Prompt: still lake with no movements. in an autumn setting where trees no longer have leaves.The atmosphere is mystical, enhanced by soft fog and warm light.
Prompt: Lady of the Bats with bat wings, in the styles of Edward Atkinson Hornel, Kim Keever, Andy Kehoe, John Hoyland, and Thom, enamel champlevé, mist, fog, Mirkwood, bats, Halloween, metallic lines and colours, vibrant.
Prompt: A desolate Reykjavik under a dark, clouded sky without stars, a single farmhouse in the distance with one faintly glowing window, rendered in Van Gogh’s swirling, textured strokes and a palette of dark blues, grays, and ochres evoking quiet despair.
Prompt: fantasy watercolor image of cute amused 1880s victorian-dressed long-skirt with laces and bonnet pre-school girl speaking with multi-colored extremely-fluffy longhaired wide-smiling cat that sits on high branch over girl's head in strange whimsical fantasy wood colored with odd patterns, she is followed by several strange large fantasy whimsical creatures with big eyes and cute sharp-teeth smiles, in old victorian style wet ant dry on rice paper, incorporating the vivid colors and silver. Classic watercolor and ink, sumi-e, victorian postcards art, 1900s illustration
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate illustration with rich colors, executed on rough handmade paper of poem number 59, Akazome Emon, of the Ogura Hyakunin Isshu: "Though I'd have preferred / to have gone offf to bed / without hesitating, / the night deepened and / I watched the moon till it set!" The image shows a contemporary, young Japanese woman in a silk kimono with an elaborate bird and floral pattern and sumptuois, rich colors sitting on a chic, Italian, anthracite-colored sofa in her very modern apartment with a gray-and-cream interior decoration color scheme. She is softly lit by a living room floor lamp, whereas the remainder of the apartment is shadowy and dark. The young woman is apparently waiting for her lover to come, and has already been sitting on her sofa for many hours. Behind her, in a window, we see a very small, pale crescent moon high in the dark night sky. The image is exudes a melancholy and timeless ambiance. The image is rendered as an illustration in the manner of a glossy architectural magazine photograph with a model, the young woman in the brightly colored silk kimono, contrasting sharply with the surrounding color scheme. Extreme clarity of rendering, contemporary, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 60, Koshikibu no Naishi, of the Ogura Hyakunin Isshu: "By Ōe Mountain / The road to Ikuno / Is far away, / And neither have I beheld / Nor crossed its bridge of heaven." The image shows a mountain, snow-capped Ōe Mountain, in the distance. A winding road leads through rolling wheat fields from the viewer to the mountain. An elaborate wooden bridge in the style of a painted, wooden Japanese temple over a small stream can be made out on the road ahead, Rendered as a fine woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, peaceful landscape motif. Old masters' technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 61, Isé no Tayū, of the Ogura Hyakunin Isshu: "The eight-petalled cherries / from the Nara capital / of the ancient past / today nine layers thick / have bloomed within your court!" The image shows a single, venerable, gnraled, beautiful "yae-zakura" cherry tree whose last, eight-petaled cherry blossoms are still clinging to the tree. The remaining blossoms have fallen to the ground in a shower of pink and white, covering the ground in a thick layer of perfect, fallen petals. The tree stands protected in the corner of a brickwork wall enclosing a palace courtyard, with the April morning sun shining on the tree and casting its shadow on the elaborate terra cotta brickwork of the cozy wall corner behind it. Rendered in highly detailed wet watercolor technique, additionally highlighted with ink. Magenta pink blossoms, deft execution, introspective, peaceful nature motif. Superlative technique reminiscent of John Singer Sargent. Expressionist and highly emotive ambiance. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 62, Sei Shōnagon, of the Ogura Hyakunin Isshu: "The rooster's crowing / In the middle of the night / Deceived the hearers; / But at Osaka's gateway / The guards are never fooled." The image shows a magnificant, colorful rooster with ruffled feathers and wings open wide crowing zestily. He is sitting atop a pile of hay outside a lowly shed at midnight, and is lit by the half-moon. The image of the rooster completely dominates the picture. Ever details of his colorful feathers and cock's comb can be made out. Finest linocut additionally colored with wet watercolor. Magnificent feathers, very detailed hay in the haystack, every detail of the planks of wood of the shed behind the haystack finely worked with the linocutter's tool. Dark sky with a pale moon. Deft execution, whimsical nature motif. Superlative technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 63, Sakyō Daibu Michimasa, of the Ogura Hyakunin Isshu: "Now, the only thing / I wish for is a way to say / to you directly / - not through another- / 'I will think of you no longer!'" The image shows the poet, Sakyō Daibu Michimasa, sitting alone and contemplating his ill-fated affair with a 15-year old High Priestess. The poet is sitting cross-legged on a simple tatami mat in a simple hut. Behind him, we see his thoughts in a double exposure: He is thinking about the young High Priestess, Princess Masako, standing regal in the Ise Shrine. The poet will never see her again, and was not even allowed to say good-bye. Finest linocut additionally colored with wet watercolor. Compelling double exposure, every detail of the tatami mat and the poets clothing finely worked with the linocutter's tool. The double exposure showing the scene with the High Priestess is executed in dark colors and in a bokeh esthetic. Deft execution, melancholy motif. Superlative technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a wet-on-wet watercolor, diaphanous, transparent, of poem number 71, Dainagon Tsunenobu, of the Ogura Hyakunin Isshu: "When the evening comes, / From the rice leaves at my gate, / Gentle knocks are heard, / And, into my round rush-hut, / Enters autumn's roaming breeze." A round rush hut stands in a small garden, which is surrounded by a simple wooden fence. Outside fence stand ripe, yellowed rice plants, which the autumn wind gently blows against the gate in the fence. Evening is falling, and candlelight illuminates the hut, falling through the open door. At the edges of the sky, the dark blue of night is encroaching. The horizon is pink, magenta and yellow. A cozy scene unfolds on this lovely evening in autumn. Masterfully executed in wet watercolor with quick, deft brushstrokes, elegantly and perfectly capturing an autumn ambiance. Traditional Japanese scenery.
Ogura Hyakunin Isshu No. 72 - Yushi Naishinno-ke no Kii
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Full-screen, complete width, broad, 16:9 format of a heavy impasto acrylic painting of poem number 72, Yūshi Naishinnō-ke no Kii, of the Ogura Hyakunin Isshu: "Famous are the waves / That break on Takashi beach / In noisy arrogance. / If I should go near that shore, / I would only wet my sleeves." A pretty, young, teenage Japanese girl is walking along the beach, dressed in a bathing suit and a short, open, floral-patterned silk kimono in sumptuous colors as a cover-up. She is barefoot, and skipping away from a wave that threatens to lap her feet. The sun is shining brightly, and it is a beautiful day in summer. The sky is bright blue and cloudless. The young girl is alone, joyful and content on her lone beach walk. The beach is completely empty. Sand dunes are covered in dune vegetaion. Painstakingly and masterfully executed contemporary acrylic painting. Beach ambiance perfectly captured in quick, thick impasto brushstrokes.
Prompt: Misty evening, willow trees, icy grasses and cattails in front of a large, dull setting sun and a heavy storm front is approaching - front view - digital painting, elegant, extremely detailed, award-winning, sharp quality, swamp background, ink TNT - anatomically correct - full view - photorealistic
Prompt: A lone figure, cloaked and silhouetted, walks along a winding path through a dense, autumnal forest. Vibrant red and gold leaves carpet the ground, partially obscured by thick, rolling fog. The air is heavy with moisture, and the trees appear as indistinct shapes in the distance. This scene evokes a sense of haunting beauty and quiet contemplation, captured in the style of a digital matte painting.
Prompt: Through the quiet pane, hearts remember how to sing, snow falls far away. Textured impressionist canvas with expressive strokes, foggy atmosphere, and golden bleed highlights. EmmAI Palette of soft peach, wintry gray, and ember light. A scene of intimacy: two figures silhouetted against the glowing sunset, the outside world blurred into silence. Ethereal, romantic, timeless.
Prompt: Surrealism, painterly: A towering, translucent shell spirals upward from the ground, but inside its chambers glow shifting landscapes — forests, oceans, and storms contained in each coil. At its base, the earth is cracked and eroded, roots wrapping tightly around the structure. The sky is muted slate-grey with faint washes of ochre. Brushwork is textured, layered with impasto ridges, giving the impression of a living fossil that carries whole worlds within it. Mood: quiet awe, timeless mystery, poetic and restrained.
Nov 5 2025. Mystical Journey Through the Arched Doorway
Model:
DaVinci2
Size:
1152 X 864
(1.00 MP)
Used settings:
Prompt: Additional prompt: Modern, abstract painting: The woman in the red hat walks through the arched doorway of a stone wall, behind her a misty light filters through the doorway, a storm lantern is placed on the stone wall - splattered watercolor & sketch drawing picture...
Prompt: А high quality digital art of a gothic style scene. A long-haired blonde with loose hair and bob-style hairstyle, red lips walks through a dark forest. She wears a black lace dress with large bust and white sleeves. Her path is illuminated by a crystal heart against the moonlight background. In the distance, the silhouette of a long-haired man as a shadow is visible. The setting is monochrome and black and white, with colorful accents in places.
Bright red rose bushes with many thorns surround the scene, while blackbirds are perched around. Lanterns with candles light the way alongside the crystal heart. The image portrays a theme of hugs, red lips, evening meeting with a focus on close-up, deep feelings. The artwork is complex, with deep contrasts.
The emotion conveyed is that of searching for lost love as the crystal heart symbolizing love starts to crack like glass and crystal.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
6d
11d
