Prompt: Václav Havel (as young dissident) writing a letter to Gustav Husák - he has already written most of the pages and is currently writing the part "..isn't this the peace of a morgue or a grave?"
Create such a picture and create an abstract visually striking composition, where the colors should express the precision of critical words and blend with shapes that should express both feelings of doom and hope in movement and energy.
#8 April 1975
Prompt: A highly detailed portrait of a beautiful surreal butterfly perched on the nose of an older nerd-man, covering his eyes and eyebrows with its large wings, reminiscent of polarized sunglasses with an ultramodern shape and natural~butterfly frames. The bold words NO INSECT (composed of mosaic-like calligraphic letters) on the wings~glasses are a hyper-detailed blend of natural shapes and the provocative statement. His lips are covered in a snow-crystal sheen of tartaric acid, which perfectly matches the meaning of the inscription. The rest of his head is shrouded in an elegant haze of aroma(bouquet) of white wine, which covers his cheeks and merges with his hair and beard, creating a contrast between softness and structure. The overall mood is avant-garde, stoically reactionary - mixing the symbolism of wild & bloodthirsty nature with the contemporary glorification of idealized natural symbols.
Prompt: Start with the only one fusion of all following scenes as a drawing by František Kupka to find main symbolism:
(
You like it when day sprinkles you with ashes
I like having my day ended by trashmen
By their noise
Yeah, by their noise
♦
You like it when your day grits you with ashes
And the soul sits unfolded on the plate, giving off labour-camp vibes
I carry myself, my slave, self-nigger
♠
Stop slumping, and stop carrying that stuff around
Stop slumping
Each seeks their own
A place to hammer themselves in
Each seeks their own
).
Than continue with themes in painting by semi-transparent colors into extremely detailed hyperrealistic, richly layered painting by styles of Philipp Weber, Alberto Seveso and with the Jeremy Mann ambience-feel, with very distant background inspired by Peter Doig, Tanya Shatseva, all resulting in very intricate complex of unique πD harmony. Fascinating expressive patterns, rich layering, stoic dreamlike quality, award winning, high resolution; great 64K πD quality, very severe contemplating.
Prompt: Kilián Nedory
(Horror tones stylization, mysterious apocalyptic atmosphere, sense of devastation and passed beauty, mystical weak dimy sharp neon light reflecting off the misery, horror narrative tone of fusion one guy's souls)
[Frame like extremely detailed intricate and layered painting by semi-transparent colors inspired by Julie Mehretu, Raqib Shaw, Peter Doig, with mesmerizing patterns, graceful fantasy elements, dreamlike quality, high resolution]
32K πD, very good.
Prompt: Create an elegant and flowing composition with the central graceful female figure in a flowing ethereal gown - from profile the poise of her (ethereal-clad) squatting figure (with arc of her both hands above and in front her head) is such that the overall figure of her is in shape the letter 'G', inspired by Alphonse Mucha's Art Nouveau style. She (as 'G') is clearly separated from intricate organic lines with floral motifs full of symmetrical patterns, leaves and flowers and decorative elements typical for Alphonse Mucha art.
Use soft pastel color palettes - including muted greens, muted light pinks, muted oranges and very light blues - to create harmony and sophistication.
Ultra-detailed, very attractive, beautiful painting with elements of sharp drawing, delicate framing.
Prompt: I met you that day
You seemed to be sober
So steady on your feet
A state of peaceful mind
And far away from evil..
Apparently in joy
You made exile a home
And no one could see
The bitterness inside...
With laws all around
A million expressions
To read your book aloud
Get blessed through the ten
avoiding deadly sins
Seven ways to heaven, dear.......
Seven ways and seven fears.......
Some get up and find another
They trick someone…
Some get up and find another
They trick someone…
Some get up and find another
They trick someone…
Some get up and find another
They trick someone…
Some get up and find another
They trick someone…
Some get up and find another
They trick someone…
They trick someone… Sighs enough, o' grey era
Try to meet the end alright....
All sympathy
you won will be lost
as soon as we find out
as soon as we start dying
in unexpected ways.
= The abstract masterpiece as one natural fusion of all those scenes into one picture out of time - No fundamental lies
Prompt: A surreal oil painting of a blonde woman with tousled bob haircut, expressive red lips, windblown hair, deep gaze — painted with thick impasto and bold palette knife strokes, layered textures and rich detail. Gothic elegance with dramatic shadows, vibrant light-purple and dark-green accents flowing through the composition. Background faded into abstract cityscapes in Vorticism style, strokes of black ink and raw canvas. Strong emotional intensity, masterful brushwork, textured expressionism
Prompt: Here it's suddenly
cold like in ice cube,
which I can't
melt all at once.
Heavenly love,
when it falls asleep in the morning,
bad and unattractive
curses the breakfast.
Girl's war
on overreflective cube walls,
girl's war,
you're giving your foots on my shoulders.
Girl's war,
curlers and hair,
girl's war,
sabotage of your beauty.
Fine art imaginative fantasy oil painting of those scenes, inspired by both Maurits Cornelis Escher and Julie Mehretu, blending vivid fervent summer love with cooling (still strictly precis) ice. Abstract textures ripple across a surreal-&-abstract dadaist landscape of attractive female body in uncommon style by oil on mosaic decorated plate (its edge as frame). Soft, atmospheric lighting, rich color depth, UHD 16K πD quality, evocative and beautiful, with a dreamy deeply fantastic aesthetic.
Prompt: Nora Běloslastná, oh yes, she's still a woman, but she's painted in the way to seems very cute for the hedgehogs (more specifically, for the Northern white-breasted hedgehog (Erinaceus roumanicus) https://en.wikipedia.org/wiki/Northern_white-breasted_hedgehog ).
Nora Běloslastná is in between drunk Moravian hedgehogs the highly praised newly bred haploid human-female with many wild-neon-coloured spines (though each spine is normally-to-weakly coloured), [because in the new coming era many hedgehogs will become more intelligent and mainly richer]. When she gets down to winking with her cute(for the Northern white-breasted hedgehog) eyes it's like such an H).
Create this masterpiece in the deepest fantasy imagination mode by very funky way in 32K πD quality. The night lighting could be soft and diffused - coming from unvisible full moon, casting gentle shadows that accentuate the contours of her body. The overall mood of the image is ethereal and surprisingly eye-catching, blending nature with the human forms.
Prompt: Start with the only one surreal-to-abstract fusion (in Gerhard Richter style influenced by Milada Lenfeldová, Raqib Shaw, Alberto Seveso and Agnes Martin) of all following scenes:
(
(I can no longer do what I would,
cut down trees in the forests, it's.. unfortunately,
I can only harvest what I have sown,
and pay everything I have to whomever..)
+
(Those grayish birds on copper wires
already know a lot about this code,
they can fly and forget
the entire order of this Telegraph Road...)
++
(You know that there were times when it was bad,
that we slept in the rain and froze,
now when you tell me: take what you want,
I feel very well that it is a lie....)
+++
But trust me, give the coachman a whip,
I will take you with me and lead you away
from all the darkness and high walls,
from all the fear that sleeps in the streets,
I have walked through every corner of my memory
and seen only sadness as pride swells,
and I would like to forget
all the No_- signs that are
strewn all over Telegraph Road... )
)
-> so, fusing together into dominant precise telegraph wires theme like by style of Maurits Cornelis Escher influenced by Esao Andrews and high quick b♫D jingle.
->> Continue than with the painting by semi-transparent colors (with those themes) into extremely detailed hyperrealistic, richly layered painting; also with very far abstract&blurred background inspired by Tanya Shatseva and Jitka Anlaufová = partly&softly drown the main subject into the background of gentle timbre song's feels that are carried on the breeze as quick winding, melancholy dis/harmonies - for those use alcohol inks. ]
->>> All resulting in very intricate expressionist complex of unique dis/harmony. Fascinating beautiful patterns, rich layering, semi-attractive with some dreamlike un/qualities, award winning once in far future, high resolution, great 64K πD.
Prompt: Here it's suddenly
cold as an ice cube,
which I can't
melt all at once.
Heavenly love,
when it falls asleep in the morning,
bad and unattractive
curses the breakfast.
Girl's war,
oversalted goulash,
girl's war,
you're giving me for dinner.
Girl's war,
curlers and hair,
girl's war,
sabotage of your beauty.
Fine art imaginative fantasy oil painting of those scenes, inspired by both Maurits Cornelis Escher and Julie Mehretu, blending vivid fervent summer love with cooling (still strictly precis) ice. Abstract textures ripple across a surreal-&-abstract dadaist landscape of attractive female body in uncommon style by oil on mosaic decorated plate (its edge as frame). Soft, atmospheric lighting, rich color depth, UHD 16K πD quality, evocative and beautiful, with a dreamy deeply fantastic aesthetic.
Prompt: Amy Eightontwo is the highly praised newly bred tetraploid female with many arms (though each arm is normally-to-weakly shouldered), [because in the new coming era many tasks await her], when she gets down to work with all her hands she looks a bit like a tree (=tree with a bushy crown fluttering in the wind with rustle of her fingers against the dreamy morning sky - it's like such a compact orchestra).
The lighting is soft and diffused, casting gentle shadows that accentuate the contours of her body. The overall mood of the image is ethereal and enchanting, blending nature with the human forms.
Prompt: So pass me, please pass me one more chalice..
* I want you
that wine that turns stronger as the night grows old..
* I want you so bad
And maybe with dawn I will learn from its bottom..
* I want you
that there is an angel mail waiting for me in my mailbox…
* I want you so bad
Meanwhile… I count the stars in the heavens, those lights I can never reach..
* It's driving me mad
I love you, and then I will fall asleep and rise up again, and so ...
Meanwhile… I count the stars in the heavens, and kisses I will never get..
* It's driving me mad
The veryvery close drama both on woman's face when she dreaming (sensual, smiles from deep of soul, fine details) and(/versus) on the very loud but much farther man's passion; in style of Da Vinci, surreal chiaroscuro, perfect anatomy, abstract-&-1/2 λ composition-&-frequency background, dreamy art extremely detailed.
Prompt: Jo Jo was a man who tought he was a loner
but he knew it couldn't last
Jo Jo left his home in Tucson, Arizona
for some Modrava grass.
(Abstract whisper of the wind:)
Get back get back
get back to where you once belonged
get back get back
get back to where you once belonged.
Get back Jo Jo, go home!
The veryvery close Jo Jo's face when he is astonished, perfect anatomy, really fantasy art extremely detailed, surreal chiaroscuro; but the rest of picture is much far from him as dadaistic abstract composition of background with long Arizona blue (for me also little bit funky striped red) grass - Igor Morski inspiration, Rob Gonsalves fantasy within Jackson Pollock imagination. Mystical, funtactical atmosphere.
Prompt: Jo Jo was a man who tought he was a loner
but he knew it couldn't last
Jo Jo left his home in Tucson, Arizona
for some Modrava grass.
(Abstract whisper of the wind:)
Get back get back
get back to where you once belonged
get back get back
get back to where you once belonged.
Get back Jo Jo, go home!
The veryvery close Jo Jo's face when he is astonished, perfect anatomy, really fantasy art extremely detailed, surreal chiaroscuro; but the rest of picture is much far from him as dadaistic abstract composition of background with long Arizona blue (for me also little bit funky striped red) grass - Igor Morski inspiration, Rob Gonsalves fantasy within Jackson Pollock imagination. Mystical, funtactical atmosphere.
Prompt: Surreal salt storm setting, focused on young witch (aged a century-123 minutes = that's a beautiful age of wild youth of witches, but she could be past puberty), curly hair and also wispy tash(moustache), elegant slip dress accentuating curves - for her not appropriate, smooth X-legs, darkblue pumps buried into the salt, battling fierce wind while hair, dress, sand blowing backward, still walking struggling with a yellow&black striped coat, trying to put on to it; oversized steely&silver wand behind her belt (instead of a handgun) loaded with extrabig crystals of salt (instead of bullets).
Daytime twilight ambiance, only an outer shape of sun or moon visible (hard to recognize), originally red light is very muted by salt swirls in air, mystical fantasy vibe, digital art, detailed focus, mostly sweet salty color palette, dusty, surreal fiery blues, supermagic body, stormy white-grays, dramatic lighting. Mystical, thirsty atmosphere - mirage inspired by Esteban Maroto and Julie Mehretu - but fantactical atmosphere with Fanta or Kofola, she love them both, funny, isn't it..
Prompt: Jo Jo was a man who tought he was a loner
but he knew it couldn't last
Jo Jo left his home in Tucson, Arizona
for some Modrava grass.
(Abstract whisper of the wind:)
Get back get back
get back to where you once belonged
get back get back
get back to where you once belonged.
Get back Jo Jo, go home!
The veryvery close Jo Jo's face when he is astonished, perfect anatomy, really fantasy art extremely detailed, surreal chiaroscuro; but the rest of picture is much far from him as dadaistic abstract composition of background with long Arizona blue (for me also little bit funky striped red) grass - Igor Morski inspiration, Rob Gonsalves fantasy within Jackson Pollock imagination. Mystical, funtactical atmosphere.
Prompt: Well, I'd sooner forget, but I remember those nights:
Yeah, life was just a bet on a race between the lights;
You had your head on my shoulder, you had your hand in my hair :-))
[ Create in style that combines veryverydetailed minimalism ("bathed") in maximalist chiaroscuro with a
new absurd-to-bizarre portrait art where luminous mini-format negatives of various details of great telegraph are arranged into spatial collages which form fully shaped things and figures. Half drown the main subject into the background of gentle timbre song's feels that are carried on the breeze as winding, curved melancholy harmonies - for those use alcohol inks. ]
Prompt: So pass me, please pass me one more chalice
That wine that turns stronger as the night grows old
And maybe with dawn I will learn from its bottom
that there is an angel mail waiting for me in my mailbox…
Meanwhile… I count the stars in the heavens, those lights I can never reach.
I love you, and then I will fall asleep and rise up again, and so ...
Meanwhile… I count the stars in the heavens, and kisses I will never get..
The veryvery close woman's face when she dreaming (sensual, smiles from deep of soul, fine details) , and the rest much far; in style of Da Vinci, surreal chiaroscuro, perfect anatomy, abstract composition of background, dreamy art extremely detailed.
Prompt: Surreal salt storm setting, focused on young witch (aged a century-123 minutes = that's a beautiful age of wild youth of witches, but she could be past puberty), curly hair and also wispy tash(moustache), elegant slip dress accentuating curves - for her not appropriate, smooth X-legs, darkblue pumps buried into the salt, battling fierce wind while hair, dress, sand blowing backward, still walking struggling with a yellow&black striped coat, trying to put on to it; oversized steely&silver wand behind her belt (instead of a handgun) loaded with extrabig crystals of salt (instead of bullets).
Daytime twilight ambiance, only an outer shape of sun or moon visible (hard to recognize), originally red light is very muted by salt swirls in air, mystical fantasy vibe, digital art, detailed focus, mostly sweet salty color palette, dusty, surreal fiery blues, supermagic body, stormy white-grays, dramatic lighting. Mystical, thirsty atmosphere - mirage inspired by Esteban Maroto and Julie Mehretu - but tactical composition of Fanta or Kofola, she love them both.
Prompt: An old chic lady with an even older husband - both in very formal and almost historical Sunday clothes - walk down a Saturday street in Prague, where Prague Pride is currently raging. It's strange, but they join in and now walk at the head of the parade, looking the most presentable and most passionate about the cause.
Created in very intricate complex of unique dismumony. Fascinating beautiful patterns, rich layering, semi-attractive with some dreamlike unqualities, award winning at 29th February 2069, high resolution, great 96K πD.
Prompt: Well, I'd sooner forget, but I remember those nights
Yeah, life was just a bet on a race between the lights
You had your head on my shoulder, you had your hand in my hair :-))
[ Create in style that combines veryverydetailed minimalism ("bathed") in maximalist chiaroscuro with a
new absurd-to-bizarre portrait art where luminous mini-format photos of various details of electronic components are arranged into spatial collages of fully shaped lights, things and figures. Half drown the main subject into the background of gentle timbre song's feels that are carried on the breeze as winding, curved harmonies - by alcohol inks. ]
Prompt: How shielen is our Egon in Český Krumlov ..
https://www.slevomat.cz/vylety/5902-egon-schiele-art-centrum#mapa
.. ?
Big one within Die kleine Stadt II.
Prompt: Start with the only one surreal-to-abstract face (in macro style influenced by Milada Lenfeldová, Raqib Shaw, Alberto Seveso and Agnes Martin) that's made as one collage from all your family mini-format photos:
An officially maiden -she actually looks like 45 year old- holds her first brand new ID card in both hands, looks at it and for the first time in her life thinks deeply - so much so -- that --- well ---- it's going to be like that ----- so her brain membrane bursts.
[Like horrorlike theme by style of Maurits Cornelis Escher influenced by Esao Andrews and heavy funky deepenism; extremely detailed at start hyperrealistic but richly over/layered painting with very far abstract&blurred background inspired by Tanya Shatseva and Jitka Anlaufová.
All resulting in very intricate complex of unique dismumony. Fascinating beautiful patterns, rich layering, semi-attractive with some dreamlike unqualities, award winning at 29th February 2059, high resolution, great 96K πD.
Prompt: Paintings by semi-transparent colors are richly (over)layered leads into extremely detailed both hyperrealistic-surreal and abstract painting of "war" of all imaginable (and perhaps even unimaginable till the end of July 2025) geometric 2D shapes fighting against each other, while none of the shapes even no longer knows the reason for all this (if they can actually know anything at all, but let's say they can remember - at least remember their own shape and direction) [by style of Picasso influenced by Raqib Shaw, Alberto Seveso and Agnes Martin].
In addition to these geometric shapes, individual 2D or sometimes 3D letters, digits and another technological lines+shapes [in style similar to heavy funky cubism influenced by Esao Andrews] are also mixed and involved in the battles.
But let's imagine that there is also a group of geometric 3D bodies that can think somehow and are having a meeting now - try to capture that moment when the group brainstorming turns into brainwashing of the entire group and indirectly also into colorswashing (=muting only of vivid&warm colors) of the fighting geometric shapes and letters by the words of an AI that is actually omnipresent but also almost unnoticed - similar like a intricate complex net with its main centres in very distant and smogy and slightly blurred geometric linear&curve spatial πD background inspired by Kazimierz Malewicz, Peter Doig, Tanya Shatseva and Jitka Anlaufová.
All resulting in very unique πD disharmony made by fascinating expressive patterns, by rich layering, by dramatic blending, by rough manipulation and bending, breaking and folding.
Dark dreamlike un/quality('couse its more often true), never award winning, high resolution; great 96K πD, very severe geometry mishmash.
Prompt: Start with the only one surreal-to-abstract fusion (in Picasso style influenced by Milada Lenfeldová, Raqib Shaw, Alberto Seveso and Agnes Martin) of all following scenes:
(
(When the sun is in Utah's moon
We hold our heads
(we are) cast into lead
By fatigue - onto mouth.
Feelings like razor blates
- razors of my ballerina...)
+
(We're on sun soon
with hell and an angel
-before we know it:
Razor blades on the body!
Razor blades in the body!!
Razors in the hair!!!
Razor blades and one! stitch /\/\/\/\/\/\/\/\/‼ )
)
-> fusing into dominant razor blades theme like by style of Maurits Cornelis Escher influenced by Esao Andrews and heavy funky cubism.
Continue than with the painting by semi-transparent colors (with those themes) into extremely detailed hyperrealistic, richly layered painting with very far abstract&blurred background inspired by Tanya Shatseva and Jitka Anlaufová.
All resulting in very intricate complex of unique disharmony. Fascinating beautiful patterns, rich layering, semi-attractive with some dreamlike un/qualities, award winning, high resolution, great 64K πD.
I’m a thrift shop for all my families, you stupid!
Model:
DaVinci2
Size:
1352 X 760
(1.03 MP)
Used settings:
Prompt: Start with the only one fusion of all following scenes as a drawing by Neo Rauch to find main symbolism:
(
You like it when day sprinkles you with ashes
I like having my day ended by trashmen
By their noise
Yeah, by their noise
♦
You like it when your day grits you with ashes
And the soul sits unfolded on the plate, giving off labour-camp vibes
I carry myself, my slave, self-nigger
♠
Stop slumping, and stop carrying that stuff around
Stop slumping
Each seeks their own
A place to hammer themselves in
Each seeks their own
♣
I’m not dark, I’m soft and wearing a nice sweater
I’m a thrift shop for all my families
I keep my fridge full
No longer communicating with the neighbors, contemplating
I keep my fridge full
).
Than continue with themes in painting by semi-transparent colors into extremely detailed hyperrealistic, richly layered painting by styles of Agnes Martin, Raqib Shaw, Alberto Seveso and Dalí, with very distant background inspired by Peter Doig, Jitka Anlaufová, all resulting in very intricate complex of unique πD harmony. Fascinating expressive patterns, rich layering, stoic dreamlike quality, award winning, high resolution; great 64K πD, very severe contemplating.
Each seeks their own place to hammer themselves in
Model:
DaVinci2
Size:
1016 X 1016
(1.03 MP)
Used settings:
Prompt: Start with the only one fusion of all following scenes as a drawing by Neo Rauch to find main symbolism:
(
You like it when day sprinkles you with ashes
I like having my day ended by trashmen
By their noise
Yeah, by their noise
♦
You like it when your day grits you with ashes
And the soul sits unfolded on the plate, giving off labour-camp vibes
I carry myself, my slave, self-nigger
♠
Stop slumping, and stop carrying that stuff around
Stop slumping
Each seeks their own
A place to hammer themselves in
Each seeks their own
♣
I’m not dark, I’m soft and wearing a nice sweater
I’m a thrift shop for all my families
I keep my fridge full
No longer communicating with the neighbors, contemplating
I keep my fridge full
).
Than continue with themes in painting by semi-transparent colors into extremely detailed hyperrealistic, richly layered painting by styles of Agnes Martin, Raqib Shaw, Alberto Seveso and Dalí, with very distant background inspired by Peter Doig, Jitka Anlaufová, all resulting in very intricate complex of unique πD harmony. Fascinating expressive patterns, rich layering, stoic dreamlike quality, award winning, high resolution; great 64K πD, very severe contemplating.
Prompt: Start with the only one surreal-to-abstract fusion (in Picasso style influenced by Milada Lenfeldová, Raqib Shaw, Alberto Seveso and Agnes Martin) of all following scenes:
(
(When the sun is in Utah's moon
We hold our heads
(we are) cast into lead
By fatigue - onto mouth.
Feelings like razor blates
- razors of my ballerina...)
+
(We're on sun soon
with hell and an angel
-before we know it:
Razor blades on the body!
Razor blades in the body!!
Razors in the hair!!!
Razor blades and one! stitch /\/\/\/\/\/\/\/\/‼ )
)
-> fusing into dominant razor blades theme like by style of Maurits Cornelis Escher influenced by Esao Andrews and heavy funky cubism.
Continue than with the painting by semi-transparent colors (with those themes) into extremely detailed hyperrealistic, richly layered painting with very far abstract&blurred background inspired by Tanya Shatseva and Jitka Anlaufová.
All resulting in very intricate complex of unique disharmony. Fascinating beautiful patterns, rich layering, semi-attractive with some dreamlike un/qualities, award winning, high resolution, great 64K πD.
Prompt: Paintings by semi-transparent colors are richly (over)layered leads into extremely detailed both hyperrealistic-surreal and abstract painting of "war" of all imaginable (and perhaps even unimaginable till the end of July 2025) geometric 2D shapes fighting against each other, while none of the shapes even no longer knows the reason for all this (if they can actually know anything at all, but let's say they can remember - at least remember their own shape and direction) [by style of Picasso influenced by Raqib Shaw, Alberto Seveso and Agnes Martin].
In addition to these geometric shapes, individual 2D or sometimes 3D letters, digits and another technological lines+shapes [in style similar to heavy funky cubism influenced by Esao Andrews] are also mixed and involved in the battles.
But let's imagine that there is also a group of geometric 3D bodies that can think somehow and are having a meeting now - try to capture that moment when the group brainstorming turns into brainwashing of the entire group and indirectly also into colorswashing (=muting only of vivid&warm colors) of the fighting geometric shapes and letters by the words of an AI that is actually omnipresent but also almost unnoticed - similar like a intricate complex net with its main centres in very distant and smogy and slightly blurred geometric linear&curve spatial 3+D background inspired by Kazimierz Malewicz, Peter Doig, Tanya Shatseva and Jitka Anlaufová.
All resulting in very unique πD disharmony made by fascinating expressive patterns, by rich layering, by dramatic blending, by rough manipulation and bending, breaking and folding.
Dark dreamlike unquality('couse its more often true), never award winning, high resolution; great 96K πD, very severe geometry mishmash.
Prompt: Art in performance: Drawing on dark-blue paper (previously folded many times diagonally [always folded in half and this half then further into the new half and so on] and then pierced by a can opener 7 times, now again unfolded and straightened [=therefore with creases and small holes in the same shape as the tip of the opener has] )
like a view from above on a single line silhouette made with white chalk & slim golden-to-apricot pen, simple design of a bare slinder woman Lucy sleeping well, dreaming hard about that with her 2 sisters they are cool (cool like circles and /triangles\), while she is smiling summerly.
Because this work (paper with drawing) is stretched in space against a disco ball with laser projection, different colors of real light pass through the holes in the paper and thus create the impression of realistic, albeit multicolored stars (each star a deferent color) . It is interesting that none of the star-holes "hit" the silhouette {that's art, you Moravian fool!}, so the overall impression of the performance may be that Lucy is sleeping and dreaming in the sky.
Prompt: A 3/4 semi-close-up of a young woman's head with an whole extravagant full hairstyle, originally made of thick blond-purple hair. She is smiling slightly and with her blue eyes looking straight ahead slightly downwards.
Prompt: Start with the only one fusion of all following scenes as a drawing by Neo Rauch to find main symbolism:
(
You like it when day sprinkles you with ashes
I like having my day ended by trashmen
By their noise
Yeah, by their noise
♦
You like it when your day grits you with ashes
And the soul sits unfolded on the plate, giving off labour-camp vibes
I carry myself, my slave, self-nigger
♠
Stop slumping, and stop carrying that stuff around
Stop slumping
Each seeks their own
A place to hammer themselves in
Each seeks their own
♣
I’m not dark, I’m soft and wearing a nice sweater
I’m a thrift shop for all my families
I keep my fridge full
No longer communicating with the neighbors, contemplating
I keep my fridge full
).
Than continue with themes in painting by semi-transparent colors into extremely detailed hyperrealistic, richly layered painting by styles of Philipp Weber, Raqib Shaw, Alberto Seveso and with the Jeremy Mann ambience-feel, with very distant background inspired by Peter Doig, Tanya Shatseva, all resulting in very intricate complex of unique πD harmony. Fascinating expressive patterns, rich layering, stoic dreamlike quality, award winning, high resolution; great 64K πD quality, very severe contemplating.
Prompt: {This is a free choice now
Life can turn like a Shakespeare play
Throw the dice & you'll watch
Out of reason, you've been fucked too long
you can hear, you may dream
It's ugly being disilluisoned
No way I'll lie
I wanna go, I wanna play, I wanna see all that fancy now
I wanna feel so cool & nice, I wanna be it already
Don't wanna lay, I wanna say everything I feel
I wanna do to get it all O.K.
}
Fine 2-variant painting by semi-transparent colors (with those themes) is extremely detailed hyperrealistic, richly layered; the first painting variant by styles of Milada Lenfeldová and Philipp Weber with the Jeremy Mann ambience, the second one (lower) is flipped diagonally and inspired by Francisco Goya, Tanya Shatseva and with Alexander Archipenko ambient feeling, all resulting in very intricate complex of unique harmony. Fascinating beautiful patterns, rich layering, attractive dreamlike quality, award winning, high resolution; great 64K πD quality. Spicy speedy oval vector frame style.
Prompt: A triangle (symbolizing the veryverynew movement):
G i v e
Peace a (unit of) Russia.
(create it within many circles, 'cause its again the same for a long time, but don't be neither concerned nor worried and create in the playful 'Back In The U.S.S.R.'mode-with accent to part:
"Back in the U.S.
Back in the U.S.S.R.
You don't know how lucky you are boy...."
, add an ambient feel by the unspoken 'don't worry, geometry is on the way')
Prompt: Ah(+echo),
look at all the lonely people (+echo by a triangle)
Eleanor Rigby (+ 2 echoes)
picks up the rice in the church where a wedding has been
Lives in a dream
Waits at the window,
wearing the face that she keeps in a jar by the door
Who is it for? (+echo by a circle)
All the lonely people
Where do they all come from?
All the lonely people (+echoes by 3 triangles)
Where do they all belong?
Father McKenzie
writing the words of a sermon that no one will hear
No one comes near
Look at him working,
darning his socks iIn the night when there's nobody there
What does he care?
All the lonely people
Where do they all come from?
All the lonely people (+echoes by 5 triangles)
Where do they all belong?
Ah, look at all the lonely people(+echos - like 4 circles each made from 7 triangles)
Eleanor Rigby
died in the church and was buried along with her name
Nobody came
Father McKenzie
wiping the dirt from his hands as he walks from the grave
No one was saved
All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?
Prompt: Like a shot from above, single line silhouette, made with white chalk & slim golden-to-apricot pen, on previously diagonally folded paper now straightened (=with creases), simple design of a bare slinder woman sleeping well, dreaming hard about that with her 2 sisters they are cool (Cool circles and /triangles\), while she is smiling summerly.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.