Prompt: The main materials used in the construction of the building are concrete which comprises the structure of the tower and aluminium and glass in the form of 59,619 strips of painted sheet metal of different colours, covering the approximately 16,000 m2 of exterior surface. In addition, the glass has different inclinations and opacities which, combined with the different shades of aluminium, alter the colour balance of the tower as a function of time of day and season of the year.
Prompt: Its design combines a number of different architectural concepts, resulting in a striking structure built with reinforced concrete, covered with a facade of glass, and over 4,500 window openings cut out of the structural concrete. The building stands out in Barcelona; it is the third tallest building in the city, after the Arts Hotel and the Mapfre Tower, which both stand 154 m (505 ft) tall. A defining feature of the building is its nocturnal illumination. It has 4,500 LED devices that allow generation of luminous images on its façade. In addition, the outside of the tower has temperature sensors that regulate the opening and closing of the window blinds of the façade, reducing the consumption of energy for air conditioning. It houses the head office of the Aigües de Barcelona Group, the water supply company of Barcelona.
Prompt: The Torre Glòries,[4] formerly known as Torre Agbar (Catalan pronunciation: [ˈtorə əɡˈbaɾ]), is a 38-story skyscraper located between Avinguda Diagonal and Carrer Badajoz, near Plaça de les Glòries Catalanes, which marks the gateway to the new technological district of Barcelona, Catalonia, Spain. It was designed by French architect Jean Nouvel in association with the Spanish firm b720 Fermín Vázquez Arquitectos and built by Dragados. The Torre Glòries is located in the Poblenou neighbourhood of Barcelona and it was originally named after its owners, the Agbar Group, a holding company whose interests include the Barcelona water company Aigües de Barcelona.[5]
Prompt: The expanded building includes features such as a large-scale vertical garden on the third floor, purported to be the biggest public living wall of native plants in San Francisco; a free ground-floor gallery facing Howard Street with 25-foot (7.6 m) tall glass walls that place art on view to passersby; a double-height "white box" space on the fourth floor with sophisticated lighting and sound systems; and state-of-the-art conservation studios on the seventh and eighth floors. The expansion facades are clad with lightweight panels made of Fibre-Reinforced Plastic; upon completion, this was the largest application of composites technology to architecture in the United States at the time.[35] The building achieved LEED Gold certification, with 15% energy-cost reduction, 30% water-use reduction, and 20% reduction in wastewater generation.[36] The Botta staircase was removed.
Prompt: In 2009, in response to significant growth in the museum's audiences and collections since the opening of the 1995 building, SFMOMA announced plans to expand. A shortlist released in May 2010 included four architecture firms officially under consideration for the project: Adjaye Associates; Diller Scofidio + Renfro; Foster + Partners; and Snøhetta.[30] In July 2010 the museum selected Norwegian architecture firm Snøhetta to design the expansion. Opened in May 2016, the approximately 235,000-square-foot (21,800 m2) expansion joined the existing building with a new addition spanning from Minna to Howard Streets.[32][33] The expanded building includes seven levels dedicated to art and public programming, and three floors housing enhanced support space for the museum's operations. It offers approximately 142,000 square feet (13,200 m2) of indoor and outdoor gallery space, as well as nearly 15,000 square feet (1,400 m2) of art-filled free-access public space, more than doubling SFMOMA's previous capacity for the presentation of art and providing almost six times as much public space as the pre-expansion building.
Prompt: The new museum, planned in association with architects Hellmuth, Obata and Kassabaum, was built on a 59,000-square-foot (5,500 m2) parking lot on Third Street between Mission and Howard streets.[25] The south-of-Market site, an area near the Moscone Convention Center mainly consisting of parking lots, was targeted through an agreement between the museum, the redevelopment agency and the development firm of Olympia & York. Land was provided by the agency and developer, but the rest of the museum was privately funded.[8] Construction of the new museum began in early 1992, with an opening in 1995, the institution's 60th anniversary.
Prompt: The San Francisco Museum of Modern Art (SFMOMA) is a modern and contemporary art museum located in San Francisco, California. A nonprofit organization, SFMOMA holds an internationally recognized collection of modern and contemporary art, and was the first museum on the West Coast devoted solely to 20th-century art. The museum's current collection includes over 33,000 works of painting, sculpture, photography, architecture, design, and media arts, and moving into the 21st century.[1] The collection is displayed in 170,000 square feet (16,000 m2) of exhibition space, making the museum one of the largest in the United States overall, and one of the largest in the world for modern and contemporary art.[2]
Prompt: The Casinò di Campione is one of Italy's oldest Casinos, as well as Europe’s largest casino[1] and the largest employer in the municipality of Campione d'Italia, an Italian exclave within Switzerland's Canton of Ticino, on the shores of Lake Lugano.
Prompt: Gunma Insect World (ぐんま昆虫の森, Gunma Konchū-no Mori) Insect Observation Facility in Kiryū, Gunma, Japan is a learning facility for observing the ecology of insects. The building was designed by Tadao Ando, built by Takenaka Corporation with three other firms, and opened in 2005. The facility offers outdoor hands-on experience to allow visitors to observe and learn more about the world of insects.
Prompt: Pulitzer Arts Foundation is an art museum in St. Louis, Missouri, that presents special exhibitions and public programs. Known informally as the Pulitzer, the museum is located at 3716 Washington Boulevard in the Grand Center Arts District. The building is designed by the internationally renowned Japanese architect Tadao Ando. Admission to the museum is free.
Prompt: The main hall of the convention center is the largest in all of Gifu Prefecture. It is mainly used for concerts and as a central location for conventions. With an area near 1,206 m2 (12,981 sq ft), it seats 1,689 people, but the floors and walls are adjustable, offering many difference configurations.[1][2] It was named one of Japan's Top 100 Venues for musical performances. There is also an international conference room located in the dome portion of the egg-like structure. A portion of the wall can open up to a view of the Nagara River, Mount Kinka and Gifu Castle.[1] The room is suitable for mid-sized international conventions and can provide simultaneous interpretations in six languages.[2] There are also small, medium and large meeting rooms available for more private meetings. The total floor space for the main hall and the eight other rooms is 2,332 m2 (25,101 sq ft), allowing seating for over 2,400 people.
Prompt: The main hall of the convention center is the largest in all of Gifu Prefecture. It is mainly used for concerts and as a central location for conventions. With an area near 1,206 m2 (12,981 sq ft), it seats 1,689 people, but the floors and walls are adjustable, offering many difference configurations.[1][2] It was named one of Japan's Top 100 Venues for musical performances. There is also an international conference room located in the dome portion of the egg-like structure. A portion of the wall can open up to a view of the Nagara River, Mount Kinka and Gifu Castle.[1] The room is suitable for mid-sized international conventions and can provide simultaneous interpretations in six languages.[2] There are also small, medium and large meeting rooms available for more private meetings. The total floor space for the main hall and the eight other rooms is 2,332 m2 (25,101 sq ft), allowing seating for over 2,400 people.
Prompt: Osaka Prefectural Chikatsu Asuka Museum (大阪府立近つ飛鳥博物館, Ōsaka Furitsu Chikatsu Asuka Hakubutsukan) is a prefectural museum in Kanan, Ōsaka Prefecture, Japan dedicated to the area of Chikatsu Asuka during the Kofun and Asuka periods.[1] The region is first documented in the Kojiki.[2] The Chikatsu Asuka Fudoki-No-Oka Historical Park contains over two hundred burial mounds including four imperial tombs and those of Shōtoku Taishi and Ono no Imoko.[3] The exhibition hall is divided into three sections: (1) Foreign influence during the Kofun and Asuka periods; (2) Kofun and the origins of the ancient realm; and (3) The application of science to cultural heritage.[4] The museum was designed by Tadao Ando and opened in 1994.[5]
Prompt: Row House in Sumiyoshi (住吉の長屋, Sumiyoshi no Nagaya), also called Azuma House (Japanese 東邸), is a personal residence in Sumiyoshi-ku, Osaka, Japan. It was designed by Japanese architect Tadao Ando in his early career. It was designed without exterior windows reflecting the desire of the owner to feel that he was not 'in Japan', but to compensate for lost light, an interior courtyard with cross walkway was created.
Prompt: The fan vault is attributed to development in Gloucester between 1351 and 1377,[3] with the earliest known surviving example being the east cloister walk of Gloucester Cathedral.[4] Harvey (1978) hypothesises that the east cloister at Gloucester was finished under Thomas de Cantebrugge from the hamlet of Cambridge, Gloucestershire, who left in 1364 to work on the chapter house at Hereford Cathedral (also thought to have been fan vaulted on the basis of a drawing by William Stukeley).[5] The other three parts of the cloister at Gloucester were begun in 1381, possibly under Robert Lesyngham.
Prompt: A fan vault is a form of vault used in the Gothic style, in which the ribs are all of the same curve and spaced equidistantly, in a manner resembling a fan. The initiation and propagation of this design element is strongly associated with England.
Prompt: The Saudi Binladin Group has contracted the project's structural planning with the German architectural company SL Rasch GmbH Special and Lightweight Structures led by Mahmoud Bodo Rasch, who is credited for many architectural projects in the Middle East. From the beginning of the planning, the PTFE fabric was needed to meet the exceptional requirements, as any other fabric does not provide full protection from ultraviolet. The fabric is characterized by high tensile strength, wind strength, and its elasticity, chromatic stability, fire resistance, effective shading and suitable light penetration. The highly durable PTFE white fabric was developed by SEFAR Architecture specifically for the project. The shade is painted in white color due to the intensity of light, and because strong permeability can dazzle people under the umbrella, a sandy texture was chosen instead. In addition, the underside of the umbrellas was decorated with oriental motifs made of blue PTFE stripes.
Prompt: The Tribune Tower is a 463-foot-tall (141 m), 36-floor neo-Gothic skyscraper located at 435 North Michigan Avenue in Chicago, Illinois, United States. Built between 1923 and 1925, the international design competition for the tower became a historic event in 20th-century architecture.
Prompt: The Woolworth Building was designed to be 420 feet (130 m) high but was eventually raised to 792 feet (241 m).[10][a] Several different height measurements have been cited over the years, but the building rises about 793.5 feet (241.9 m) above the lowest point of the site.[17] The Woolworth Building was 60 stories tall when completed in 1913,[12] though this consisted of 53 usable floors topped by several mechanical floors.[21][22][b] The building's ceiling heights, ranging from 11 to 20 feet (3.4 to 6.1 m), make it the equivalent of an 80-story building.[17] It remained the tallest building in the world until the construction of 40 Wall Street and the Chrysler Building in 1930, both in New York City.[24] The building is assigned its own ZIP Code, 10279; it was one of 41 buildings in Manhattan that had their own ZIP Codes as of 2019.[25]
Prompt: Architectural terracotta refers to a fired mixture of clay and water that can be used in a non-structural, semi-structural, or structural capacity on the exterior or interior of a building.[1] Terracotta pottery, as earthenware is called when not used for vessels, is an ancient building material that translates from Latin as "baked earth". Some architectural terracotta is actually the stronger stoneware. It can be unglazed, painted, slip glazed, or glazed. A piece of terracotta is composed of a hollow clay web enclosing a void space or cell. The cell can be installed in compression with mortar or hung with metal anchors. All cells are partially backfilled with mortar.
Prompt: Culzean Castle (/kʌˈleɪn/ kul-AYN, see yogh; Scots: Cullain[1]) is a castle overlooking the Firth of Clyde, near Maybole, Carrick, in South Ayrshire, on the west coast of Scotland. It is the former home of the Marquess of Ailsa, the chief of Clan Kennedy, but is now owned by the National Trust for Scotland. The clifftop castle lies within the Culzean Castle Country Park and is opened to the public. From 1972 until 2015, an illustration of the castle was featured on the reverse side of five pound notes issued by the Royal Bank of Scotland.
Prompt: The Petronas Towers (Malay: Menara Berkembar Petronas), also known as the Petronas Twin Towers or KLCC Twin Towers, are a pair of 88-storey supertall skyscrapers in Kuala Lumpur, Malaysia, standing at 451.9 metres (1,483 feet). From 1998 to 2003, they were officially designated as the tallest buildings in the world until they were surpassed by the 2004 completion of the Taipei 101. The Petronas Towers are the world's tallest twin skyscrapers and remained the tallest buildings in Malaysia until 2019, when they were surpassed by The Exchange 106. The Petronas Towers are a major landmark of Kuala Lumpur, along with the nearby Kuala Lumpur Tower and Merdeka 118, and are visible in many places across the city.
Prompt: Aqua is an 82-story mixed-use skyscraper in Lakeshore East, downtown Chicago, Illinois.[5] Designed by a team led by Jeanne Gang of Studio Gang Architects, with James Loewenberg of Loewenberg & Associates as the Architect of Record, it includes five levels of parking below ground. The building's eighty-story, 140,000 sq ft (13,000 m2) base is topped by a 82,550 sq ft (7,669 m2) terrace with gardens, gazebos, pools, hot tubs, a walking/running track and a fire pit. Each floor covers approximately 16,000 sq ft (1,500 m2).[6]
Prompt: The Celtic Revival (also referred to as the Celtic Twilight[1]) is a variety of movements and trends in the 19th, 20th and 21st centuries that see a renewed interest in aspects of Celtic culture. Artists and writers drew on the traditions of Gaelic literature, Welsh-language literature, and so-called 'Celtic art'—what historians call Insular art (the Early Medieval style of Ireland and Britain). Although the revival was complex and multifaceted, occurring across many fields and in various countries in Northwest Europe, its best known incarnation is probably the Irish Literary Revival. Irish writers including William Butler Yeats, Lady Gregory, "AE" Russell, Edward Martyn, Alice Milligan[2] and Edward Plunkett (Lord Dunsany) stimulated a new appreciation of traditional Irish literature and Irish poetry in the late 19th and early 20th century.[3]
Prompt: The Home Building Association Bank (or Home Building Association Company) is a historic building located at 1 North Third Street in Newark, Ohio, and was designed by noted Chicago architect Louis Sullivan. It is one of eight banks designed by Sullivan. In 1973, it was added to the National Register of Historic Places.
Prompt: Clarendon Tower was a high rise building on Worcester Street at Oxford Terrace[1] in the Christchurch Central City, New Zealand. Built on the site of the former Clarendon Hotel, the façade of the historic building was kept in the redevelopment and was protected by the New Zealand Historic Places Trust as a Category II heritage structure. Following damage from the February 2011 Christchurch earthquake, the 17-storey building has been demolished.
Prompt: The tube system concept is based on the idea that a building can be designed to resist lateral loads by designing it as a hollow cantilever perpendicular to the ground. In the simplest incarnation of the tube, the perimeter of the exterior consists of closely spaced columns that are tied together with deep spandrel beams through moment connections. This assembly of columns and beams forms a rigid frame that amounts to a dense and strong structural wall along the exterior of the building. This exterior framing is designed sufficiently strong to resist all lateral loads on the building, thereby allowing the interior of the building to be simply framed for gravity loads. Interior columns are comparatively few and located at the core. The distance between the exterior and the core frames is spanned with beams or trusses and can be column-free. This maximizes the effectiveness of the perimeter tube by transferring some of the gravity loads within the structure to it, and increases its ability to resist overturning via lateral loads.
Prompt: As it was not a freestanding structure, 110 East 42nd Street deviated from traditional bank building designs, being laid out as an office building with a bank. The sandstone facade is divided into three vertical sections: the base, tower, and upper stories. Within the four-story base on 42nd Street, there is a small office entrance to the west, a large round-arched entrance at the center, and a smaller arcade to the east. The remainder of the facade is split by vertical piers into multiple bays. The ground floor contains a 80-by-197.5-foot (24.4 by 60.2 m) rectangular room behind the arch, stretching 65 feet (20 m) tall; this was originally the banking room. An annex known as the "Chapel" is to the east of the banking room, and an elevator vestibule and subway entrance are to the west. The other floors are used as offices.
Prompt: 383 Madison Avenue occupies an entire city block bounded by Madison Avenue, 47th Street, Vanderbilt Avenue and 46th Street. The eastern two-thirds of the building is erected over two stories of tracks leading to the nearby Grand Central Terminal. Above the rectangular base, there are several setbacks tapering to an octagonal tower. The facade is made of granite with glass panels, and the tower is topped by a 70 ft (21 m) glass crown. To accommodate the railroad tracks under the site, the foundation and superstructure contain large sloped girders and trusses, and the elevators are placed on the west side of the building. The ground story also contains public spaces and an entrance to Grand Central Terminal. Above are seven trading floors, as well as office stories. The building has a usable floor area of 935,300 sq ft (86,890 m2); including mechanical spaces, its total floor area is 1.2×106 sq ft (110,000 m2).
Prompt: 383 Madison Avenue, formerly known as the Bear Stearns Building, is a 755 ft (230 m), 47-story skyscraper in the Midtown Manhattan neighborhood of New York City, United States. Built in 2002 for financial services firm Bear Stearns, it was designed by architect David Childs of Skidmore, Owings & Merrill (SOM). It housed Bear Stearns's world headquarters until 2008, when Bear collapsed and was sold to JPMorgan Chase. Since then, JPMorgan's investment banking division has occupied the building.
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Neo Kotsiubiiv (Нео Коцюбіїв)
(neokotsiubiiv)
Member since 2023
Ukrainian dreamer show numerous variations of the Kotsiubiiv National Opera and Ballet Theatre. If you want to use some work in your works, you can do it. I would be glad to see the use or implementation of my robots somewhere. I wish you success in your work. P.S.: Українець - це шлях (Андрій Павленко). Борітеся — поборете (Тарас Шевченко)!
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.