Cinematic Clash of Tradition and Technology

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A hyper-detailed, cinematic scene inside a gritty, cluttered artist’s studio, where a colossal, biomechanical cyberpunk dragon erupts dramatically from a shattered traditional Japanese-style folding screen. The dragon’s head and forelimbs burst through the red lacquered panels, which are adorned with gold-leaf clouds, black wave patterns, and white chrysanthemum motifs — now cracked and splintered under the force of its emergence. The dragon itself is a fusion of ancient myth and futuristic engineering: its body is covered in interlocking metallic scales with glowing cyan circuitry veins pulsing with electricity, its eyes and mouth emit intense blue neon light, and steam billows from its nostrils. Sharp mechanical claws extend from its forelimbs, gripping the broken screen. Behind it, exposed wires and glowing blue energy arcs crackle in the void. The studio is dimly lit with overhead fluorescent lights, casting dramatic shadows. Easels hold unfinished paintings in traditional East Asian ink-wash style; paint tubes, brushes, jars of pigment, and scattered art supplies litter the wooden floor and workbench. The atmosphere is electric and surreal — a collision of tradition and technology, creation and destruction, myth and machine — rendered in ultra