Elektra

Elegant Woman in Black Gown Amidst Roses and Ruins

Artist
©Misme
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DDG Model
AIVision
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Public
Created
6h ago
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  Elektra
  
  Model: AIVision
  
  Size: 2688 X 1536 (4.13 MP)
  
  Used settings:
  
  Prompt: Masterpiece ((full body shot, complete in picture, flawless, the scene is shot by a woman with a large movie camera)) Create an image of a classical painting showing a female figure in a flowing, floor-length black gown that drapes elegantly around her figure, bare feet. The figure is positioned in a contrapposto pose, leaning forlornly against a light beige classical column. One arm is raised above her head, her hand rests on her forehead and her eyes are closed, conveying a sense of infinite sadness. She has olive-colored skin, dark hair styled into a loose updo with strands framing her face, and an intricate headdress of silver beads partially covering her hair. On a shelf attached to the column is an arrangement of red and black roses in a basket. Next to the figure's feet is an antique clay urn with laurel leaves trickling over the rim. A discarded black shield with a red emblem lies on the ground near the figure's feet, suggesting the atmosphere after a war. The scene is shot by a woman with a large movie camera. The background suggests a tranquil, a harsh, rough landscape with Greek ruins, warm-toned sky, evoking an idyllic yet melancholy mood, background Epidauros Greek theater, by Frederic Leighton, by Rackham, by Greek tragedy
  
  Face enhance: No
  
  Upscale & Enhance: 0
  
  Aspect Ratio: landscape
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Prompt: Masterpiece ((full body shot, complete in picture, flawless, the scene is shot by a woman with a large movie camera)) Create an image of a classical painting showing a female figure in a flowing, floor-length black gown that drapes elegantly around her figure, bare feet. The figure is positioned in a contrapposto pose, leaning forlornly against a light beige classical column. One arm is raised above her head, her hand rests on her forehead and her eyes are closed, conveying a sense of infinite sadness. She has olive-colored skin, dark hair styled into a loose updo with strands framing her face, and an intricate headdress of silver beads partially covering her hair. On a shelf attached to the column is an arrangement of red and black roses in a basket. Next to the figure's feet is an antique clay urn with laurel leaves trickling over the rim. A discarded black shield with a red emblem lies on the ground near the figure's feet, suggesting the atmosphere after a war. The scene is shot by a woman with a large movie camera. The background suggests a tranquil, a harsh, rough landscape with Greek ruins, warm-toned sky, evoking an idyllic yet melancholy mood, background Epidauros Greek theater, by Frederic Leighton, by Rackham, by Greek tragedy

Modifiers:

Award winning photography 8k 4k wallpaper fantastic view 4K 3D crisp quality hdr Michelangelo VRay Caspar David Friedrich Alex Alemany 4g UHD © Misme 4K 3D 8k

More about Elektra

“Is it a statute that the blood of murder flows,
Spilled to the earth, demands anew
For blood. But murder calls up the Erinys,
Which leads to the bloodguilt of the murdered before
Again and again new bloodguilt. ”
- Aeschylus; translation: Oskar Werner: Choephoren, p. 400ff.

In view of the worldwide armed conflicts over power, religion, inequality in relation to women and men and the associated “medieval” thinking in the sense of traditional toxic ideas of masculinity, which produce suffering and misery and darken thinking, Electra is also representative example of this.

Passed down by Homer, she was still called “Laodicea” in Homer's play, but was only given the name “Electra” by the tragedy writers. Dramatized by Sophocles as “Electra” (around 410 BC), by Aeschylus as “The Grave-Givers” in the “Oresteia” in 458 BC and by Euripides again as “Electra” in the period between 420 - 413 BC.
In modern times, Hugo von Hofmannsthal wrote a new version of the material with the same name, which he later reworked into a libretto for Richard Strauss' opera “Elektra”. Gerhart Hauptmann also wrote an “Elektra”. Later, Jean-Paul Sartre (in the drama “The Flies”) and Jean Giraudoux (“Électre”) used the myth.
“Mourning Becomes Electra” is a trilogy of plays by Eugene O'Neill that premiered at the Guild Theatre in New York on October 26, 1931.
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©️ Original image created by Misme! All rights reserved.

#ancientpillars #blackgown #classicalarchitecturelandscape #figure #misme #relektra #roses

Elektra

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