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I'm back in town You don't look so happy 'cause I'm back in town You don't look like smiling, don't jump up and down on my toes I guess I better go, oh I'm very sure I should have knocked when I opened the door Pardon me, miss, but he's just a friend from before Who never locked his door I opened without knocking like before You wrote me that all was the same So I came But I can't find the love in your eyes I guess that you're surprised just like me I never thought you'd find another she You liked as well as me But I guess I was wrong So I'll be going home, oh I'm back in town Didn't they tell you that I'm back in town? You don't look so happy, don't jump up and down on my toes You loved me once, you know I guess that you don't love me anymore, hm I'm back in town Didn't they tell you that I'm back in town? You don't look so happy, don't jump up and down on my toes You loved me once, you know (((no text in the image at all)))
https://youtu.be/VaswdvtO8_U
Melanie - I'm Back in Town (1969)
A stained glass art painting, inspired by Alphonse Mucha, depicts a romantic scene with a cubist art style. On the left side of the artwork, a large, ornate depiction of a winged woman, resembling an angel or goddess, floats above a detailed cityscape. This cityscape features gothic architecture, including pointed spires, bridges, and buildings along a river, all rendered in a fragmented, geometric style. A bright yellow full moon and a white butterfly are visible in the blue sky. In the foreground, a man with dark curly hair, wearing a black trench coat, stands with his back to the viewer, looking towards a woman. He carries a brown suitcase beside him. The woman, with her back slightly turned, wears a flowing white gown and has her dark hair pulled up. She stands near a doorway with a warm yellow light emanating from it. On the right side of the painting, another stained glass section shows a man's face in profile, with dark hair and a mustache, observing the couple. Below him, a vignette of a man and woman in light blue garments is visible. The foreground on the right features a table with a green pitcher, a vase of pink roses, a golden candelabra, and papers. The overall style is reminiscent of Alphonse Mucha and Gustav Klimt, with rich colors and intricate patterns.
