Futuristic abstract art featuring chrome spheres and gradients

Drones de biologie opératoire (hôpitaux) / Operational biology drones (hospitals)

Artist
lucrece bo...
DDG Model
DaVinci2
Access
Public
Created
2d ago
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Public
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- Info
  Drones de biologie opératoire (hôpitaux) / Operational biology drones (hospitals)
  
  Model: DaVinci2
  
  Size: 1560 X 1216 (1.90 MP)
  
  Used settings:
  
  Prompt: A hyper‑detailed, photorealistic 3d digital rendering in a cyber‑futuristic style, using physically‑based rendering (pbr) with high‑poly modeling, digital sculpting, subsurface scattering, and ray‑traced global illumination. the scene features abstract geometric forms: metallic spheres and recursive orbs rendered with intricate surface topology, organic geometry, and a wireframe mesh overlay that shows algorithmic fractal geometry and infinite regression. The color treatment is a monochromatic silver palette with metallic sheen, pearlescent undertones, and a grayscale dominance that includes subtle iridescence and high‑key luminance; the overall look is desaturated yet reflective, with seamless material transitions across polished chrome, glass‑like surfaces, and mirror‑like metal. High dynamic range lighting creates deep black background contrast, bright specular highlights on curved surfaces, and soft mid‑tones in shadowed areas, achieving chiaroscuro through hard‑edged, anisotropic specular reflections and sharp highlights. The aesthetic fuses contemporary digital art, cyber‑futurism, bio‑mechanical elements, neo‑baroque ornamentation, and sci‑fi minimalism into an ethereal, otherworldly, sculptural elegance with luminous translucency and architectural fluidity. The environment is a non‑Euclidean void, an infinite digital tunnel with concentric circles, radial symmetry, and repeating patterns, illuminated by internal emission that provides omnidirectional, self‑illuminated light with neutral, achromatic temperature. The composition uses an extreme close‑up macro perspective from a worm’s‑eye, low‑angle, distorted viewpoint, centering the recursive spheres with converging lines and radial symmetry. the mood is disorienting, hypnotic, and uncanny, with high kinetic energy and pulsating motion. shallow depth of field isolates the central reflective forms, blurring the infinite background while maintaining crisp, mirror‑like surfaces that display anisotropic specular highlights and high‑gloss reflectivity.
  
  Using base image: Yes
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Prompt: A hyper‑detailed, photorealistic 3d digital rendering in a cyber‑futuristic style, using physically‑based rendering (pbr) with high‑poly modeling, digital sculpting, subsurface scattering, and ray‑traced global illumination. the scene features abstract geometric forms: metallic spheres and recursive orbs rendered with intricate surface topology, organic geometry, and a wireframe mesh overlay that shows algorithmic fractal geometry and infinite regression. The color treatment is a monochromatic silver palette with metallic sheen, pearlescent undertones, and a grayscale dominance that includes subtle iridescence and high‑key luminance; the overall look is desaturated yet reflective, with seamless material transitions across polished chrome, glass‑like surfaces, and mirror‑like metal. High dynamic range lighting creates deep black background contrast, bright specular highlights on curved surfaces, and soft mid‑tones in shadowed areas, achieving chiaroscuro through hard‑edged, anisotropic specular reflections and sharp highlights. The aesthetic fuses contemporary digital art, cyber‑futurism, bio‑mechanical elements, neo‑baroque ornamentation, and sci‑fi minimalism into an ethereal, otherworldly, sculptural elegance with luminous translucency and architectural fluidity. The environment is a non‑Euclidean void, an infinite digital tunnel with concentric circles, radial symmetry, and repeating patterns, illuminated by internal emission that provides omnidirectional, self‑illuminated light with neutral, achromatic temperature. The composition uses an extreme close‑up macro perspective from a worm’s‑eye, low‑angle, distorted viewpoint, centering the recursive spheres with converging lines and radial symmetry. the mood is disorienting, hypnotic, and uncanny, with high kinetic energy and pulsating motion. shallow depth of field isolates the central reflective forms, blurring the infinite background while maintaining crisp, mirror‑like surfaces that display anisotropic specular highlights and high‑gloss reflectivity.

Modifiers:

4K 3D Rembrandt X-Ray photo Porcelain with brilliant glaze Catrin Welz-Stein, Zdzisław Beksiński Ultra-HD 8K Rendering, 4K Post-Processing, HDR, HQ Cinematic Surrealism Style M.C. Escher

Started from image:

Prompt

A hyper‑detailed, photorealistic 3d digital rendering in a cyber‑futuristic style, using physically‑based rendering (pbr) with high‑poly modeling, digital sculpting, subsurface scattering, and ray‑traced global illumination. the scene features abstract geometric forms: metallic spheres and recursive orbs rendered with intricate surface topology, organic geometry, and a wireframe mesh overlay that shows algorithmic fractal geometry and infinite regression. The color treatment is a monochromatic silver palette with metallic sheen, pearlescent undertones, and a grayscale dominance that includes subtle iridescence and high‑key luminance; the overall look is desaturated yet reflective, with seamless material transitions across polished chrome, glass‑like surfaces, and mirror‑like metal. High dynamic range lighting creates deep black background contrast, bright specular highlights on curved surfaces, and soft mid‑tones in shadowed areas, achieving chiaroscuro through hard‑edged, anisotropic specular reflections and sharp highlights. The aesthetic fuses contemporary digital art, cyber‑futurism, bio‑mechanical elements, neo‑baroque ornamentation, and sci‑fi minimalism into an ethereal, otherworldly, sculptural elegance with luminous translucency and architectural fluidity. The environment is a non‑Euclidean void, an infinite digital tunnel with concentric circles, radial symmetry, and repeating patterns, illuminated by internal emission that provides omnidirectional, self‑illuminated light with neutral, achromatic temperature. The composition uses an extreme close‑up macro perspective from a worm’s‑eye, low‑angle, distorted viewpoint, centering the recursive spheres with converging lines and radial symmetry. the mood is disorienting, hypnotic, and uncanny, with high kinetic energy and pulsating motion. shallow depth of field isolates the central reflective forms, blurring the infinite background while maintaining crisp, mirror‑like surfaces that display anisotropic specular highlights and high‑gloss reflectivity.

More about Drones de biologie opératoire (hôpitaux) / Operational biology drones (hospitals)

An expansive, intricate render shows a cluster of glossy chrome spheres and futuristic, robotic-like spherical structures in varying sizes, filled with bright pink and magenta geometric patterns that reflect light. The spheres and structures are suspended against a glowing pale yellow-orange backdrop, with some elements appearing to float on a pale blue, curved, smooth surface. The composition is detailed with reflections, giving a sense of depth and three-dimensionality.