Prompt: From light paper made silhouettes depicting a long row of eleven women dancing the can-can (high-energy dance known from Moulin Rouge variety show) on a surreal light wood dance floor. Intricate cutting and folding of the paper, watercolors to highlight the red, pink, and purple long skirts with white petticoats, acrylics for dark garters on the dancers' legs, which are visible by lifting the front part of the own skirt (holded by both hands at skirt's originaly bottom) up to the neck and simultaneously raising the right leg to the same height (as part of dance steps).
Sparse drawing of smiling faces, long hair by black charcoal. Inspired by Franta Gellner. The polished light wood dance floor with a wood patterns going from the front of the scene to the endless background creates an unexpected 3D perspective contrasting with the flatness of the silhouettes. Also, the soft warm light from the front creates long shadows of the dancers and emphasizes the perspective. Hyper-realistic textures, high-definition close-up, artistic photography, inviting and coz.
Prompt: A medium shot in a Fairey-inspired stencil art style captures an old real and symbolic wall built from bricks from various newspaper clippings; bricks are missing in many places. A life-size silhouette of a woman, neatly combed, with well-fitting glasses, formally dressed in a suit, with a professional smile directed at the viewer, holds another brick in both hands and slides it into one of the gaps in the wall (where it was missing). Up on the wall, vibrant, chaotic graffiti of portraits of powerful politicians, along with the bold black text "Thank you for your lies!", spray-painted in abstract street art. The scene is flooded with warm, pleasant spotlights, emphasizing the dynamic movement of sliding another brick into the wall.
Prompt: A pessimistic definition of optimism in(or within?) an optimistic definition of pessimism.
Two complicated definitions from avant-garde perspectives and no drop of Irish Baileys - isn't it sad?!
Prompt: Well, East Coast girls are hip
I really dig those styles they wear
And the Southern girls with the way they talk
They knock me out when I'm down there
The Midwest farmer's daughters really make you feel alright
And the Northern girls with the way they kiss
They keep their boyfriends warm at night
I wish they all could be California girls
I wish they all could be California
I wish they all could be California girls
The West Coast has the sunshine
And the girls all get so tanned
I dig a French bikini on Hawaii island
Dolls by a palm tree in the sand
I been all around this great big world
And I seen all kinda girls
Yeah, but I couldn't wait to get back in the States
Back to the cutest girls in the world
I wish they all could be California
I wish they all could be California
I wish they all could be California girls.
I wish they all could be California (girls, girls, girls, yeah, I dig the-)
I wish they all could be California (girls, girls, girls, yeah, I dig the-)
I wish they all could be California (girls, girls, girls, yeah, I dig the-)
I wish they all could be California (girls, girls, girls, yeah, I dig the-)
I wish they all could be California (girls, girls, girls, yeah, I dig the-)
I wish they all could be California...
Prompt: Intricate vector style: A magical night landscape scene with light of the moon (probably) behind clouds, shining through in one spot (but contures of moon still not visible), creating so a mysterious magical eye in an otherwise dark, overcast sky. The undulating landscape is revealed only by the reflections of the directional bollards by the road, illuminated by the only one's (=viewer) car's high beam headlights.
Dark Academia, highly far perspective skewing to sides + in dark parts richly textured landscape+mindscape and surreal topography grounded in optical illusions created by driver's brain due to indistinct views and fast ride; rooted in detail and draws inspiration from the surreal compositions of M. C. Escher and S. Dalí in deliberate distortion by exaggeration, both asymmetrical ecstatic and fragmented. Oil on canvas in dark parts with inspirations by Remedios Varo + Dave McKean; and alcohol inks in the lighter ones with inspirations by Stephen Gammell + Christopher Bucklow.
Prompt: Masterpiece of Zen concept from Yin+Yang symbol:
When your half of your heart clings to my half of my heart so that both together fully fill the circle of love & when you are the Sun and I am the Moon, then that circle shines like a yellow-silver Yin+Yang symbol.
Still simply clear, but which part will shine brighter, that is the zen question!!
(Only this all and nothing more).
Prompt: All famous' initials:
Let's kick T
Let's kick H
Let's kick E
Let's kick
Let's kick S
Let's kick T
Let's kick U
Let's kick P
Let's kick I
Let's kick D
O > U > T
>>> Let's_funky(people)
{if you feel that your first script not good, try next neon one - with some red - overthere on the origin backdrop ;-)}
Prompt: From a lovely little pale porcelain cup (cutely painted with thin lines of pale blue, rare purple and with tea green and dark brown patterns), a symbolically abstract stylized hot aroma rising from the surface of the coffee with a "face" as black as tar smiles at me. It seems to know what I will do with it now and that it is looking forward to it - it must be some adventurous nature from the Brazilian wilderness, it is hard to say..
Stylized perfect facial anatomy, in adition surreal smiles in the rising aroma; (darkbrown-to-black), also delicate-gray charcoal pencil line sketch onto white handmade paper, a reminiscent in style of Aubrey Beardsley; the alkohol inks painted background is like grapes going to white wine and reminiscents style of Eva Hesse elongated like Ernie Barnes' style + colored by Cecily Brown, All caught in a powerful although silent emotions.
Prompt: An aerial view of a small light dot in the middle of huge nothing. Free live radio frequencies, coming from the dot, ripple through space, creating shapes of free Europe and America captured in motion into uncertain future, high-resolution digital art.
Prompt: Text "Twist And Shout" by big white bold 3D font on blurred background scene with many water drops and also many very small shapes of shades of shiny silver and pink. It all together is the bottom part of image, where the text itself is not effected by the nothing of following:
The rest of the image ((from whitch the main theme of the whole image is obvious)): text "Come on, come on, come, come on, baby, now" by smaller italic slim 3D font.
Ah- shake it up baby now (shake it up baby)
Twist and shout (twist and shout)!
Come on, come on, come, come on, baby, now (come on baby) Come on and work it on out (work it on out).
You know you twist, little girl, you know you twist so fine (twist so fine) Come on and twist a little closer now (twist a little closer) And let me know that you're mine (know you're mine ooh).
Well, shake it, shake it, shake it, baby, now..
Prompt: Trio -123min. returned to the scene and now it's time for a new album LES (meaning Forest) is released on Friday, September 20, 2019, and a big surprise for listeners is the radical change, which consists of lyrics in Czech. However, musically, the new recording continues the "Minutes" as we know them. "The songs on the LES album were created mainly in the forest. The forest is a space where I best connect with my intuition, turn off my thoughts and focus only on creating," says frontman Zdeněk Bína, adding: "I haven't found a better place to compose so far."
-123min. released six albums between 1996 and 2009 and in 1999 they won the Anděl Award for Discovery of the Year. The band then gave numerous concerts abroad, for example in the Netherlands, Belgium, England, Poland, Ukraine, Slovakia, America, France and others. Over the years of its existence, it has become a cult group on our music scene. Its greatest strength lies primarily in its live, energetic concerts, which are largely composed of improvisation. The formation consists of a trio of highly respected musicians: Zdeněk Bína (vocals, guitar), Fredrik Janáček (bass) and Dano Šoltis (drums).
After ten years, "Minuty" are now releasing their seventh album, LES. The album is a musical chocolate box, mixing soul, alternative, rock, pop, ethno, new music and funk.
All creative processes came from friendship and were completely natural for the band. With the music that Zdeněk found in the forest, he would then come to the Prague rehearsal room, where he, Fredrik and Dan worked on the album without time limits until they found the optimal shape for each song.
The album is composed of internal questions that we ask ourselves regarding external reality. “Two levels appeared in the lyrics, one relating to someone close to us and the other connecting to something that transcends us,” says Bína. The guest artist on the recording is legendary French trumpeter Erik Truffaz.
Prompt: Un superbe portrait abstrait impressionniste en gros plan de la tour Henri à Prague, vue d'en bas, et de ses environs par une belle matinée de printemps. Utilisez l'empâtement, les coups de pinceau, la sous-couche, en soulignant la verticalité et les caractéristiques monolithiques du monument sur fond de baie.
Prompt: Start with the only one fusion of all following scenes as a drawing by František Kupka to find main symbolism:
(
You like it when day sprinkles you with ashes
I like having my day ended by trashmen
By their noise
Yeah, by their noise
♦
You like it when your day grits you with ashes
And the soul sits unfolded on the plate, giving off labour-camp vibes
I carry myself, my slave, self-nigger
♠
Stop slumping, and stop carrying that stuff around
Stop slumping
Each seeks their own
A place to hammer themselves in
Each seeks their own
).
Than continue with themes in painting by semi-transparent colors into extremely detailed hyperrealistic, richly layered painting by styles of Philipp Weber, Alberto Seveso and with the Jeremy Mann ambience-feel, with very distant background inspired by Peter Doig, Tanya Shatseva, all resulting in very intricate complex of unique πD harmony. Fascinating expressive patterns, rich layering, stoic dreamlike quality, award winning, high resolution; great 64K πD quality, very severe contemplating.
Prompt: Create an abstract+surreal image that represents, in a timeless way, the following concept:
"People like to be stupid. But don't make it easy for them. Argue and argue with them."
Very balanced memorylike composition, in style by Max Švabinský,
Oskar Kokoschka, František Ondrůšek, Michaela Žemličková. Jožka Úprka style {hardly influenced by all even by only some} for the far background.
Calm but not lazy result
{ if you feel that some part of result not good, replace that part with an 'TGM'logo, alright ;-)? }. We leave thanks.
Prompt: Create an abstract+surreal image that represents, in a timeless way, the following concept:
"People like to be stupid. But don't make it easy for them. Argue and argue with them."
Very balanced memorylike composition, in style by Max Švabinský, František Ondrůšek, Michaela Žemličková, Jožka Úprka. Oskar Kokoschka style {hardly influenced both by all and even by some - maybe only by Jožka Úprka} for the far background.
Calm but not lazy result
{ if you feel that some part of result not good, replace that part with an 'TGM'logo, alright ;-)? }. We leave thanks.
Prompt: The basis of intergalactic cosmocracy is the assumption that space civilizations will meet at regular meetings where they will collectively protest against their being different.
The only car that can drive without Michael Knight I.
Model:
DaVinci2
Size:
1185 X 641
(0.76 MP)
Used settings:
Prompt: KITT is black car with the one line of LED-indicators (with red light moving side to site) just in the midle of front part of hood; it is like only one vivid eye into KITT's soul, when if any car could has soul so this one definitely. Kitt has got highly reflective windscreen, in full speed is jumping over trees towards an another road. Dust behind. 3/4 view. Sci-fi and futuristically futuristic since 1982..
Prompt: A masterpiece of abstraction and surrealism in Julie Mehretu, Peter Doig, Jackson Pollock, Gerhard Richter and Picasso styles :
Very close-up portrait (top part of head) of a wise owl with hypnotic, otherworldly eyes.
Intricate surrealist wavy and swirling 3D painting (also in no, brown-to-violet, silver, red and ivory tones, also colours of wisdom) with day lightening through a canopy of spring birchs => creating intricate patterns of shallow shadows; watercolor, alcohol inks; wet on wet. Darker parts with contrast and inkwork by Gustav Klimt, lighter with oil tones typical for Roberto Matta.
Ultra attractive, beautiful painting with elements of sharp drawing, delicate framing.
Prompt: Let's kick T
Let's kick H
Let's kick E
Let's kick
Let's kick S
Let's kick T
Let's kick U
Let's kick P
Let's kick I
Let's kick D
O > U > T
>>> Let's_funky(people)
{if you feel that your first script not good, try next neon one - with some red - overthere on the origin backdrop ;-)}
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.