Man on Red Velvet Carpet with Glass Table and Mirror

Sexist Alan Jones turned upside down: Table

164

Artist
©Jan Dusti...
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QWEN
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1w ago
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  Sexist Alan Jones turned upside down: Table
  
  Model: QWEN
  
  Size: 2560 X 1440 (3.69 MP)
  
  Used settings:
  
  Prompt: A man in a submissive pose, on all fours, serving as a human table. He is positioned centrally, facing towards the left side of the frame with his head slightly bowed. A clear, rectangular glass tabletop rests horizontally on his back, forming the main surface of the table. The man is wearing a fitted black short-sleeved top, black shorts, and a vibrant yellow, high-waisted undergarment with visible snaps or buttons on the rear. His lower legs are encased in shiny, black, high-heeled boots, suggesting latex or patent leather material. His skin tone is warm, and he has dark hair and a beard. He is kneeling on a plush, red velvet fabric that is draped and slightly wrinkled, covering the floor beneath him. A small, black-handled mirror with a circular reflective surface lies on the velvet in front of his left hand. The lighting is soft and even, highlighting the textures of the velvet and the sheen of the boots and glass. There are subtle reflections visible on the glass tabletop, indicating ambient light. The background is a muted, slightly darker red or maroon, creating a continuous, studio-like setting with the velvet on the floor. The overall style is a conceptual art photograph with a hint of avant-garde fashion or performance art. The mood is intriguing, provocative, and somewhat surreal, emphasizing the unusual and submissive arrangement. The composition is a medium shot, framing the man and the glass table clearly, with enough of the red velvet to establish the setting. The focus is sharp on the man and the objects, with a slight depth of field blurring the background. Inspired by Alan Jones' sculptures, ©Jan Dustin Gaar
  
  Using base image: Yes
  
  Style/LoRA: AmateurPhoto
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Prompt

A man in a submissive pose, on all fours, serving as a human table. He is positioned centrally, facing towards the left side of the frame with his head slightly bowed. A clear, rectangular glass tabletop rests horizontally on his back, forming the main surface of the table. The man is wearing a fitted black short-sleeved top, black shorts, and a vibrant yellow, high-waisted undergarment with visible snaps or buttons on the rear. His lower legs are encased in shiny, black, high-heeled boots, suggesting latex or patent leather material. His skin tone is warm, and he has dark hair and a beard. He is kneeling on a plush, red velvet fabric that is draped and slightly wrinkled, covering the floor beneath him. A small, black-handled mirror with a circular reflective surface lies on the velvet in front of his left hand. The lighting is soft and even, highlighting the textures of the velvet and the sheen of the boots and glass. There are subtle reflections visible on the glass tabletop, indicating ambient light. The background is a muted, slightly darker red or maroon, creating a continuous, studio-like setting with the velvet on the floor. The overall style is a conceptual art photograph with a hint of avant-garde fashion or performance art. The mood is intriguing, provocative, and somewhat surreal, emphasizing the unusual and submissive arrangement. The composition is a medium shot, framing the man and the glass table clearly, with enough of the red velvet to establish the setting. The focus is sharp on the man and the objects, with a slight depth of field blurring the background. Inspired by Alan Jones' sculptures, ©Jan Dustin Gaar

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