stylization, surrealistic orphism, golden ratio composition, stylized details, hues for a touch of realism in prismatic light, displacement mapping, reflective mapping 1.8, dark, gothical, regionalism, abstract expressionistic, stylized, elongated lines, stencil remniscence, moody expression, color palette, coloring reminiscent of Catrin Welz-Stein's acrylic ink and charcoal line art zentangle style mix. Mip-mapping 1.8, stylized pointilism, rich colors inducing movement and emotion, harmonious contrast, immersive depth, UHD, HDR, Mip-mapping 1.8, polished, kinetic stylization 1.9 by William Holman Hunt, watercolor and ink by Lee Krasner, paint-stained colors textured with a mix of dark and light tones. Bold brushstrokes are clearly visible, concentration, empathy, introspection. Maximalism, rule of thirds. Plasticity 1.3, ambient occlusion 1.3, parallax occlusion 1.3, raytraced shadows 1.3, dynamic lighting 1.3, 3d effect, foampunk style lighting by Ed Paschke, impossible light transitions, hues, tints of Ed Binkley, intricate facial features.128k,

Modifiers:

bokeh highly detailed concept art sharp focus elegant dof studio lighting 8k ray tracing portrait masterpiece dynamic lighting 4K 3D hdr American Gothic Art Nouveau Warm tones headshot cel-shaded Ambient occlusion sharpened colored line patterns Art of Illusion 3D shading Clean lines by Patrick Nagel Tesselated Close-up Portrait 3D effects Glossy ornamental clean crisp lines & linework & shapes & angles 3 layers in logarithmic distance with DOF anthropomorphized Stacked lines anisotropic filtering, highly detailed textures, colored line patterns 1970s advertising art Ultra fine, intricate ornamental details close-up, hyperdetalization, shadow mapping Raytraced, 3 layers with dof, spatiality with acceptance of Speed, Velocity, Acceleration, Motion American Gothic, Anglo Gothic, Cottagegore, Coffinwood Dynamic lighting, plasticity, luminosity, bioluminescent glow, Layered geometric art debeh 3d effects, brightness, luminosity, anisotropic filtering, shadow mapping, raytraced shadows, ambient occlusion Upper body portrait Stylized illustration, fine strokes, cel-shading Dark fantasy art, tints of Sci-Fi style, Wet-on-wet watercolor painting, wavery textures,layered geometrical art Art Noir, Art Nouveau, Marvel Comics Art, 1950s advertising art advertising art. Colorful yam, saturated colors, high coloring 1.4 35 mm fuji color film --ar 2:3 anisotropic filtering detailed skin texture High coloring Anglo Gothic golden ratio, calligraphic line art spiritual, ethereal, cerebral, dethereal, Art Noir 1950s advertising art advertising art. brightness 1.4 dynamic lighting 1.7 anisotropic filtering 1.7 Science-fiction illustration Sculpted, Frantically Baroque Radiance, illustrative maximalism, plasticity High coloring, sharpened highlights, Sharp outlines, glowing bioluminescence in vivid colors, polychromatic smooth edges,intricate Artistic embellishments that do not detract from the composition 3 layers in logarithmic distance with DOF, divisionism, Uhd,hdr,octane render, nuanced painterly effect, Subtle colouring, Casual line and wash sketch, nuanced hues parallax occlusion mapping, high contrast, tranquil, depth of field Pen and ink, mysterious moody patchwork,warm light, Paint splatter and wet ink, beautiful delicate brushwork grunge texture Warm colored and designed patchwork in textiles & background high quality, 64K, --ar 16:9 ,--v 6.0, --s 250 incredible magical realism, highly detailed patterns, Marinism, metal paints color scheme of lavender, orange-red, auburn,, mahogany, emerald, sea green, visible brushstrokes gradient dyed colors stippled blotting <LoRA:xl_more_art-full_v1:0.8>,<LoRA:add-detail-xl:1.0> hues by Ho baron, lighting by Ed Paschke, wavery texture patchwork, ambient occlusion 1.6 detailed stylized linework surrounding Watercolor and ink, oversprayed watercoloring, wavery textures, muted colors, custom_loss: grey Displacement mapping 1.3, mip-mapping 1.1, parallax occlusion 1.3, polished hues, fine linework, complexity, UHD, HDR, Baby-Blue Cream White

Evolution steps: (See in details)

Step 2

Step 1

Evolution started from:

+ Prompt: Headshot in style of Maggie Vandewalle and Ed Binkley, layered textures, reminiscent of a 1970s comic book cover by Stan Lee. line-art by Ilya Zomb, collage art reminiscence, handsome female, washed out colors by James Wilson Morrice, pulp art, stylized pointilism,1.9, parallax occlusion 1.5, 3 point lighting, beautiful gentildonna \(umamusume\), shades of light pastel tones, outlines of various colors, plasticity 1.6, dyed. Layered and stylized portraiture by Ed Binkley and John Buscema, liminal, complex color shifts in tints, revealing,reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, dyed, liminal, plasticity akin to Ed Binkley, groovy, complex stylization by Alexander Calder, mainly squiggly, Linocut portrait, smeary, side view, stylized, logo, funky upper body portrait, contoured, thinned watercolor, 3d brushed texture outines, octane render, LiDAR point cloud, negative lucas numbers. UHD, HDR. Mip-mapping 1.3, dark fantasy meets surrealism, paper-cut technique, sculpted, flowing hair illusion, stylized portrait beautiful 1960's comic book art, complex stylization, surrealistic orphism, golden ratio composition, rich colors inducing movement and emotion, harmonious contrast, immersive depth, UHD, HDR, Mip-mapping 1.8, polished,impossible light transitions, hues, tints of Ed Binkley, intricate facial features.128k,stylized details, hues for a touch of realism in prismatic light, displacement mapping, reflective mapping 1.8, dark, gothical, regionalism,abstract expressionistic, stylized, elongated lines, stencil remniscence, moody expression, color palette, coloring reminiscent of Catrin Welz-Stein's acrylic ink and charcoal line art zentangle style mix. Mip-mapping 1.8, stylized pointilism, kinetic stylization 1.9 by William Holman Hunt, watercolor and ink by Lee Krasner, paint-stained colors textured with a mix of dark and light tones. Bold brushstrokes are clearly visible, concentration, empathy, introspection. Maximalism, rule of thirds. Plasticity 1.3, ambient occlusion 1.3, parallax occlusion 1.3, raytraced shadows 1.3, dynamic lighting 1.3,3d effect, foampunk style lighting by Ed Paschke,

Prompt

Headshot in style of Maggie Vandewalle and Ed Binkley, layered textures, reminiscent of a 1970s comic book cover by Stan Lee. geometrical line-art by Ilya Zomb, collage art reminiscence, solo, handsome female, asymmetrically washed out colors by James Wilson Morrice, pulp art, stylized pointilism, line-art 1.9, parallax occlusion 1.5, 3 point lighting, beautiful gentildonna \(umamusume\), shades of light pastel tones, graphical outlines of various colors, plasticity 1.6, dyed. Layered and stylized portraiture by Ed Binkley and John Buscema, liminal, complex color shifts in tints, revealing, reflective mapping by Rebecca Saray & Paolo Roversi, reflections by Jamie Heiden, embodiment by James Wilson Morrice, dyed, liminal, plasticity akin to Ed Binkley, groovy, complex stylization by Alexander Calder, mainly squiggly Linocut portrait, smeary, side view, stylized, logo, funky upper body portrait, contoured, thinned watercolor, 3d brushed texture outines, octane render, LiDAR point cloud, negative lucas numbers. UHD, HDR. Mip-mapping 1.3, dark fantasy meets surrealism, paper-cut technique, sculpted, flowing hair illusion, stylized portrait beautiful 1960's comic book art, complex stylization, surrealistic orphism, golden ratio composition, stylized details, hues for a touch of realism in prismatic light, displacement mapping, reflective mapping 1.8, dark, gothical, regionalism, abstract expressionistic, stylized, elongated lines, stencil remniscence, moody expression, color palette, coloring reminiscent of Catrin Welz-Stein's acrylic ink and charcoal line art zentangle style mix. Mip-mapping 1.8, stylized pointilism, rich colors inducing movement and emotion, harmonious contrast, immersive depth, UHD, HDR, Mip-mapping 1.8, polished, kinetic stylization 1.9 by William Holman Hunt, watercolor and ink by Lee Krasner, paint-stained colors textured with a mix of dark and light tones. Bold brushstrokes are clearly visible, concentration, empathy, introspection. Maximalism, rule of thirds. Plasticity 1.3, ambient occlusion 1.3, parallax occlusion 1.3, raytraced shadows 1.3, dynamic lighting 1.3, 3d effect, foampunk style lighting by Ed Paschke, impossible light transitions, hues, tints of Ed Binkley, intricate facial features.128k,

More about Travelling Mate

A retro-style illustration depicting a woman with reddish-brown hair styled in a ponytail. She wears round, orange-tinted sunglasses, which perfectly complement her bold red lipstick. Her vibrant top features a high, patterned collar with geometric shapes in varying hues like orange, blue, and purple. The background showcases a dynamic pattern of overlapping, angular shapes in shades of orange, blue, and red. The artwork employs a bold graphic style with sharp lines and distinct color blocks, reminiscent of vintage pop art or comic book aesthetics.

#geometricpatterns #popartgraphicstyle #sunglasses #vibrantcolors #woman

Travelling Mate

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