Prompt: Artist Gottfried Heinwein style Alyssa Monks painting, by Seth Alverson, when your eyes are all I can see, the outfit is normal and she is supposed to be tall, tender skin with blushes at joints and places
Prompt: Artist Gottfried Heinwein style Alyssa Monks painting, by Seth Alverson, when your eyes are all I can see, the outfit is normal and she is supposed to be tall, tender skin with blushes at joints and places
Prompt: A vintage-style image featuring a humanoid robot standing on a red, Martian landscape. The robot has a cylindrical torso with metallic hues, reminiscent of aged bronze or copper, stamped with faded letters and numbers that hint at a serial code. Its head is round, displaying minimalist features: two dark, circular eyes, a small, dot-like nose, and a simple line for a mouth. The robot's arms and legs are slender, connected to its body with visible joints, and end in simple, functional appendages. The robot casts a long, humanoid shadow on the rust-colored ground, suggesting a low-hanging sun. Behind the robot, jagged rocks and sparse, alien terrain stretch to the horizon beneath a clear, pale sky.
Prompt: Create an image depicting a dynamic and colorful vintage science fiction scene. In the foreground, there is a man with olive skin and strong facial features, including a prominent brow, a straight nose, and dark, neatly-combed hair. He is wearing a long-sleeve, light blue shirt and dark trousers, and is engaged in combat with a robot. The man’s expression is determined and focused, indicating a moment of action.
The robot attacking the man is red with two large cylindrical body segments, tubular arms, legs with articulated joints, and claw-like pincers. There is visible damage where the man has struck the robot, indicating a fierce battle.
In the midground, another robot with a yellow torso and black limbs is partially visible, facing away from the viewer and toward the man, as if it might join the fight against him. The background features an outdoor setting with a flight of stairs, where several spectators are watching the scene from a distance. These spectators are wearing colorful winter clothing in hues of green, orange, pink, and blue, and some have bright ski accessories like goggles.
The atmosphere hints at a sense of urgency and peril. The setting suggests a possibly future or alternate reality where robots and humans interact. The color palette is rich and saturated, typical of mid-20th-century pulp science fiction illustrations. The overall scene is a blend of action, technology, and drama captured in a painterly, illustrative style.
Prompt: Golden Chinese dragon in the forest of Magic and creative. Elegant epic Scenic ethereal, iridescent, colorful, HDR, vibrant color.16k, sharp focus, clear crisp colors. Masterpiece. Award winning. Stunning. Brilliant
Prompt: A young adult dragon with medium skin tone standing on a red carpet with a confident posture, facing the camera with a subtle smile. He wears a vibrant short-sleeved shirt with a bold yellow color and large tropical print featuring various shades of blue and gray leaves, as well as white accents. He's paired this with light beige casual trousers and complementing light gray slip-on shoes.
His hair is scales, diamond shaped, and dark brown, subtly styled with a natural look; his facial features are soft yet scaly, with a well-maintained round-shaped little horns around the mouth area. His glasses have thin round metal frames, and behind him, there is a step-and-repeat wall with logos prominently displaying "dragons' rule," "killer-diller,. The red carpet extends to the background, and the atmosphere is one that is associated with award ceremony events.
Prompt: Whimsical group of zoo animals imagination, exotic fluffy and colorful, harmoniously coexisting, on a cozy red sofa, in an urban rooftop studio atelier, created in a clean vector art style, in solid vibrant colors, 2D flat illustration, playful and imaginative, lush interior, artistic flair, joyful atmosphere.
Prompt: On my comfy red sofa, in my tiny chaos-creative, rooftop studio, lives a whimsical zoo of exotic animals, happy together, depict in a clean vector contemporary style, with solid colors, 2D flat style illustration
Prompt: Compose a remarkable birdcage free-hanging on clouds in the sky, stocked with books, written journals and letters. The warm sun shines through the cloudscape. Immersed she's reading in a queerly drama about extraordinary, exciting experiences, lost pirate treasures and cheeky PARROTS
Prompt: Create a Whimsical imagen of a character with fluffly curly hair walking down with her fluffy dog, wearing a sweater, miniskirt, boots, holding an umbrella, fantasy art, brush strokes and paint splashes in pastel colors with a bicycle, a tree and flowers, in the background mixed lineal art in watercolors on a rainy day
Prompt: A studio cluttered with artistic chaos, an individual engrossed in creation in her atelier with an easel, a rocking chair, a notebook, a laptop, handwritten notes and scripts scattered, vintage vinyl player spinning, greyhound companion by her side, modern vector illustration, soft and muted color palette, quirky, crispy and defined shapes, textured with halftone dots, dynamic screen printing style, flat 2D image
Prompt: 2D-Illustration vibrant character, she’s fashionable attired with an undercut hairstyle, captivating eyes, on a Bicycle, followed by a Saluki dog companion, sleek fur, tropical setting, sandy beach atmosphere, digital illustration, detailed surreal style, warm and inviting lighting, by a blend of Salvador Dali, Margritte and vintage Poster and Illustration, Artstation concept art.
Prompt: Rush hour traffic in the city on a multi-lane street. A bicycle courier with a single speed racing bike loaded with a large package, transporting pizza for a startup company. It's just before closing time, rush hour traffic is heavy, drivers are aggressive, ravens and pigeons in the sky, a street canyon with high-rise buildings. Albert Einstein sits on his bike and sticks out his tongue
Prompt: Little Red Riding Hood on a red bonanza bicycle. She rides through a hilly landscape with dense trees, the trees are large and scarifying, a wolf on a mountain bike comes towards her at a crossing. The scene is intended to be designed as an isometric illustration. The view is from above through an orthogonal camera view, like in vintage video games designed with lots of black areas, beautiful, dangerous, naive, virtuoso, excellence rendered with delicate details
Prompt: A Caravaggio style poetic thirds' composition of an image depicts a group of men gathered around a large wooden cross, with one man hanging on it. There are at least five people in the scene, some standing and others kneeling or sitting around the cross. One person is holding a rope attached to the cross, possibly preparing for an event or demonstration. The atmosphere appears solemn and reflective, as the group of men seems to be focused on the crucifixion scene. The group appears to be composed of various individuals, with some possibly being religious figures or followers.
Prompt: Jean-Baptiste Monge style panoramic view of 12 children sitting on a long table all looking at the one in the middle lifting his lifting a glass of grape juice to the air, Influenced by the last supper painting by Leonardo da Vinci, Divine light coming from behind, caustics from the glasses, fleshy youthful skin on the children, extreme attention to detail, Sfumato and glazing, perfect composition, perfect light and shadow play
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: A monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the center stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental panoramic fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In the style of artist Raphael a monumental fresco painting in 16th century Italian Renaissance style for the Vatican, depicting a grand, idealized scene of the greatest philosophers, mathematicians, and scientists of classical antiquity gathered together in a vast, majestic architectural setting. At the centre stand the two most influential ancient Greek philosophers, Plato and Aristotle, engaged in deep discussion. Plato, on the left, is shown gesturing upwards, representing his belief in a higher, spiritual realm of eternal ideas and forms. He holds a copy of his work Timaeus. Aristotle, on the right, gestures downwards, symbolizing his focus on the physical, empirical world. He holds his work Ethics. Surrounding the central pair are numerous other renowned figures from the classical world. On the left side, we see the mathematician Pythagoras, deep in thought as he sketches geometric diagrams. Next to him is the melancholic philosopher Heraclitus which could be a self-portrait of Michelangelo. On the right side, the astronomer Ptolemy holds a celestial globe, while the philosopher Zoroaster holds a terrestrial globe. In the foreground, the geometer Euclid instructs a group of students, demonstrating the principles of his geometry.
Masterful display of technical virtuosity. The figures are arranged in a complex, harmonious composition that draws the viewer's eye towards the central debate between Plato and Aristotle. Inspired by Bramante's design for St. Peter's Basilica, creates a sense of grandeur and timelessness.
Prompt: In a hidden corner of the forest lies the home of an elderly fantasy dwarf. His name is Thistl, widely known for his mastery of alchemy and his endless supply of wisdom. Sitting in his workshop, he is surrounded by a warm, inviting glow emanating from the crackling fire in the stone fireplace. The air is filled with the earthy scent of dried herbs and the faint aroma of bubbling potions. Sitting at a sturdy wooden desk smoothed by years of use, he exudes a sense of timeless charm. His bushy gray beard falls to his chest. His weathered face shines with a gentle smile as he greets you with a twinkle in his bright blue eyes. On his head sits a tall, pointed hat, its faded blue hue reminiscent of countless adventures. Intricate green tendrils snake around the edge. His clothing speaks of life in nature - a structured leather vest, lovingly embroidered with ancient symbols, over a wide-sleeved shirt the color of freshly fallen snow. Heavy brown trousers, softened over time, are tucked into sturdy leather boots. In his hands rests a shiny gold monocle, a prized possession that he regards with a mixture of curiosity and awe. With a gentle touch, he adjusts the monocle and peers through it with the precision of a scholar, studying the intricate details of a small vial filled with an iridescent liquid. The workshop itself is a testament to his eclectic tastes and insatiable curiosity. Wooden shelves line the walls, sagging under the weight of ancient tomes, bottles of all shapes and sizes, and bundles of dried herbs. The daylight streaming through the dusty windows bathes the room in a soft, golden glow, casting long shadows that dance across the worn wooden floorboards. There are treasures to discover in every corner - a basket full of plump, ripe vegetables from his garden, a bright orange potion bottle decorated with intricate runes, and a cluttered desk full of scrolls of parchment and ink-stained quills.style, James C. Christensen, Enki Bilal, Meghan Duncanson
Prompt: A young woman stands in an archaic stone hallway characteristic of a medieval castle or monastery, illuminated by warm sunlight streaming through open arches. It overlooks a courtyard beyond, with hints of lush gardens and distant buildings, evoking a peaceful, idyllic setting. Elements such as a Gothic stone arch, touches of red flowers and antique brassware contribute to a feeling of authenticity. In her arm she holds a woven basket filled with a colorful selection of apples, suggesting a bountiful harvest. Each apple is rendered with great attention to detail, showing different shades of red, green and yellow with realistic textures. She has fair skin, large, bright green eyes, and long brown hair that flows gently over her shoulders. Her face bears a soft, subtle smile and delicate features with light freckles on her cheeks and nose. She is adorned with a jeweled silver headband in her hair and matching drop earrings that sparkle with blue gemstones. The woman is wearing a Renaissance robe with a square neckline that reveals a small part of her cleavage. The dress features off-the-shoulder puff sleeves that tie at the elbow with red ties and complement the rich blue bodice, which is accented with ornate gold embroidery. The bodice is attached to a cream blouse with flowing fabric, creating an elegant silhouette.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.