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Surreal landscape: forest, mountains, lake, in the otherworldly style of Rodney Matthews.
No map marks the lake. Maps are too eager. They flatten ridges, name rivers, draw
lines through forests and call the lines roads. The lake refuses that sort of definition.
People reach it after losing things.
A shepherd followed a white ewe into fog and came out beneath trees. A soldier
deserted a war, threw away his sword, then walked without choosing a direction. A
widow left home because every room contained the shape of someone absent. All
three found the same water.
None could lead anyone back.
The country before the lake is ordinary for longer than seems fair. Mud, rain,
branches catching at sleeves. Then the trail becomes less certain. Stones appear
where no stones were. Trees grow old without twisting. The air loses its small noises
until even your footsteps sound borrowed.
You do not notice the mountains at first.
They arrive slowly, blue ridges behind blue ridges, each less plausible than the last,
until the farthest peaks stand like something remembered from before you were
born. The trees open. Grass turns gold beneath your feet. There is the water, so still
that clouds seem to have sunk into it and found a second sky.
Nothing announces that you have arrived.
No gate. No shrine. No voice asking whether you are worthy. Wind touches the
surface once and leaves. Somewhere across the lake a bird makes one clear sound,
and for a moment you understand how much noise you have been carrying.
Most people sit down.
The lake offers nothing to pursue. Look for revelation and the mountains become
mountains. Demand an answer and water remains water. Try to possess the peace
and you will feel it close like a hand withdrawing.
But stay without bargaining.
Hunger comes. Your knees ache. The sun moves. Thoughts rise in old costumes:
regret dressed as memory, fear dressed as planning, desire dressed as necessity.
Let them cross. The lake keeps none. By evening, the great trees throw their
shadows across the shore and something inside you, exhausted from naming every
wound, may finally stop introducing itself.
Then the place changes.
Not visibly. That would be too easy.
The mountains are still stone. The grass is still grass. Yet the distance between
yourself and everything else becomes difficult to locate. The tree under your palm is
not comforting you. The water does not forgive you. The world has simply stopped
arguing that you are separate from it.
People leave eventually.
They shoulder their packs and discover a path where no path was before. By dusk
they are back among ordinary hills. By morning they begin doubting what happened.
Years later, some try to return.
They bring provisions, compasses, friends. They memorize turns. They search until
anger replaces hope.
They never find the lake.
Others, much later, while walking somewhere else entirely, round a bend beneath
unfamiliar trees and see blue water holding the sky.
This time… they do not ask why.