Prompt: Witch, headshot, mystical, fantasy artwork engraved in the style of Ed Binkley and Buckminster Fuller. Psychedelic linework, choatic tree branches, sculpted, cel-shaded, 3d effects, liminal, raytraced shadows 1.3, texture mapping 1.3, dynamic lighting 1.3, multi-layered eyes. Several transparent crystal-clear layers. parallax occlusion 1.8, emulsion shifts, dyed, trippy coloring, detailed background, swirls, cymatics, catenaries, organic textures by Dan Mumford and Frank Frazetta, fnatural asymmetry, painterly effects, visible porcelain skin texture, displacement mapping, plasmatic hatchings, scratched edges, cel-shaded lighting is soft and diffused, highlighting the delicate features and fabric textures. avant-garde with 3d effects, layered shapes, raytraced shadows 1.4, watercolor, indiecore details with glowing particles, soft brushed texture, golden and pastel harmony, estranged lighting, dreamy movement, painterly detailtriadic color scheme lilac beige yellow. Drawing inspiration from the styles of Lawrence Schwinger and Stan Lee, the dynamic lighting by Cecilia Frigati and Esao Andrews, displacement mapping 1.3, visible textures, shadow mapping 1.3, mip-mapping 1.3, phong shading 1.3, mesmerizing fusion of vine and oiled charcoal textures, compressed charcoal, black outlines, black conte crayon, creating a rich tapestry of textures. Streamline_moderne influence, Reduction, simplicity, perpendicular line-art features with oil pastels and pigments, adding depth and luminosity, mip-mapping, masterpiece of highly detailed sharp focus, exuding elegance and a touch of posh fantasy. The cinematic lighting, reminiscent of a captivating scene, enhances the visual narrative. Parallax occlusion 1.8. Mysterious gothic fantasy, textured watercolor illustration influenced by Gustav Klimt, Man Ray, and Alex Grey, sfumato, stylized fissured hues in a plique-à-jour technique, stylized, aquarelle extrusion, wet on wet watercolor by Jean Haines and Coby Whitmore, embodiment by Ho Baron, only curves, stylization 1.8 exuding an eldritch atmosphere. debeh, bokeh, dof, precisionism reminiscence, unique, warm coloring with ink lines over watercolor effects, tesselated, stylized, watercoloring techniques, psychedelic, trippy color glitches in enamel on porcelain. Bold strokes of thick, dark lacquer. Shiny sfumato effect, fantasy art with elements of mythological essence, thinned paint, wet ink effects, indiecore illustration, contouring outlines, pastel color palette, stencil-style merging with streamlilne_moderne and street-art influences, complex lines, warped, simplified shapes for 3d effects, enclosed color shapes, delicate surrounding outlines, enlightened line-art details, plasticity 1.3, linework, contouring outlines by Freda People, merged styles of Robert Henri & Chaim Soutine, alcohol ink coloring by peter wileman, dyed by Igor Tuveri, hues by John Philip Falter, flabbergasting geometrical stylization 1.8, cracked paper texture, small brushstrokes with defined edges, tiny and lean lines, orphism, abstracted collage reminiscence,
Prompt: Witch, headshot, mystical, fantasy artwork engraved in the style of Ed Binkley and Buckminster Fuller. Psychedelic linework, choatic tree branches, sculpted, cel-shaded, 3d effects, liminal, raytraced shadows 1.3, texture mapping 1.3, dynamic lighting 1.3, multi-layered eyes. Several transparent crystal-clear layers. parallax occlusion 1.8, emulsion shifts, dyed, trippy coloring, detailed background, swirls, cymatics, catenaries, organic textures by Dan Mumford and Frank Frazetta, fnatural asymmetry, painterly effects, visible porcelain skin texture, displacement mapping, plasmatic hatchings, scratched edges, cel-shaded lighting is soft and diffused, highlighting the delicate features and fabric textures. avant-garde with 3d effects, layered shapes, raytraced shadows 1.4, watercolor, indiecore details with glowing particles, soft brushed texture, golden and pastel harmony, estranged lighting, dreamy movement, painterly detailtriadic color scheme lilac beige yellow. Drawing inspiration from the styles of Lawrence Schwinger and Stan Lee, the dynamic lighting by Cecilia Frigati and Esao Andrews, displacement mapping 1.3, visible textures, shadow mapping 1.3, mip-mapping 1.3, phong shading 1.3, mesmerizing fusion of vine and oiled charcoal textures, compressed charcoal, black outlines, black conte crayon, creating a rich tapestry of textures. Streamline_moderne influence, Reduction, simplicity, perpendicular line-art features with oil pastels and pigments, adding depth and luminosity, mip-mapping, masterpiece of highly detailed sharp focus, exuding elegance and a touch of posh fantasy. The cinematic lighting, reminiscent of a captivating scene, enhances the visual narrative. Parallax occlusion 1.8. Mysterious gothic fantasy, textured watercolor illustration influenced by Gustav Klimt, Man Ray, and Alex Grey, sfumato, stylized fissured hues in a plique-à-jour technique, stylized, aquarelle extrusion, wet on wet watercolor by Jean Haines and Coby Whitmore, embodiment by Ho Baron, only curves, stylization 1.8 exuding an eldritch atmosphere. debeh, bokeh, dof, precisionism reminiscence, unique, warm coloring with ink lines over watercolor effects, tesselated, stylized, watercoloring techniques, psychedelic, trippy color glitches in enamel on porcelain. Bold strokes of thick, dark lacquer. Shiny sfumato effect, fantasy art with elements of mythological essence, thinned paint, wet ink effects, indiecore illustration, contouring outlines, pastel color palette, stencil-style merging with streamlilne_moderne and street-art influences, complex lines, warped, simplified shapes for 3d effects, enclosed color shapes, delicate surrounding outlines, enlightened line-art details, plasticity 1.3, linework, contouring outlines by Freda People, merged styles of Robert Henri & Chaim Soutine, alcohol ink coloring by peter wileman, dyed by Igor Tuveri, hues by John Philip Falter, flabbergasting geometrical stylization 1.8, cracked paper texture, small brushstrokes with defined edges, tiny and lean lines, orphism, abstracted collage reminiscence,
Would you like to report this Dream as inappropriate?
Prompt:
Witch, headshot, mystical, fantasy artwork engraved in the style of Ed Binkley and Buckminster Fuller. Psychedelic linework, choatic tree branches, sculpted, cel-shaded, 3d effects, liminal, raytraced shadows 1.3, texture mapping 1.3, dynamic lighting 1.3, multi-layered eyes. Several transparent crystal-clear layers. parallax occlusion 1.8, emulsion shifts, dyed, trippy coloring, detailed background, swirls, cymatics, catenaries, organic textures by Dan Mumford and Frank Frazetta, fnatural asymmetry, painterly effects, visible porcelain skin texture, displacement mapping, plasmatic hatchings, scratched edges, cel-shaded lighting is soft and diffused, highlighting the delicate features and fabric textures. avant-garde with 3d effects, layered shapes, raytraced shadows 1.4, watercolor, indiecore details with glowing particles, soft brushed texture, golden and pastel harmony, estranged lighting, dreamy movement, painterly detailtriadic color scheme lilac beige yellow. Drawing inspiration from the styles of Lawrence Schwinger and Stan Lee, the dynamic lighting by Cecilia Frigati and Esao Andrews, displacement mapping 1.3, visible textures, shadow mapping 1.3, mip-mapping 1.3, phong shading 1.3, mesmerizing fusion of vine and oiled charcoal textures, compressed charcoal, black outlines, black conte crayon, creating a rich tapestry of textures. Streamline_moderne influence, Reduction, simplicity, perpendicular line-art features with oil pastels and pigments, adding depth and luminosity, mip-mapping, masterpiece of highly detailed sharp focus, exuding elegance and a touch of posh fantasy. The cinematic lighting, reminiscent of a captivating scene, enhances the visual narrative. Parallax occlusion 1.8. Mysterious gothic fantasy, textured watercolor illustration influenced by Gustav Klimt, Man Ray, and Alex Grey, sfumato, stylized fissured hues in a plique-à-jour technique, stylized, aquarelle extrusion, wet on wet watercolor by Jean Haines and Coby Whitmore, embodiment by Ho Baron, only curves, stylization 1.8 exuding an eldritch atmosphere. debeh, bokeh, dof, precisionism reminiscence, unique, warm coloring with ink lines over watercolor effects, tesselated, stylized, watercoloring techniques, psychedelic, trippy color glitches in enamel on porcelain. Bold strokes of thick, dark lacquer. Shiny sfumato effect, fantasy art with elements of mythological essence, thinned paint, wet ink effects, indiecore illustration, contouring outlines, pastel color palette, stencil-style merging with streamlilne_moderne and street-art influences, complex lines, warped, simplified shapes for 3d effects, enclosed color shapes, delicate surrounding outlines, enlightened line-art details, plasticity 1.3, linework, contouring outlines by Freda People, merged styles of Robert Henri & Chaim Soutine, alcohol ink coloring by peter wileman, dyed by Igor Tuveri, hues by John Philip Falter, flabbergasting geometrical stylization 1.8, cracked paper texture, small brushstrokes with defined edges, tiny and lean lines, orphism, abstracted collage reminiscence,
Modifiers:
bokeh
dof
extremely detailed
8k
portrait
dynamic lighting
Unreal Engine
hdr
quilling
Orphism
Liquid-pearlescent-plasma and prismatic tilting
Other-worldly beauty & mythical & golden ratio
enhancing symmetry, precision & golden ratio, angular
Shadow Mapping, enhanced color vibrancy, undetailed, 3D effects, hyperdetailed composition
light reflections, impasto , romantic ,wet on wet watercolour
natural lighting and shadows creating a chiaroscuro effect, soft diffused light, studio lighting
shiny metallic colors, silver, gold, porcelain, black onyx
Dynamic lighting, plasticity, luminosity, bioluminescent glow, Layered geometric art
4k 3D, ambient occlusion, subsurface scattering, anisotropic filtering, raytraced shadows
soft mist,dramatic lighting, raytraced shadows, magical surrealism, Marinism, mysterious atmosphere
3d effects, brightness, luminosity, anisotropic filtering, shadow mapping, raytraced shadows, ambient occlusion
Dreamscape, auracore, vaporwave, wavery texture
Upper body portrait
Stylized illustration, fine strokes, cel-shading
Dark fantasy art, tints of Sci-Fi style,
Wet-on-wet watercolor painting, wavery textures,layered geometrical art
1970s advertising art, highly detailed features
Rim lighting, chiaroscuro lighting in background
mixed media, patchwork, quaint,
Layered geometrical vector art, radiance, illustrative maximalism,
Eldritch, geometrical. Gothic. eerie. polished, organic, crisp quality, extremely detailed
editorial illustrations, geometrical, brushstroke fields, graphic design-inspired illustration
Science-fiction illustration
Modernist fashion photography in style of Helmut Newton and David Downton
concept art, sharp focus, smooth edges,intricate, ray tracing, masterpiece
Sculpted, Frantically Baroque
3 layers in logarithmic distance with DOF, divisionism,
New media Pastel and graphite on paper
nuanced painterly effect, Subtle colouring, Casual line and wash sketch, nuanced hues
parallax occlusion mapping, high contrast, tranquil, depth of field
Warm colored and designed patchwork in textiles & background
Earl Moran, Haddon Sundblom, 1930s pulp adventure magazine, Bob Larkin, E.C. horror comics 1950s
vision feature, fusion with geometric Construction, sgraffito with flowing rim light
eccentric, dark fantasycore, irresistible beauty, gothical dark fantasy,
Stylized watercolor painting, inspired by Elena Balbusso, high quality --ar 16:9 --v 6.0 --s 250
AIVision model, AIvision, Aligram, 4k 4K 3D,
Enhance according to light source, Alt-Cinema pan-australis screengrab in Ceramica-lens, dappled illumination
mist, fairy light vortices, windy, mysterious, fairy lights, abstract neorealism
Stippled, blotted, cel-shaded, visible textures, intense color palette, HDR, UHD, debeh, bokeh, dof, dyed
Cymatics, catenaries, fractals, texture mapping
Watercolor and ink, oversprayed watercoloring, wavery textures, muted colors, custom_loss: grey
Displacement mapping 1.3, mip-mapping 1.1, parallax occlusion 1.3, polished hues, fine linework, complexity, UHD, HDR,
+ Prompt:Witch, headshot, mystical, fantasy artwork engraved in the style of Ed Binkley and Buckminster Fuller. Psychedelic linework, raytraced shadows 1.3, texture mapping 1.3, dynamic lighting 1.3, multi-layered eyes. Several transparent crystal-clear layers. parallax occlusion 1.8, emulsion shifts, dyed, trippy coloring, detailed background, swirls, cymatics, catenaries, organic textures by Dan Mumford and Frank Frazetta, fnatural asymmetry, painterly effects, visible porcelain skin texture, displacement mapping, plasmatic hatchings, scratched edges, cel-shaded lighting is soft and diffused, highlighting the delicate features and fabric textures. avant-garde with 3d effects, layered shapes, raytraced shadows 1.4, watercolor, indiecore details with glowing particles, soft brushed texture, golden and pastel harmony, estranged lighting, dreamy movement, painterly detailtriadic color scheme lilac beige yellow. Drawing inspiration from the styles of Lawrence Schwinger and Stan Lee, the dynamic lighting by Cecilia Frigati and Esao Andrews, displacement mapping 1.3, visible textures, shadow mapping 1.3, mip-mapping 1.3, phong shading 1.3, mesmerizing fusion of vine and oiled charcoal textures, compressed charcoal, black outlines, black conte crayon, creating a rich tapestry of textures. Streamline_moderne influence, Reduction, simplicity, perpendicular line-art features with oil pastels and pigments, adding depth and luminosity, mip-mapping, masterpiece of highly detailed sharp focus, exuding elegance and a touch of posh fantasy. The cinematic lighting, reminiscent of a captivating scene, enhances the visual narrative. Parallax occlusion 1.8. Mysterious gothic fantasy, textured watercolor illustration influenced by Gustav Klimt, Man Ray, and Alex Grey, sfumato, stylized fissured hues in a plique-à-jour technique, stylized, aquarelle extrusion, wet on wet watercolor by Jean Haines and Coby Whitmore, embodiment by Ho Baron, only curves, stylization 1.8 exuding an eldritch atmosphere. debeh, bokeh, dof, precisionism reminiscence, unique, warm coloring with ink lines over watercolor effects, tesselated, stylized, watercoloring techniques, psychedelic, trippy color glitches in enamel on porcelain. Bold strokes of thick, dark lacquer. Shiny sfumato effect, fantasy art with elements of mythological essence, thinned paint, wet ink effects, indiecore illustration, contouring outlines, pastel color palette, stencil-style merging with streamlilne_moderne and street-art influences, complex lines, warped, simplified shapes for 3d effects, enclosed color shapes, delicate surrounding outlines, enlightened line-art details, plasticity 1.3, linework, contouring outlines by Freda People, merged styles of Robert Henri & Chaim Soutine, alcohol ink coloring by peter wileman, dyed by Igor Tuveri, hues by John Philip Falter, flabbergasting geometrical stylization 1.8, cracked paper texture, small brushstrokes with defined edges, tiny and lean lines, orphism, abstracted collage reminiscence,
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
Artist
+ Prompt:
Witch, headshot, mystical, fantasy artwork engraved in the style of Ed Binkley and Buckminster Fuller. Psychedelic linework, raytraced shadows 1.3, texture mapping 1.3, dynamic lighting 1.3, multi-layered eyes. Several transparent crystal-clear layers. parallax occlusion 1.8, emulsion shifts, dyed, trippy coloring, detailed background, swirls, cymatics, catenaries, organic textures by Dan Mumford and Frank Frazetta, fnatural asymmetry, painterly effects, visible porcelain skin texture, displacement mapping, plasmatic hatchings, scratched edges, cel-shaded lighting is soft and diffused, highlighting the delicate features and fabric textures. avant-garde with 3d effects, layered shapes, raytraced shadows 1.4, watercolor, indiecore details with glowing particles, soft brushed texture, golden and pastel harmony, estranged lighting, dreamy movement, painterly detailtriadic color scheme lilac beige yellow. Drawing inspiration from the styles of Lawrence Schwinger and Stan Lee, the dynamic lighting by Cecilia Frigati and Esao Andrews, displacement mapping 1.3, visible textures, shadow mapping 1.3, mip-mapping 1.3, phong shading 1.3, mesmerizing fusion of vine and oiled charcoal textures, compressed charcoal, black outlines, black conte crayon, creating a rich tapestry of textures. Streamline_moderne influence, Reduction, simplicity, perpendicular line-art features with oil pastels and pigments, adding depth and luminosity, mip-mapping, masterpiece of highly detailed sharp focus, exuding elegance and a touch of posh fantasy. The cinematic lighting, reminiscent of a captivating scene, enhances the visual narrative. Parallax occlusion 1.8. Mysterious gothic fantasy, textured watercolor illustration influenced by Gustav Klimt, Man Ray, and Alex Grey, sfumato, stylized fissured hues in a plique-à-jour technique, stylized, aquarelle extrusion, wet on wet watercolor by Jean Haines and Coby Whitmore, embodiment by Ho Baron, only curves, stylization 1.8 exuding an eldritch atmosphere. debeh, bokeh, dof, precisionism reminiscence, unique, warm coloring with ink lines over watercolor effects, tesselated, stylized, watercoloring techniques, psychedelic, trippy color glitches in enamel on porcelain. Bold strokes of thick, dark lacquer. Shiny sfumato effect, fantasy art with elements of mythological essence, thinned paint, wet ink effects, indiecore illustration, contouring outlines, pastel color palette, stencil-style merging with streamlilne_moderne and street-art influences, complex lines, warped, simplified shapes for 3d effects, enclosed color shapes, delicate surrounding outlines, enlightened line-art details, plasticity 1.3, linework, contouring outlines by Freda People, merged styles of Robert Henri & Chaim Soutine, alcohol ink coloring by peter wileman, dyed by Igor Tuveri, hues by John Philip Falter, flabbergasting geometrical stylization 1.8, cracked paper texture, small brushstrokes with defined edges, tiny and lean lines, orphism, abstracted collage reminiscence,
