Prompt: VISUAL NARRATIVE: Craft a hyper-vibrant, abstract landscape pulsating with raw energy. Imagine a sun-scorched Australian vineyard, but rendered with the sacred intensity of Emily Kame Kngwarreye's dot fields colliding with Clifford Possum Tjapaltjarri's intricate storytelling maps.
EMOTIONAL CHOREOGRAPHY: Amplify unspoken tension through micro-gestures: a figure's hand subtly trembling near a gnarled vine, a barely perceptible tilt of a chin reflecting defiance or sorrow. Infuse faces with fleeting, enigmatic expressions – a flicker of ancestral memory in the eyes, lips pressed thin with unvoiced resilience.
TACTILE & SPATIAL DRAMA: Supercharge the environment! Render the ground as a seismic tapestry: razor-sharp shards of terracotta earth, velvety patches of bruised purple moss, glittering fields of obsidian-black glass beads (Kngwarreye-inspired), and swirling, chalky white salt flats. Make the sky an electrified dome: violent gradients from molten gold at the horizon bleeding upward into toxic cerulean, slashed with streaks of matte crimson and vibrating acid green (Matisse/Buffet boldness). Crush the perspective for Brancusi-esque spatial tension – sky pressing down, earth surging up.
SYMBOLIC LAYERING (DADAIST TREASURE HUNT): Embed cryptic, potent icons:
A single, oversized, geometric Chihuahua head (Picabia-style) wrought in polished bronze, half-buried like an ancient artifact amidst the vines.
Guerrilla Girl masked faces subtly woven into the bark patterns of ancient, twisting vines.
Bernard Buffet-esque angular, skeletal birds rendered in flat black, soaring against the neon sky.
Brancusi-polished abstract forms (egg-like or spear-tipped) nestled in the textured earth, glowing with internal light.
Prompt: Cubist Carnival Barker (Synthetic Gothic):
"A towering, spindly-limbed figure in a tattered harlequin coat, fragmented into jagged Picasso planes. Tim Burton-esque sunken eyes weep black tears onto Chuck Jones-exaggerated cheeks. Collaged elements: peeling circus posters, broken puppet strings, and a cracked monocle. Palette: Muted violets, sickly greens, and chalk-white on a stormy grey background."
Prompt: Haring Symbols in Andrews Settings: Placing the simplified, energetic pop icons within detailed, moody, textured Gothic or surreal environments.
Andrews Textures on Haring Forms: Rendering Haring's iconic shapes with the detailed, organic, sometimes grotesque textures (wood grain, flesh, stone, decay) typical of Andrews.
Haring Lines as Organic Elements: Using the kinetic action lines not just as outlines, but as vines, roots, energy fields, or puppet strings integrated into the Andrews-like world.
Juxtaposition & Projection: Directly contrasting the two styles within the same scene (e.g., figures vs. their shadows) to highlight their differences while forcing coexistence.
Muted Haring / Vibrant Andrews: Sometimes muting Haring's palette to fit Andrews' atmosphere, or adding strategic vibrant Haring color pops into Andrews' muted world.
Thematic Fusion: Combining Haring's themes of energy, life, and social connection with Andrews' themes of decay, the surreal, the erotic, and the melancholic.
Prompt: A Masterpiece of Oneiric Decay: "The Crypto King's Clandestine Procession" Salvador Dali smiles upon this exquisite, sickening surrealism. A meticulously detailed oil painting, hyperrealistic yet impossibly dreamlike.
The scene unfolds: A spectral, hearse-like "Car of the Dead", its bodywork sculpted from polished obsidian and weeping wax, rests upon a barren plain. Its "unexpected teacup doors" are ajar, crafted from fractured porcelain and gilt-edged china, leading into a dark, interior void.
Above, the "chloroform sky" has achieved its sinister alignment: a swirling, nebulous vortex of muted celadon and ether-blue, inducing a palpable, drowsy stillness over the landscape.
The central action: From the teacup doorway, a "Milkman in the Candle" emerges—a figure with a pallid, waxy head instead of a flame, his uniform dripping with molten tallow. He performs "the dip, the drip", a slow, ritualistic pouring of a liquid that is both milk and wax into the arid soil.
To the side, the "sneering peasant" is rendered not as a man, but as a geological formation of dirt and contempt, a crumbling terra-cotta statue with a smoldering cigarette of dried hay lodged in its stony lip, indeed "smoking the weekend away" into a perpetual, hazy dusk. There is "no contest" to his existence; he is simply a fixed, dirty fact of the landscape, "right here, right there."
The climax: A "red smokescreen" billows from the car's exhaust, not of gas, but of rich, crimson velvet smoke. From within this haze, the "Crypto King is coming with us"—a figure of shimmering, digital static and gold leaf, being led blindly. His face is a smooth, featureless plate of white marble, upon which the act of "taking his eyes and nose" is being performed not with violence, but with delicate precision, as two ants carry away his carved alabaster senses.
Style: Cinematic lighting, Dutch master chiaroscuro, textures of melting metal, cracked porcelain, soft velvet, and hard stone. The composition is impossibly balanced, a visual paradox that is both unsettling and beautiful.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
