Comments
Loading Dream Comments...
You must be logged in to write a comment - Log In
Sylvia's Mother Sylvia's mother said Sylvia's busy Too busy to come to the phone Sylvia's mother said Sylvia's trying to start a new life of her own Sylvia's mother said Sylvia's happy So why don't you leave her alone? And the operator said 40 cents more for the next three minutes Please, Mrs. Avery, I just gotta talk to her I'll only keep her a while Please, Mrs. Avery, I just want to tell her goodbye Sylvia's mother said Sylvia's packing She's gonna be leaving today Sylvia's mother said Sylvia's marrying a fella down Galveston way Sylvia's mother said Sylvia's happy So why don't you leave her alone? And the operator said 40 cents more for the next three minutes Please, Mrs. Avery, I just gotta talk to her I'll only keep her a while Please, Mrs. Avery, I just want to tell her goodbye Sylvia's mother said Sylvia's hurrying She's catching the nine o'clock train Sylvia's mother said, "Take your umbrella 'cause Sylvia, it's starting to rain And Sylvia's mother said, "Thank you for calling, and, sir, won't you call back again?" And the operator said 40 cents more for the next three minutes Please, Mrs. Avery, I just gotta talk to her I'll only keep her a while Please, Mrs. Avery, I just want to tell her goodbye Tell her goodbye Tell her goodbye Tell her goodbye Please, tell her goodbye (((One single image. No text in image at all)))
https://www.youtube.com/watch?v=QLAWo-PsjwI
Dr. Hook & The Medicine Show - Sylvia's Mother
A painting in the style of Edward Hopper, features a wide shot with a central woman in the foreground and a street scene behind her. The woman in the foreground, facing right but looking forward with a solemn expression, holds a black rotary phone to her ear. Her dark hair is pulled back, revealing blue eyes and fair skin with hints of red on her cheeks and lips. She wears a blue and gold patterned jacket with a subtle checkered design.
Behind her, to the right, a second woman with dark hair pulled back is seen from the chest up, facing left and focused on typing on a keyboard. She wears a black dress. The background of this section is composed of geometric shapes in varying shades of brown, blue, and yellow, with a small light fixture hanging above her.
To the left of the central woman, the background transitions to an outdoor city street scene with a distinct art deco architectural style. The buildings are tall and angular, with facades in shades of beige, yellow, and blue, and some orange highlights. The sky is a gradient of light blue to dark blue with a large red circle representing the sun in the upper left. The street itself is reflective, showing distorted reflections of the buildings and sky, giving the impression
