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My thoughts and steps extending outward like ripples, a future self shaped by what gets cultivated now. In this greyscale work I remove colour entirely to test whether the idea survives on structure alone. My face is assembled from a triangulated mesh, so that form is generated rather than outlined. Nothing is hidden behind the surface; the surface is the argument. Openness is the method, not the mood. I want the viewer to catch the moment where the lattice resolves into a face, and then to lose it again — because that flicker, between one reading and another, is where interpretation actually happens. Renewed interpretation is the whole point: the work is not finished when it leaves the studio. It is finished each time someone looks.
A surrealist art piece featuring a white mannequin head and shoulders bust standing on a white pedestal in a desert landscape with rolling dunes, a diagonal rainbow stretching across a dark grey sky, and the top of the mannequin's head and the hair dissolving into a colorful cloud of floating origami-like paper triangles in red, yellow, blue, green, and white.