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A dark, richly textured, gritty tone, atmospheric, cinematic oil painting in a gritty gothic style and dramatic lighting. A stairwell descends into the hospital’s forgotten lower levels — cracked concrete steps, rusted handrails overtaken by moss, and walls marked with smeared warnings and water stains. A single flickering emergency light casts eerie shadows across the space. At the base of the stairwell, a soft, unnatural glow pulses faintly from beyond the corridor. In the composition, four paranormal investigators — teenagers to young adults — are frozen mid-descent, lit by cold flashlight beams and the distant glow. Lark leads: short, wavy chestnut-brown hair tucked under a knit cap, hazel eyes sharp. She wears a dark green utility jacket, reinforced black jeans, and worn boots. A leather satchel hangs from her side. Her posture is alert, hand on the railing, scanning below. Sofie follows behind: long, straight black hair with soft bangs, pale skin and gray-blue eyes. She wears a loose gray knit sweater over a black skirt trimmed with old lace. A small locket hangs from her neck beside a digital Nikon camera. Her expression is wide-eyed, fixated on faint glowing handprints on the wall that only she can see. Nelly crouches a step lower: short, choppy teal-blue hair with buzzed sides and tech goggles on her head. She has bronze skin, dark eyes, tattoos peeking from sleeves, wearing a bright (orange and brown) bomber jacket with patches, dark gloves, and band shirt. Her handheld spectral scanner glows with unreadable data. Her eyes are lit with excited curiosity. John stands at the top, tall and lean, filming with a large, mounted professional camera. He is young, has messy blond hair under a backwards cap, amber-brown eyes behind small glasses, a dark hoodie under a utility vest, and cargo pants stuffed with gear. He watches through the lens, silent and focused. The space is damp and claustrophobic. Light filters like fog. The sense of something near — but unseen — charges the atmosphere with tension. Style: dark paranormal, cinematic lighting, gritty textures, ghost story tone, visually detailed. Mood: mysterious, suspenseful, immersive.
Four people investigate a dark, decrepit, and wet underground passage. The man in the back left wears a dark green jacket and a cap, with glasses, holding a large camera with a light. He stands behind a thick, mossy wooden railing. In front of him, a woman with auburn hair and a knit cap holds onto the railing with one hand and illuminates the path with a flashlight in the other, a brown messenger bag on her hip. To the right, another woman with long dark hair, wearing a dark sweater, holds a small camera with a flashlight attached, pointing its light at a stained concrete wall with faded red graffiti that says "KEEP OUT" and a smudged white handprint. In the foreground, a fourth person with short blue hair and goggles on their head crouches, wearing an orange jacket and fingerless gloves, holding a small electronic device with a green screen that displays static. There’s an overhead light fixture in the top middle of the image, dimly illuminating a section of the textured, rough-hewn concrete wall. The steps they are on appear to be made of concrete, and the entire environment is characterized by dark, damp, and grimy surfaces.
Serie: Ghost's Story
© Isobel Blundell
All original characters, story, and narrative concepts.
