Prompt: Intricate vector style: A magical night landscape scene with the light of the moon (probably) behind + through clouds, shining through in one spot (but contures of moon still not visible), creating so a mysterious magical eye in an otherwise dark, overcast sky. The undulating landscape is revealed only by the reflections of the directional bollards by the road, illuminated by the only one's (my) car's high beam headlights.
Dark Academia, highly far perspective skewing to sides + in dark parts richly textured landscape+mindscape and surreal topography grounded in optical illusions created by driver's brain due to indistinct views and fast ride; rooted in detail and draws inspiration from the surreal compositions of M. C. Escher and S. Dalí in deliberate distortion, both asymmetrical ecstatic and fragmented. Oil on canvas in dark parts = inspirations by Remedios Varo + Dave McKean; and alcohol inks in the lighter ones = inspirations by Stephen Gammell + Christopher Bucklow.
Prompt: Let's kick T
Let's kick H
Let's kick E
Let's kick
Let's kick S
Let's kick T
Let's kick U
Let's kick P
Let's kick I
Let's kick D:
O > U > T .
As an abstract+surreal image that executes, in a timeless way, the following program draft:
>>> people={I, D, P, U, E, H, T, S, T}
>>> Try: Let's_funky(people)
>>> Memorize(new_people)
>>> Combine(people, new_people)
Use new very balanced memorylike composition, in style by Max Švabinský, Oskar Kokoschka, František Ondrůšek, Michaela Žemličková. In the bottom backdrop Henry Asencio is not saved!
{ if you feel that some part has freezen, skip&replace that non-result with a fluorescent X -with some red- , alright ;-)? }
Prompt: The four most popular human pleasures in four detailed depictions can be both realistic and allegorical, as well as symbolic or mystically surreal - whatever will be most suitable for understanding a particular scene.
Make the transitions between scenes soft and smooth, perhaps by blurring or gradually reducing saturation, gradually increasing brightness or softening patterns. Avoid nudity in detail, gold, everything golden and self-worship.
Prompt: Chateau Plumlov shines into the deep night - also is reflected in the undulating surface of the pond (by midnight swimmers) below the chateau. Fascinating expressive patterns, rich layering, stoic dreamlike quality, award winning, high resolution; great 64K πD quality, very severe contemplating.
Prompt: The white mist Apricot Fairy is musing, how to protect all these blossoms of the apricot tree:
'In the life it is necessary to take part, to join some side; and expose own heart to well-aimed blow (from the cruel Freeze-god).'
Semi-transparent colors, mesmerizing patterns, graceful movement, fantasy elements, dreamlike quality, high resolution; huge amount of many small cold-to-frost shapes of attacking frost on background in cruel rough flair in the late-night setting (in dim), intricate patterns of frosted blossoms (part of them in ice), sunrise is near but still not coming..
Prompt: I said I wanted to be as superficial as possible for once.
She said she would to pull me up to her chin, but first I had to be stretched between two sticks and tanned by the spruce groin...
Prompt: At night, street landscape like insanely beautiful (observed after few drinks) female in half-reclining pose, painted in watercolor and ink in the styles of Albert Benois, Jos Collignon, and with Jeremy Mann ambience-feel.
The overal composition emphasizes the female forms with perspective depth like architectural lines, reflecting a neo-noir aesthetic of the modern-futuristic city.
A dark & lights futuristic & abstract atmosphere with detailed, illustrative qualities. The scene depicts an urban landscape with bold lines and dramatic lighting. The color palette is muted: in bottom body of the fantasy female-city featuring earth tones with very weak lights and cool shadows, creating a mysterious and melancholic mood; in upper body of the fantasy female-city featuring many vivid tones with warm highlights and water reflections, created by magical colorfully illuminated fountain like female tongue, near the theater.
Use watercolor, watercolor ink, Architectural Renderings, architectural lines by many pencils and charcoal, dark sky by alcohol inks, fountain by watercolor and ink (calligraphic script if any inscriptions).
A whole long life ahead ~ a whole beautiful 21st century
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: Graceful mixed-media art with ♫D essence of Bohdan Pylypiv: —>
What I like most about Kateřina Marie Tichá is her long name, then her long thighs........... then nothing for a long time ....................................... just right that long time ............... until somewhere after ..... something beautifully embracing in her voice.
The opposite of the [Love at first xxxxx hearing], think you?
Prompt: Apt symbolically surrealistic fine oil painting of little girl with a bit blue haircut(, which is adorned with shiny metal whistle that is playing by wind motion for wind in wind); is dressed as all the most modern women of the world when she plays outside with magic of white&(less)black keys again and again [She. & ~wind~]:
'Love Me or Leave Me
oh~how original~
Love Me or Leave Me
oh~how lonely~
Love Me or Leave Me
oh~how right time~
Love Me or Leave Me
oh~the ninth night~
Love Me or Leave Me..'
Strong but subtle emotional intensity, textured expressionism within elegant spring of century by bold masterful brushwork with dimmy light-yellow and bright light-blue accents flowing through abstract vapor composition.
Background near edges fades into very abstract (perhaps also blurry) early-evening cityscape, painted in Vorticism style, strokes of inks for distant buildings in dimness and also for lights of distant windows are there main while [ {Bold use of flat non-levels with post-color flat drawing} Eye Wo7duawooluadiz Lumpy Freends_ blended from FRANTA style to Gerald Scarfe style for all Pilobolus' distances_{transforms a rest by a rest into vibrant raven waves} By every Whoopee the stars remind you —> It's never too late to shine! ] is craftily bold and subtly exquisite.
Prompt: An attractive surreal-to-abstract masterpiece of 'W' theme (like Waterfall):
side view on a bed (made from petals of several types of roses), on which a young woman lies unusually across the bed (in underwear from hemp intricate leaves) in this way: lying only on part of her back, her head bend backwards over the edge of the bed, face (upside down - because of the bending - so her hair-dreadlocks like lianas falls down towards the ground) to viewer, while she laughs happily, her dark green eyes laugh like after poppies. This scene of the woman is like scene of a waterfall: her hair is the equivalent of falling waters, the side of the bed is the equivalent of a rock covered with vegetation, the woman's lying body is (by its position) the equivalent of a river flowing towards the waterfall.
Her bare arms are sharply raised up (at angle as in shape '\_/' ), her bare legs are sharply raised stright up, touching by foots, so in result the outline of her entire body together looks like the letter 'W' where (in order from left to right:) \ is arm, / is leg, \ is leg, / is arm.
The background behind her is an subtle explosion of abstract natural patterns and of richness of muted colors, creating an immersive, dreamlike and reverent atmosphere inspired by Julia Mehretu, Jackson Pollock, Frank Franzetta and Takato Yamamoto.
Use ultra-detailed depiction, soft focus, casual atmosphere for ultra attractive beautiful painting executed with the texture of oil paintings on paper, evoking the expressivity of Yossi Kotler.
Prompt: Start with the only one surreal-to-abstract fusion (in Gerhard Richter style influenced by Milada Lenfeldová, Raqib Shaw, Alberto Seveso and Agnes Martin) of all following scenes:
(
(I can no longer do what I would,
cut down trees in the forests, it's.. unfortunately,
I can only harvest what I have sown,
and pay everything I have to whomever..)
+
(Those grayish birds on copper wires
already know a lot about this code,
they can fly and forget
the entire order of this Telegraph Road...)
++
(You know that there were times when it was bad,
that we slept in the rain and froze,
now when you tell me: take what you want,
I feel very well that it is a lie....)
+++
But trust me, give the coachman a whip,
I will take you with me and lead you away
from all the darkness and high walls,
from all the fear that sleeps in the streets,
I have walked through every corner of my memory
and seen only sadness as pride swells,
and I would like to forget
all the No_- signs that are
strewn all over Telegraph Road... )
)
-> so, fusing together into dominant precise telegraph wires theme like by style of Maurits Cornelis Escher influenced by Esao Andrews and high quick b♫D jingle.
->> Continue than with the painting by semi-transparent colors (with those themes) into extremely detailed hyperrealistic, richly layered painting; also with very far abstract&blurred background inspired by Tanya Shatseva and Jitka Anlaufová = partly&softly drown the main subject into the background of gentle timbre song's feels that are carried on the breeze as quick winding, melancholy dis/harmonies - for those use alcohol inks. ]
->>> All resulting in very intricate expressionist complex of unique dis/harmony. Fascinating beautiful patterns, rich layering, semi-attractive with some dreamlike un/qualities, award winning once in far future, high resolution, great 64K πD.
Prompt: Breathtaking frontal surreal portrait of a nice young woman with incredibly thick long silver hair, she is submerged up to her shoulders in foamy turquoise water and her excessively long wavy hair flows down to the water, where it bends and spreads in all directions across the wavy and foamy surface of the water. Her extremly long ironically iron hair (made by metalic reflective patterns) dominate the scene creating a distinctly fantasy and dreamlike atmosphere.
Prompt: Create partly monochromatic illustration featuring a striking, elegantly styled female_figure~cityscape. The female~as_that~city has longer, funky hair that flows seemingly freely showcasing a mix of dark and light strands~streets. Her facial features are sharp and defined as the historic town in the centre of the city~female; high cheekbones~townhall, full lips~portal, and piercing dark eyes~towers that convey confidence and intensity. The skin tone is fair, adding to the contrast against some dark strands~streets.
In the background, very bold and moder cityscape~upper body emerges, visually represented through abstract lines and geometric shapes, rendered in shades of grays andrarely red.
The scene is infused with a modern, artistic vibe, accentuated by scattered splashes of colorfully illuminated fountains to add dynamism to the composition. The overall aesthetic combines both beauty and urban sophistication, with an emphasis on strong lines and practical modern features. Ensure that the female~city occupies the whole part of the frame.
Prompt: Masterpiece of Zen concept from Yin+Yang symbol:
When your half of your heart clings to my half of my heart so that both together fully fill the circle of love & when you are the Sun and I am the Moon, then that circle shines like a yellow-silver Yin+Yang symbol.
Still simply clear, but which part will shine brighter, that is the zen question!!
(Only this all and nothing more).
Prompt: Mixed media painting by a explosive technique (named ' "Cheers!", "Cheers!" '), when vigorously clinked, both glasses (one with white and the other with red) break and the shards and wines intersect and mix in the direction towards each other. Acrylic, alcohol ink and sunken relief of an fall vineyard after harvesting in a distant background depicted symbolically and abstractly and as if by Margaret Macdonald Mackintosh with silver elements of fall rain. Drift and mosaic of starlings by gouache as zentangle, the rain drops as sequins. (filtered through the drinks of Moravian expressionism :o))
Prompt: Apt symbolically surrealistic fine oil painting of heavily old actress; is dressed as all the most modern women of the world when she plays all the white&(less)black ideas again and again [~She. & D/r.]:
'Love Me or Leave Me
oh~how original~
Love Me or Leave Me
oh~how lonely~
Love Me or Leave Me
oh~how right time~
Love Me or Leave Me
oh~the the eighteenth night~
Love Me or Leave Me..'
Strong but subtle emotional intensity, textured expressionism within elegant spring of century by bold masterful brushwork with dimmy light-yellow and bright light-blue accents flowing through abstract vapor composition.
Background near edges fades into very abstract (perhaps also blurry) early-evening cityscape, painted in Vorticism style, strokes of inks for distant buildings in dimness and also for lights of distant windows are there main while [ {Bold use of flat non-levels with post-color flat drawing} Eye Wo7duawooluadiz Lumpy Freends_ blended from FRANTA style to Gerald Scarfe style for all Pilobolus' distances_{transforms a rest by a rest into vibrant raven waves} By every Whoopee the stars remind you —> It's never too late to shine! ] is craftily bold and subtly exquisite.
Prompt: Minimalist Keith Henning art surrealistically rising from canvas with green and ochre female fashion model in the mainly red statement piece from the Romanesque PY Autumn 2025 Collection = from the zen brushstroke art, but because she is still shy, she partially immerses herself back in that masterpiece surrealistically-again.
In the far background, another surrealistic painting of wild sea ( this one fullscreen ).
Prompt: An old chic lady with an even older husband - both in very formal and almost historical Sunday clothes - walk down a Saturday street in Prague, where Prague Pride is currently raging. It's strange, but they join in and now walk at the head of the parade, looking the most presentable and most passionate about the cause.
Created in very intricate complex of unique dismumony. Fascinating beautiful patterns, rich layering, semi-attractive with some dreamlike unqualities, award winning at 29th February 2069, high resolution, great 96K πD.
Prompt: Start with the only one fusion of all following scenes as a drawing by Julie Mehretu to find main symbolism:
(
(Don't pretend to me that you're all bad
There are mornings where it never ends
There's still a little bit of wine in the bottle
I'm filling up the glass.
Don't tell me once again that you know it all
Your tears and salty brown eyes
The wizard of this night - his fault. )
+
(The dawn is here
The night is almost over
You won't escape the power of magic.
You're pale
You're floating through your dreams
I hope you won't get lost in the morning
You've had a fire in your eyes that knows secret desir
I curse that crime, don't pretend that you're bad. )
+
(And the devil
Is creeping in
You have no control over your body
Your angel
Is falling
You don't even know what you want anymore
The devil is weaving smoke through your hair
There's still plenty of time, I've known him for a thousand years)
).
Than continue with painting by semi-transparent colors into extremely detailed hyperrealistic, richly layered painting by styles of Alberto Seveso, Philipp Weber, Raqib Shaw and with the Jeremy Mann ambience-feel, inspired by Jacques Tardi, Jackson Pollock, Tanya Shatseva, all resulting in very intricate complex of unique harmony. Fascinating beautiful patterns, rich layering, attractive dreamlike quality, award winning, high resolution; great 64K πD quality, very severe drowsiness.
Prompt: Start with the only one surreal-to-abstract fusion (in Julie Mehretu, Jackson Pollock, Gerhard Richter and Picasso styles) of all following scenes:
(
(When the moon is in Utah
We hold our heads
Cast in lead
By fatigue - onto mouth.
Feelings like razor blates -
razors my ballerinas
And on a deserted day
Desolate nipples.)
+
(We're on the train
And basically still
With hell and an angel
Before we know it:
Razor blades on the body!
Razor blades in the body!!
Razors in the hair!!!
Razor blades and one! stitch /\/\/\/\/\/\/\/\/‼ )
) -> into dominant razor blades theme like by Maurits Cornelis Escher.
Continue than the painting by semi-transparent colors (with those themes) into extremely detailed hyperrealistic, richly layered painting by styles of Alberto Seveso, Philipp Weber, Raqib Shaw and with the Jeremy Mann ambience-feel, inspired by Jacques Tardi, Tanya Shatseva, all resulting in very intricate complex of unique harmony. Fascinating beautiful patterns, rich layering, attractive dreamlike quality, award winning, high resolution; great 64K πD quality.
Prompt: Complex beautiful hyper-detailed illustration( in precision of 3D_drawing) where each (sub-)plane( and every sub-surface) is separately colorfully painted (with inks and watercolor inks, in the styles of Gerhard Richter, Shepard Fairey, Jakub Schikaneder and Jean Delville or Harry Watrous, Julie Mehretu or Emily Carr), featuring a striking, elegantly designed cityscape with outline in shape of decently satisfied female in semi-supine pose( lies on its side with head slightly raised) (diagonally across the image); this city=female in this shape names 'Copper Dar', was set in hilly landscape with white&blue river(partly icebound) in the far distance(almost out of sight - more obvious in right part) and is depicted from above using enhanced perspective when its roads (showcasing apt mix of dark and light) flow as the female's long_copper-brown_hair - in freely strands into the distance.
On the left of the whole illustration, there is historical town urbanistically conceived as such face of this city=female 'Copper Dar':
the townhall=high cheekbones; townhall's portal=full lips; 2 towers are partly behind (the head) but their top parts are=whimsical_antennae; (usually piercing dark) eyes (that convey confidence and intensity=two digital official boards) are closed now and on closed eyelids are imprinted two unique postmarks from Boží Dar Post Office = "razítka Ježíškovy pošty"( https://www.bozidar.cz/cs/zajimavosti/nejen-pro-deti/jeziskova-posta.html ); the town's facades&plasters=the_female's_skin tones are fair, partly snowy.
More to the right more modern and open part of cityscape_of_'Copper Dar'=upper body of the female emerges, with buildings (especially those further from the historical town(=face)) more modern and some higher, some by Eva Jiřičná, some by Kaplický, some by Frank Gehry, more common are elements of urban greenery(at winter time), rendered in shades of grays, blue-to-greenish, lights-like_orange and rarely red and copper.
In the background (mainly in the right), very bold and modern part of cityscape_of_'Copper Dar'=lower_body of the female emerges, with some buildings very high and futuristic (some with vertical gardens) mostly however visually represented through abstract lines and geometric shapes, rendered in shades of grays, greenish-to-darkblue, lights-like_orange and rarely red (like slightly blurry in Vorticism style).
The scene is infused with the (first snow)celebrating artistic vibe, accentuated by scattered splashes of colorfully illuminated high fountains to add dynamism to the composition. The overall aesthetic combines both beauty and urban sophistication, with an emphasis on strong lines and practical modern features.
Use watercolor, watercolor ink, architectural lines by many pencils and charcoal, sky by (alcohol) inks, fountains by muted tones of watercolors and inks, (calligraphic script if any inscriptions). Ensure that the 'Copper Dar'_city~(as_the_)female occupies the whole part of the frame (and the hips=middle_part of cityscape are very wide).
{{9CD(GRSFJSchJDHWJMbg&EJKFGEC)64πfpdH-ABMe}}
Prompt: A ballerina dances dynamically expressive dance around beautiful fountain(creating fascinating patterns of gushing streams) amidst square (Stary Rynek) on pavement made from variously shaped paving stones - elegance in Milada Lenfeldová painting style, dreamy and fantasy, using three successive shots of her moving-dancing (in a wide circle) around the fountain: the composition should suggest the movement of the ballerina and her sweat dripping&flying away as splash paint and the movement of the gushing water, while the background with a smogy cityscape in Jean Baptists Monge style remains still.
A spicy, speedy surreal-to-abstract oval vector frame of the artwork is inspired by fusion of following: (Feelings like razor blates - razors my ballerinas And on a deserted day Desolate nipples.) + (We're strange here and basically still With hell and an angel Before we know it.) + (Razor blades on the body! Razor blades in the body!! Razors in the hair!!! Razor blades and one stitch /\/\/\/\/\/\/\/\/ ) [from Julie Mehretu, Jackson Pollock and Picasso styles -> into dominant razor blades theme like by Maurits Cornelis Escher ].
The resulting whole (of the artwork and its frame) highlighting a fast, swirling and graceful dance movement further emphasized by the splashes of sweat and the peacefully gushing soft-colored aesthetic streams of the central fountain in contrast of stable architecture of the cityscape. Intricate attractive complex of unique harmony with the Jeremy Mann ambience-feel, in high resolution painting and great 64K πD dreamlike quality.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.