Watercolor and Ink Portrait of a Distressed Woman

Turmoil Beneath Stormy Skies

Artist
Maximilian...
DDG Model
DaVinci2
Access
Public
Created
2mos ago
Try (1)
Public
49

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- Info
  Turmoil Beneath Stormy Skies
  
  Model: DaVinci2
  
  Size: 1216 X 1536 (1.87 MP)
  
  Used settings:
  
  Prompt: style of Scott Wade and Wayne Barlow, liminal video still, shabby 2000's retro artstyle, brightness 1.9, posture is slightly tilted, cloudy, turbid, dim, sneaky, bleak, expressionistic linework by Christophe Louis & Mira Lou akin to a tilted top-to-bottom view, slightly angled, vibrant ink art in motion by John Buscema and Frank Frazetta and Jean Dubuffet transparent layers, soft washes, watercoloring marks, liminal, mip-mapping 1.3, simplistic, synthetic essence, negative lucas numbers, polished, reflective mapping 1.3, gradient inking colors, female, tints,128k, UHD, Rapscallionstyle, intricate texture mapping 1.3, dyed, high definition, sharp focus, intricate, elegant, cinematic lighting, 8k concept art; deep color; ink drawing,stacked-up perspective for rounded edges, only curvaceous linework, expressionistic, reflective mapping by Rebecca Saray, indiecore, warm gradient tones, trippy, warm tones, squiggly brushstrokes, visible textures, highly detailed and attractive, professional natural lighting casting soft shadows, artistic interpretation. 3d effect, foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k octane render, line art style mix. Mip-mapping 1.8, dramatic golden hour lighting, Hasselblad, 65mm lens, linework by Christophe Louis, color shifts, cultivated wet on wet, ink and pen, painterly approach and processing, coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism, slightly warped color shifts, cultivated wet on wet, ink and pen, painterly approach and processing, coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism, slightly warped cinematic view,
  
  Using base image: Yes
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Prompt: style of Scott Wade and Wayne Barlow, liminal video still, shabby 2000's retro artstyle, brightness 1.9, posture is slightly tilted, cloudy, turbid, dim, sneaky, bleak, expressionistic linework by Christophe Louis & Mira Lou akin to a tilted top-to-bottom view, slightly angled, vibrant ink art in motion by John Buscema and Frank Frazetta and Jean Dubuffet transparent layers, soft washes, watercoloring marks, liminal, mip-mapping 1.3, simplistic, synthetic essence, negative lucas numbers, polished, reflective mapping 1.3, gradient inking colors, female, tints,128k, UHD, Rapscallionstyle, intricate texture mapping 1.3, dyed, high definition, sharp focus, intricate, elegant, cinematic lighting, 8k concept art; deep color; ink drawing,stacked-up perspective for rounded edges, only curvaceous linework, expressionistic, reflective mapping by Rebecca Saray, indiecore, warm gradient tones, trippy, warm tones, squiggly brushstrokes, visible textures, highly detailed and attractive, professional natural lighting casting soft shadows, artistic interpretation. 3d effect, foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k octane render, line art style mix. Mip-mapping 1.8, dramatic golden hour lighting, Hasselblad, 65mm lens, linework by Christophe Louis, color shifts, cultivated wet on wet, ink and pen, painterly approach and processing, coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism, slightly warped color shifts, cultivated wet on wet, ink and pen, painterly approach and processing, coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism, slightly warped cinematic view,

Modifiers:

bokeh dof bright studio setting portrait dynamic lighting 4K 3D subsurface scattering Art Nouveau raytracing cel-shaded Ambient occlusion Shadow mapping captivating colored line patterns Divisionism Brightness Art of Illusion 3D shading Clean lines by Patrick Nagel 3D effects AIVision Acid spill Pastel colors of light yellow, ochre, amber, kali, beige, by WETA FX and industrial light and magic, intricate elaborate RTX enhanced CGI 3 layers in logarithmic distance with DOF 1970s advertising art perfectly flowing emotions, perfectly resonated aesthetics, realistic image of motion AIVision model close-up, hyperdetalization, shadow mapping 4k 4K 3D Plushy psychpomp scene 1.9 Wet-on-wet watercolor painting, wavery textures,layered geometrical art Luminosity anisotropic filtering raytraced shadows shadow mapping, highly detailed textures Layered geometrical vector art, radiance, illustrative maximalism, Art Noir 1950s advertising art advertising art. brightness 1.4 dynamic lighting 1.7 anisotropic filtering 1.7 Pastel colors of light red, Soft Coral, auburn, Warm Peach Aligram gradient dyed colors, tesselated, stippled, blotting, debeh, bokeh, dof, warm tones <LoRA:xl_more_art-full_v1:0.8>,<LoRA:add-detail-xl:1.0> ambient occlusion 1.6 raytraced shadows 1.8, thinned watercolor on homemade paper, paint splatter and wet ink phong shading 1.3, diffuse reflection 1.5, texture filtering, mip-mapping catenaries Reflective mapping 1.3, raytraced shadows 1.7, displacement mapping 1.9, texture mapping 1.3, plasticity 1.3, phong shading 1.8, cel-shade

Evolution steps: (See in details)

Step 1

Evolution started from:

+ Prompt: style of Scott Wade and Wayne Barlow, liminal video still, shabby 2000's retro artstyle, tints,128k, UHD, Rapscallionstyle, intricate texture mapping 1.3, dyed, high definition, sharp focus, intricate, elegant, cinematic lighting, 8k concept art; deep color; ink drawing,stacked-up perspective for rounded edges, only curvaceous linework, <lora:Dark lightingSlider:-0.2>, thinned outlines, plasticity 1.3, sympathic upper body portrait, 3d effects, UHD, HDR, 128k octane render, 3D illustration, rule of thirds 1.3, intricate facial features by Francesco Clemente, ultra-sharp, 128K resolution, double exposure effect, sharp digital painting, surreal, double exposure effect, smart hyperrealism, crystalline and opaque forms, colored line patterns, serenity, reminiscent of geometrical art, gothical composition,abstract <lora:Dark lightingSlider:-0.2>, thinned watercolor, abstract expressionistic, reflective mapping by Rebecca Saray, indiecore, warm gradient tones, trippy, warm tones, squiggly brushstrokes, visible textures, highly detailed and attractive, professional natural lighting casting soft shadows, artistic interpretation. 3d effect, foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k octane render, line art style mix. Mip-mapping 1.8, dramatic golden hour lighting, Hasselblad, 65mm lens, linework by Edward Gorey & Mira Lou, color shifts, cultivated wet on wet, ink and pen, painterly approach and processing, coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism, slightly warped cinematic view,

Prompt

style of Scott Wade and Wayne Barlow, liminal video still, shabby 2000's retro artstyle, brightness 1.9, posture is slightly tilted, cloudy, turbid, dim, sneaky, bleak, expressionistic linework by Christophe Louis & Mira Lou akin to a tilted top-to-bottom view, slightly angled, vibrant ink art in motion by John Buscema and Frank Frazetta and Jean Dubuffet transparent layers, soft washes, watercoloring marks, liminal, mip-mapping 1.3, simplistic, synthetic essence, negative lucas numbers, polished, reflective mapping 1.3, gradient inking colors, female, tints,128k, UHD, Rapscallionstyle, intricate texture mapping 1.3, dyed, high definition, sharp focus, intricate, elegant, cinematic lighting, 8k concept art; deep color; ink drawing,stacked-up perspective for rounded edges, only curvaceous linework, expressionistic, reflective mapping by Rebecca Saray, indiecore, warm gradient tones, trippy, warm tones, squiggly brushstrokes, visible textures, highly detailed and attractive, professional natural lighting casting soft shadows, artistic interpretation. 3d effect, foampunk style lighting by Ed Paschke, dark fantasy meets surrealism, bokeh effects, UHD, HDR, 128k octane render, line art style mix. Mip-mapping 1.8, dramatic golden hour lighting, Hasselblad, 65mm lens, linework by Christophe Louis, color shifts, cultivated wet on wet, ink and pen, painterly approach and processing, coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism, slightly warped color shifts, cultivated wet on wet, ink and pen, painterly approach and processing, coloring by Mike Zeck, plasticity 1.8 by Barclay Shaw, polished orphism, slightly warped cinematic view,

More about Turmoil Beneath Stormy Skies

An eye-level medium-close-up shot on watercolor, ink, and pencil of a young woman with long, shiny, wavy brown hair, wearing a reddish-pink t-shirt, looking up and to the right with her mouth open and a slightly shocked or amazed expression, against a dramatic, stormy sky with dark clouds and hints of orange sunset light, with what appears to be a large metal structure or building on the left, rendered in a detailed, comic-book-like style with strong outlines and cross-hatching, giving it a somewhat distressed or gritty feel.