Nov 16 2025. Moonlit Stroll: A Whimsical Harvest Walk
Model:
DaVinci2
Size:
1728 X 1296
(2.24 MP)
Used settings:
Prompt: Women carrying baskets of produce or flowers stroll through the garden of an ancient village under a starry night sky, depicted in an abstract watercolor.
Prompt: Edgy rock face portrait of the Scalp Rock Gecko on a sun-warmed boulder with warm late-afternoon side-light emphasizing scale relief. Composition: vertical tight-crop with gecko on left third, negative right for caption. Lighting: golden late-day rim with cool shadow fill for three-dimensional pop. Palette: warm stone-grey, olive lichen, gecko tan. Texture & detail: dorsal scale micro-pattern, eye sheen, rock micro-scratches. Artist-mix: photoreal macro clarity , soft painterly background to evoke vernacular rock garden. Camera: macro 100mm stack if possible; 4k output. Variations: daytime sunbask and nocturnal activity pair for carousel.
Prompt: Dreamy hazy breezy painterly twilight cityscape, bathed in soft blue silence and faint coral light. Bare trees stretch upward like ink bleeding through sky; their cobalt branches shimmer against the warm blush of dusk. Solitary figures drift through the misted street, long shadows brushing pale reflections on the ground. Buildings fade gently into the horizon, their windows glowing with quiet gold, like the last warmth of forgotten stories. Minimalist impressionism with oil-on-canvas texture, visible brush strokes, and delicate abstraction. Wet-on-wet diffusion, translucent light layering, and soft fog blending with air. EmmAI Fragile Vision palette: ultramarine, mist blue, peach dusk, copper glow. No text, no frame, no symbols, soft bokeh haze, atmospheric melancholy, gentle depth, poetic solitude, visible texture.
Prompt: Vivid, chaotic expressionist mixed-media composition, merging scribbled penwork and painterly hand-color overlays, depicting two bicycle riders on a bicycle path with an urban skyline in the background at golden hour. The scene pulses with hyper-textured pigment layers, sunlit realism blended with gestural abstraction, and hand-inked line energy. In the evocative styles of Jean-Michel Basquiat, Egon Schiele, Leonid Afremov, and Francoise Nielly, this artwork captures the tension between serenity and city chaos, rendered in ultra-detailed, high-resolution natural lighting with rich tactile surfaces and painterly grit.
Prompt: Patchwork by Joan Miró, Van Gogh, Zdzislaw Beksinski, Kazuhiko Nakamura, Volumetric Decoupage, Dream up Dimensional Decoupage, Think of a textured mechanical metropolis, with bronze houses and silver tree lined streets, wind up stitch dolls walking through the streets along with mechanical animals, in the background a steam river decorated with crystal elements, detailed lanscape line drawing. Steampunk Impressionism, Pop surrealism masterpiece. Mixed media of Oil paints and Fine grains texture paste with the addition of small balls of glass, mica, pumice, sand to the mixture, Water-soluble tinting ink, Multilayered, Retro, Vintage, Theatrical mystique, shadow ink, magical, chiaroscuro, moody, Unreal Engine, glossy, gothic fantasy, whimsical, Whimsical lighting, intricate, beautiful, fantastic view,
Prompt: A Deep Dream interpretation of Béla Tarr's 'The Turin Horse', rendered in a haunting watercolor and alcohol ink aesthetic. The scene should evoke the bleak, cyclical existence. Style of Edvard Munch
Prompt: Vibrant Winter valley, frozen leaves swirling in the air, white and silver flowers, surreal elements, dramatic stormy clouds, misty atmosphere, winding semi frozen river, distant mountains, mystical glow, digital painting, detailed textures, dynamic lighting casting long shadows, by Ivan Aivazovsky and Thomas Cole, Artstation.
Unpleasant Things: When evolution takes place in the sink
Model:
AIVision
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: (((Masterpiece, close up))) A punk collage made of torn magazines combined with dynamic impressionist coarse impasto painting and ink drawing in a scratching, splashing, blotting appeal, irregular stroke, squiggly line, evocative, splatter, overspray of color
We see a close-up image of a very beautiful young blonde etheral busty vietamese woman with a messy blonde bun washing very dirty dishes in the sink. An octopus arm stretches out of the very dirty and foamy dishwater and grabs her. She looks at at the octopus arm with an pouty, annoyed, frowning expression.
The blonde vietnamese woman wears a saggy t-shirt with deep neckline and a mini-skirt.
Background: a messy vintage kitchen with some plants and band posters. The morning sun beams through the kitchen window and highlights the beautiful facial and bodily features of the woman.
Masterpiece, touching, gorgeous, golden ratio, beautiful, awe striking, breath taking, evocative, sumptuous, aesthetic, unique, HD, style by zettel
Prompt: (A masterpiece of unparalleled excellence), (("A stylized blue cat stand on a textured landscape under a starry night sky. A bright yellow sun and scattered stars illuminate the scene, creating a whimsical cosmic atmosphere". Side view, Complex stipple texture, Abstract expressionism surrealism, Pop art)), Inspired by the style illustrations of Edward Gorey, Tim Burton and Tomasz Setowski, Use stunning color oil drawing on textured paper, As if created By Paul Klee, Tim Burton, Tomasz Setowski, Kris Kuksi, Niki de saint phalle, Antoni Gaudí, Dee Nickerson and Jacek Yerka. (Full Size image)
Prompt: A girl with translucent hair that drifts upward like smoke, sprouting tiny glowing fish. Her feet dissolve into paint that spills across the floor. Pastel color palettes and dreamy linework in the style of Loish
Ogura Hyakunin Isshu No. 52 - Fujiwara no Michinobu Ason
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 52, Fujiwara no Michinobu Ason, of the Ogura Hyakunin Isshu: "Though I know indeed / That the night will come again / After day has dawned, / Still, in truth, I hate the sight / Of the morning's coming light." The image shows a very early, cold dawn outside the window of a spartan room. The light of dawn shows in shades of blue, pale yellow, and delicate orange on the horizon, whereas the sky higher up is still very dark blue. The view of the window toward the Eastern sky is from an unmade bed with crumpled sheets. The image is rendered as an exceedingly detailed, highly symbolic zentangle-like wet watercolor, with strong, rich and varied colors. Extreme detail, clarity of rendering, timeless, symbolical motif combining wet watercolor with a low-poly and contemporary zentangle esthetic. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 54, Gidō Sanshi no Haha, of the Ogura Hyakunin Isshu: "If remembering me / Will for him in future years / Be too difficult, / It would be well this very day / That I should end my life." The image shows a Japanese wedding couple during the Heian period. The Japanese bride and the Japanese groom are standing next to each other, facing the viewer. They are dressed in splendid robes made of silk with a floral pattern worven with shimmering colors. The woman is stone-faced and emotionless. The man is fully transparent, as if he were a ghost or only a figment of the woman's imagination. The couple is standing in a simple hallway into which the starlight shines. The colors are dark around the edges of the hallway, only the couple is well-lit, with the man being but a transparent projection. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like linocut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with bokeh edges, rich colors, executed on rough handmade paper of poem number 55, Dainagon Kintō, of the Ogura Hyakunin Isshu: "Though the waterfall / Ceased its flowing long ago, / And its sound is stilled, / Yet, in name it ever flows, / And in fame may yet be heard." The image consists of two layers superimposed like two panes of glass: The layer undeneath features a mountainside with a lively, sparkling, silver waterfall dashing merrily down rocks to a still, dark pool among rich, verdant vegetation. The second layer, semi-transparently covering the first layer, shows the same mountainside, but the vegetaion has withered and the waterfall no longer exists, exposing the craggy rocks beneath the erstwhile waterfall. The layer underneath is a memory, and the layer on top is a currnet representation of the landscape. The image is rendered as an exceedingly detailed, highly symbolic, large, zentangle-like, hand-colored woodcut with enormous detail. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate illustration with rich colors, executed on rough handmade paper of poem number 59, Akazome Emon, of the Ogura Hyakunin Isshu: "Though I'd have preferred / to have gone offf to bed / without hesitating, / the night deepened and / I watched the moon till it set!" The image shows a contemporary, young Japanese woman in a silk kimono with an elaborate bird and floral pattern and sumptuois, rich colors sitting on a chic, Italian, anthracite-colored sofa in her very modern apartment with a gray-and-cream interior decoration color scheme. She is softly lit by a living room floor lamp, whereas the remainder of the apartment is shadowy and dark. The young woman is apparently waiting for her lover to come, and has already been sitting on her sofa for many hours. Behind her, in a window, we see a very small, pale crescent moon high in the dark night sky. The image is exudes a melancholy and timeless ambiance. The image is rendered as an illustration in the manner of a glossy architectural magazine photograph with a model, the young woman in the brightly colored silk kimono, contrasting sharply with the surrounding color scheme. Extreme clarity of rendering, contemporary, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 63, Sakyō Daibu Michimasa, of the Ogura Hyakunin Isshu: "Now, the only thing / I wish for is a way to say / to you directly / - not through another- / 'I will think of you no longer!'" The image shows the poet, Sakyō Daibu Michimasa, sitting alone and contemplating his ill-fated affair with a 15-year old High Priestess. The poet is sitting cross-legged on a simple tatami mat in a simple hut. Behind him, we see his thoughts in a double exposure: He is thinking about the young High Priestess, Princess Masako, standing regal in the Ise Shrine. The poet will never see her again, and was not even allowed to say good-bye. Finest linocut additionally colored with wet watercolor. Compelling double exposure, every detail of the tatami mat and the poets clothing finely worked with the linocutter's tool. The double exposure showing the scene with the High Priestess is executed in dark colors and in a bokeh esthetic. Deft execution, melancholy motif. Superlative technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate brocade tapestry in rich colors, executed on rough handmade paper of poem number 69, Nōin Hōshi, of the Ogura Hyakunin Isshu: "It's the autumn leaves / of the hills of Mimuro, / where the tempests blow, / that are the woven borcade floating / on the waters of Tatsuta River!" We see a whirl and dance of red maple leaves coming down from the mountain slopes and landing like a beautiful, woven, brocade carpet on the river. The surface of the lazily flowing, broad, straight river is almost entirely carpeted with maple leaves shimmering in all shades of red, scarlet and maroon, coming together in a textile-like cover. The sky is bright blue and clear, the mountain slope is covered with maple trees in festive, autumn colors. The image is rendered as an almost palpable textile with exceeding detail, making the river cover look like a precious brocade fabric. Personification of autumn. Clarity of rendering, masterful technique. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed speedpainted image of five paralympic wheelchair users in a race. The paralympic athletes are wearing sports clothes with an asisgned number and are speedil racing on a track. We see the wheelchair racers fully frontally as they approach the finish line, each at his or her own pace. The joy and exertion of the race shows on their faces. The speedpaint splashes and the bright colors perfectly capture the motion of the athletes. The sun is shining on a perfect race scene. Captivating painting exuding infectuous excitement.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut in rich autumn colors, additionally highlighted with ink, executed on rough handmade paper of poem number 70, Ryōzen Hōshi, of the Ogura Hyakunin Isshu: "In my loneliness / I leave my little hut. / When I look around, / Everywhere it is the same: / One lone, darkening autumn eve." A modest wooden hut stands on a mountainside. A Japanese Buddhist monk in humble clothing sits, cross-legged, on the bare ground in front of the hut, meditating. It is late autumn, and evening. The sky is pink and yellow with the last light of the sun, which has set. At the edges of the sky, the dark blue of night is encroaching. The pink and yellow on the horizon is interrupted by the dark, backlit silhouette of a V-shaped formation of geese flyng south. The geese are a melancholy, poignant harbinger of the cold winter to come. Extreme detail, painstaking, masterful execution. Linocut in several layers. Clarity of rendering, exquisite technique. Traditional Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a wet-on-wet watercolor, diaphanous, transparent, of poem number 71, Dainagon Tsunenobu, of the Ogura Hyakunin Isshu: "When the evening comes, / From the rice leaves at my gate, / Gentle knocks are heard, / And, into my round rush-hut, / Enters autumn's roaming breeze." A round rush hut stands in a small garden, which is surrounded by a simple wooden fence. Outside fence stand ripe, yellowed rice plants, which the autumn wind gently blows against the gate in the fence. Evening is falling, and candlelight illuminates the hut, falling through the open door. At the edges of the sky, the dark blue of night is encroaching. The horizon is pink, magenta and yellow. A cozy scene unfolds on this lovely evening in autumn. Masterfully executed in wet watercolor with quick, deft brushstrokes, elegantly and perfectly capturing an autumn ambiance. Traditional Japanese scenery.
Ogura Hyakunin Isshu No. 72 - Yushi Naishinno-ke no Kii
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a heavy impasto acrylic painting of poem number 72, Yūshi Naishinnō-ke no Kii, of the Ogura Hyakunin Isshu: "Famous are the waves / That break on Takashi beach / In noisy arrogance. / If I should go near that shore, / I would only wet my sleeves." A pretty, young, teenage Japanese girl is walking along the beach, dressed in a bathing suit and a short, open, floral-patterned silk kimono in sumptuous colors as a cover-up. She is barefoot, and skipping away from a wave that threatens to lap her feet. The sun is shining brightly, and it is a beautiful day in summer. The sky is bright blue and cloudless. The young girl is alone, joyful and content on her lone beach walk. The beach is completely empty. Sand dunes are covered in dune vegetaion. Painstakingly and masterfully executed contemporary acrylic painting. Beach ambiance perfectly captured in quick, thick impasto brushstrokes.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 73, Gonchūnagon Masafusa, of the Ogura Hyakunin Isshu: "On that far mountain / On the slope below the peak / Cherries are in flower. / Oh, let the mountain mists / Not arise to hide the scene." A profusion of double-flowering, old sakura cherry trees are in bloom on a mountain slope. A group of friends has come to celebrate a picnic at the bottom of the slope and to view the abundance of pink blossoms. While they are hoping the weather will hold, they have prepared for rising mist by wearing raincoats. Possible inclement weather aside, the time is perfect for cherry blossom viewing, as all trees are in full bloom. Painstakingly and masterfully executed contemporary linocut in several layers. Spring ambiance. Exquisite contemporary Japanese folio.
Ogura Hyakunin Isshu No. 74 - Minamoto no Toshiyori Ason
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed linocut rendering of poem number 74, Minamoto no Toshiyori Ason, of the Ogura Hyakunin Isshu: "It was not for this / I prayed at the holy shrine: / That she would become / As pitiless and as cold / As the storms on Hase's hills." A modern-day Japanese traveler is coming down the mountain through a snowstorm, his staff in his hand and his cloak whipped about by the relentless wind. He is returning from pilgrimage, glum and unhappy. In heavy cloud cover, we see the image of a scornful face of a woman with piercing eyes looking at the traveler exposed to the brunt of the bad weather. Early winter ambiance, painstakingly detailed linocut, especially of the cloud cover with the scornful woman's face. Exquisite Japanese foili depicting unrequited love.
Ogura Hyakunin Isshu No. 75 - Fujiwara no Mototoshi
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed vanitas-type oil painting of poem number 75, Fujiwara no Mototoshi, of the Ogura Hyakunin Isshu: "As dew promises / New life to the thirsty plant, / So did your vow to me. / Yet the year has passed away, / And autumn has come again." Dew richly covers a flowerbed of Japanese mugwort (Artemisia princeps), glittering and shimmering in the early morning sun, breaking the light into rainbow colors. The dew stands for a promise - which, alas, was later broken. But in this image, the hyperrealistic dewdrops, each reflecting and magnifying the leaves next to it, present a breathtaking spectacle. Painstakingly detailed, hyperrealistic oil painting in the technique of the old Dutch vanitas masters. The vanitas concept embraces the fleeting nature of life - like this soon to be broken proomise. Exquisite Japanese foilio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed oil painting of poem number 76, Hosshōji Nyūdō Saki no Kanpaku Daijōdaijin, of the Ogura Hyakunin Isshu: "Over the wide sea / As I sail and look around, / It appears to me / That the white waves, far away, / Are the ever shining sky." A small, one-man Japanese rowboat is sailing toward the horizon on a completely flat, calm sea. In the distance, the yellow-white clouds in the sky have the same color and texture as the small, low, calm, flat wave caps stretching along the entire horizon. Above the white-yellow clouds, the dawn sky is light blue, the same color as the ocean in front of the low, horizontal wave caps. Only the rowboat creats a speck of red-brown color on the sea. The sea and the sky fully merge at the horizon in texture and color, creating the illusion of infinity. Oil painting emulating the style of William Turner, the painter of light. Expressive coloring, with thick oil paint applied directly from the tube in splotches, and repetitive, calm textures. Breathtaking illusion of the sky and the sea melting together. Exquisite Japanese foilio.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
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