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Not that I am terribly surprised, but cutting and pasting the EXACT same language in the prompt yields a completely different result for the edge of the skirt, though perhaps this is usable. Nothing but frustration and utter madness trying to maintain consistency from shot to shot. You're lucky if one generation in 5 is even close to what your notes indicate you can expect the result to be. Which is not a huge deal at 5 energy for a single image and you can touch it up in the AI editor or an evolution, but a MAJOR problem when you're doing 130 energy for a 5 second clip of video that you can't do any post-production on at all.
I suppose that is seen as a feature by some, it's a complete showstopper for others. Hopefully I can at least salvage a starting frame to continue on from here with some work in an offline editor. I know better than to try to create a very specific look in the editor here, for all the obvious reasons. The capability to break out a frame on-site and directly load into the AI editor here would help a lot.
On the bright side, ProVideo produces better results than anything I've tried anywhere else, though I know of one model I am hoping to be able to access one of these days that may be able to at least match it. <shrug> ProVideo as it currently is just takes way too bloody long if you've got specific goals in mind rather than just taking whatever overly creative interpretation riffing on some minor element your previous prompts had never given reason to suspect the AI would even look at. Not sure I've got a single shot in one take, and even the ones I decided were 'good enough' often have continuity issues I'd never accept in a real world shoot.
The one thing I'll give it is there's FAR fewer physics or object collision problems than any other video model I currently can access. I've seen a few, some of the shots in the long campaign to get the necktie off had the tie magically passing through her neck in the process. So far, Hollywood doesn't have a lot to worry about from consumer-grade AI.