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Jenny and six other barmaids dressed in light clothing sit on their suitcases with the suitcase sticker "Mahagonny" and sing the following. Well, show me the way To the next whisky bar Oh, don't ask why Oh, don't ask why Show me the way To the next whisky bar Oh, don't ask why Oh, don't ask why For if we don't find The next whisky bar I tell you we must die I tell you we must die I tell you, I tell you I tell you we must die Oh, moon of Alabama We now must say goodbye We've lost our good old mama And must have whisky, oh, you know why Oh, moon of Alabama We now must say goodbye We've lost our good old mama And must have whisky, oh, you know why Well, show me the way To the next little girl Oh, don't ask why Oh, don't ask why Show me the way To the next little girl Oh, don't ask why Oh, don't ask why For if we don't find The next little girl I tell you we must die I tell you we must die I tell you, I tell you I tell you we must die Oh, moon of Alabama We now must say goodbye We've lost our good old mama And must have whisky, oh, you know why (((no text in image at all)))
https://youtu.be/EGUjGPrfA6U
Lotte Lenya in Alabama Song by Kurt Weill recording 1930
A vibrant, stylized 1920s speakeasy scene featuring seven flapper women singing with open mouths and expressive gestures, seated in a row on vintage suitcases labeled “Mahagonny” in bold white text on red and gold circular logos. Each woman wears a fringed, beaded 1920s-style flapper dress in pastel shades—white, light blue, cream, pale pink—with intricate embroidery and layered pearl necklaces. Their hair is styled in finger waves or bobs, adorned with feathered headbands in blue, yellow, pink, or white. They wear matching pearl bracelets, drop earrings, and strappy heeled shoes. The background depicts a jazz-age bar with glowing hanging bulbs, a well-stocked liquor shelf, mirrored panels, and warm ambient lighting in pink, gold, and teal hues. The floor is checkered with soft pastel tiles. The illustration style is richly saturated, reminiscent of Art Deco poster art with clean lines, dramatic lighting, and a retro-futuristic color palette, evoking the theatrical glamour of Weimar-era cabaret and musical theater. The central figure is slightly larger, emphasizing her as the lead singer. The overall mood is exuber