Prompt:
An avant-garde full-body digital portrait in the explosive, visceral style of Russ Millis, portraying a young Greek woman not of flesh, but carved entirely from striated white marble—an elegant, statuesque figure emerging from a raw, jagged block of unfinished stone. Captured in a three-quarter rear view with her head turned in a soft, eternal profile, her features are graceful yet unyielding, classical in proportion but shattered with expressive modernity. The chisel marks that define her curves—shoulders, spine, arms—blend into the fractured, high-contrast lighting that dances across her polished surface, highlighting the tension between artifice and divinity.
Her hair is sculpted into a refined chignon, delicately unfinished at the edges, as if strands of stone had begun to break away into air. Draped across one shoulder is a finely etched, semi-translucent marble veil, its surface carved so thin it almost glows—rippling in hard stone with the illusion of silk. The veil flows in impossible motion down her back and across her hips, curving around the top of her thighs in soft, fluttering drapery that seems barely held by gravity. Each fold pulses with Millis’ kinetic energy—carved motion in stillness, grace captured mid-birth from raw matter.
At her feet, nestled against the rough pedestal of the unpolished marble base, sits a tiny marble kitten, eyes lifted toward her face. Its form is delicately wrought, but expressive—tail curled neatly, ears perked, body anchored in childlike reverence. The kitten’s smooth texture contrasts with the jagged stone beneath it and the powerful, chiseled elegance towering above, adding warmth and intimacy to the mythic scene.
The background erupts in Millis’ chaotic signature: splintered columns, broken Ionic motifs, and gold-leaf shrapnel bleed into violent smears of ochre, stone-gray, and alabaster white. Brushstrokes fracture across the canvas like seismic lines—some sharp and bold, others dissolved
Artist
