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ArtistYou, me Understand Shake my hand Last chance, little man Ain't it grand It's a bargain, it's a steal 30 pieces of silver And a deal's a deal Sign upon the dotted line I'll be yours and you'll be mine Nothing's free Eventually Nothing's free From the rules and laws of morality Free to take your fill Free from your own free will Nothing's free My boy, it's getting late I'll raise the stakes So close Control your fate, why hesitate Seal the deal, close the sale Take my hammer, drive the nail Sign upon the bloody line A drop of yours, a drop of mine Nothing's free Eternally Nothing's free From your conscience or Free from the consequence Free to sin and death Free til your final breath Nothing's free Free from the claws and flaws of your family Free from obedient life You're cut like a double-edged knife Nothing's free, nothing's free Oh, you pay me Free to ignore the bore of authority Free to spit in the face Be the winningest rat in the race til Judgement Day Then nothing's free Bow to me if you wanna be free Free from life, come die with me And when we're dead it's for eternity Come on little one and dance in the fire The heat's getting close and the flame's Getting higher When the music's over there's a hush In the choir Nothing's free When the trumpets sound and his light Is all around And the saints all raise from the graves In the ground We'll be going way downtown Way downtown
A haunting low-angle visionary psychedelic surrealism oil painting. In a hellish landscape, a large gothic figure with long hair and skeletal, clawed hands and feet, enveloped in a dark and voluminous robe, stands over a child with small white wings on its back and blood dripping from its chest. The gothic figure holds a large stone tablet with red text, featuring words like "You, me," "Underctand," "Shaba my hand," "Last chensa," and phrases encouraging freedom. The child, looking up at the gothic figure, has open wounds and bleeding from the chest. The setting is dominated by an infernal red sky with an intense bright light, depicting a burning city in chaos with small figures engulfed in flames. On the left, a large, ornate structure with stairs and abstract, decorative elements in dark metal hues is visible. On the right, a large tree with thick branches dominates the scene, with another figure resembling a tribal person sitting beneath it in the foreground. Another set of stairs leads up to a bridge in the background, where more abstract skeletal figures are scattered. The overall mood is ominous, foreboding, and desolate. The art style is deeply inspired by H.R. Giger and Zdz
