Prompt: Watercolor painting in the style of Josephine Wall, Ivan Shiskine, depicting a huge, detailed coconut on a sandy beach at sunset. The coconut is opened and inside it, there is a picturesque, beautiful, complex pond, a small stream flowing into the pond from behind, above the stream an elegant, graceful reed, with a path leading around the pond on the right side through fields of tall grass, wildflowers and beautiful old trees, on the left side of the stream the path leads through an epic landscape with autumn harvest with a cobbled village bridge, antique equipment, lanterns, jugs, jars, a well and the like, just a house with a low stone fence in front of it and a garden full of flowers, trees on both sides of the house, on the pond some waterfowl can be seen and a swan is standing on the bank of the pond, in the background a summer night when the moonlight of a beautiful moon gently sleeps on the hills; The water near the coconut reflects the warm colors of the sky. The horizon shows the vast, calm sea with small waves breaking in the distance, and the whole composition exudes a sense of magic, tranquility and surreal beauty. style by Piotr Jabłoński x Tomislav Tomić
Prompt: soft pastel watercolor, inkbrush, wet on wet oil and watercolor, woman with red curly hair,green eyes and boho clothing, cowboy boots, sitting under a tree, flowers surrounded, landscape backdrop. Style by Brian Froud
Prompt: Create an image of a fantastic alien creature with the following features: A standing, bipedal figure with pronounced ears that point upwards and are pointed. The creature has a cyclops-like face with a single human eye that appears curious. The creature's skin is textured and wrinkled and has a greenish-yellow hue. The nose is small and pointed upwards, while the open mouth is wide and appears open, with thin bulbous lips from which a snake-like tongue can be seen. The creature has a shock of wild, thin hair on its head that is blue and sparsely tufted and sticks out in all directions, suggesting an unkempt appearance. There is a slight overgrowth of green, moss-like texture that blends in with the hair. Clothing consists of a heavily worn sleeveless vest full of patches, pockets, and adorned with small, colorful buttons. The arms are thin, with elongated fingers, and the hands rest on the knees. On its legs, it wears tattered shorts that reach to its knees, and bare feet that reveal long toes and dirt-encrusted skin. Sitting next to the creature is a small, frog-like companion with similar skin texture and coloration, posing with one leg raised as if to capture its movement. The creature and its companion are surrounded by a background of urban wasteland, with visible details such as puddles, an overturned tin can, and growing plants, including a sprout with yellow flowers.
Waldemar and The Caterpillar Nimmersatt and the Leaf of Memories
Model:
FluX
Size:
2582 X 1936
(5.00 MP)
Used settings:
Prompt: A warm, storybook-style forest scene at morning light. In the center, a plump green caterpillar with orange-tipped antennae sits contentedly on a large, heart-shaped leaf that is partially eaten but shows a delicate pattern in the center – resembling a teardrop or a mysterious glyph. Next to the leaf, on the mossy ground, sits a raccoon character named Waldemar: an anthropomorphic raccoon with soft striped fur, a bright red felt hat, brown overalls, sturdy boots, and a large backpack. He watches the caterpillar with curiosity and respect. Around them, gentle sunlight filters through the trees, and a faint red thread is tied to a nearby twig like a marker. The mood is quiet, thoughtful, and slightly magical – capturing a moment of wonder and quiet understanding.
Style: Warm, soft-edged illustration in detailed painterly storybook style. Fine textures for leaf veins, fur, and moss. Dreamlike forest light with soft shadows and glowing highlights. style by Daniela Uhlig for the character warmth and natural whimsy.
Prompt: A quiet, mystical underground greenhouse with bioluminescent moss glowing softly across the stone floor. In the foreground, a female adventurer with a travel-worn outfit, braid over one shoulder, and thoughtful expression kneels beside a glowing patch of moss where the word “I lied” is spelled in faint brown-green letters. Next to her stands a slate-colored dragon with moss-covered horns and visible travel gear strapped to its back—watchful, calm, and clearly protective. Around them, a few plantlike beings with gentle, humanoid silhouettes made of roots and leaves observe silently from the shadows. The atmosphere is hushed, intimate, with soft light illuminating Kaelen and the dragon as the central focus. Artist recommendation: Jakub Rozalski.
Prompt: First day of fall,in Lothlórien, magical covered trees around a lake with rocky shore and tall grasses,moon light, Style by Tomislav Tomić , hyperdetailed defined oil painting, vibrant colors, polished divine photorealistic intricate complex HDR, fog, dreamy .Style by Zdzisław Beksiński
Prompt: First day of fall,in Lothlórien, magical covered trees around a lake with rocky shore and tall grasses,moon light, Style by Tomislav Tomić , hyperdetailed defined oil painting, vibrant colors, polished divine photorealistic intricate complex HDR, fog, dreamy
Prompt: Widescreen, HD, 16:9, 3840x2160 (4K UHD), complete width full image with no cutoffs, full frontal extreme macro close-up of a majestic, solitary linden tree on a hill backlit by the night sky with a full moon shining. The linden tree is crafted from intricate metal parts, mostly brass and steel, used in watchmaking: fine gears, springs, tiny hammers, miniature screws, nuts, bolts and nails. Each metal piece has its place in the overall scheme and contributes to the perfect working of the metal linden tree over time, in all seasons and for countless years. Amazingly naturalistic botanical wonder, ingeniously and painstakingly crafted metal sculpture crafted to last for eons. Mystical nighttime background in a style reminiscent of Odilon Redon, extending beyond the edges of the image, watchmaker's creation made in countless hours of painstaking labor with extreme attention to detail.
Prompt: 16:9 hyperrealistic bouquet of ocean treasures, featuring coral, driftwood, sand dollars, dried algae, shark egg cases, and shells, arranged in a stunning composition, reminiscent of the styles of Zdzisław Beksiński, Ashley Wood, and Simon Stalenhag, with meticulous attention to texture and detail. Intricately patterned, dark blue wallpaper background with the shadow of the front-lit bouquet projected onto the background.
materials series - embroidered blackberry tapestry
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image showing an extremely detailed closeup of a highly structured, embroidered tapestry showing a dense tangle of healthy blackberry vine cultivars with very dark purple, large, ripe blackberries. The berries are rendered as shiny, dark beads sewn on to the tapestry very closely together to perfectly resemble blackberries. The leaves and stems are sumptuously embroidered with ultrafine silk embroidery yarn in many shades of green, giving the plants almost 3D depth. Breathtaking tapestry art. The tapestry is edged with an ornate, intricately floral patterned woven fabric border around the outer edge of the 16:9 image and highlighting the exquisitely detailed embroidery work.
Prompt: Widescreen, HD, 16:9, 3840x2160 (4K UHD), complete width full image with no cutoffs, full frontal extreme macro close-up of a panicle of violet-colored, blooming jacaranda painstakingly crafted from of semi-transparent, purple, stiffened silk tulle. The panicle of blossoms is a work of ingenious fabric art. The choice of tulle as a meterial emphasizes the fragility and fleeting nature of the jacaranda blossoms. The panicle is set against an electric blue sky. Creation made in countless hours of painstaking labor with loving attention to detail.
Prompt: 16:9 head of broccoli whose florets are made exclusively of abundant multicolored nonpareil sprinkles. The broccoli stem and branches are typical green broccoli, only all florets are made exclusively of nonpareil sprinkles. Insane mashup of the styles of Simon Stålenhag, Giuseppa Arcimboldo and Olivier Herbomel. Meticulous attention to texture and detail. Intricately patterned, positioned on a toplit, strongly reflective glass surface against a stark, velvety, purple background. Represents a take on typical Dutch masters' still life paintings, but is whimsical rather than projecting a serious message about the transience of life. Recreation of an earlier work with new AI tools.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 1, Emperor Tenchi, of the Ogura Hyakunin Isshu: "Coarse the rush-mat roof Sheltering the harvest-hut Of the autumn rice-field; And my sleeves are growing wet With the moisture dripping through." The image shows a rice paddy being harvested; the harvester on the left side of the image bends over the golden, ripe rice plants. He is holding a sharp sickle and is wearing a large, conical straw hat fastened under his chin, baggy pants, heavy rubber boots, and a loose blue smock with wide sleeves. The sleeves are wet to the elbows with the sweat of exertion and the humidity in the air. In the background stands a simple harvesting gut with a rush-mat roof. The early autumn sun is beating down on the harvesting scene. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 2 of the Ogura Hyakunin Isshu: The spring has passed, And the summer come again; For the silk-white robes, So they say, are spread to dry On the "Mount of Heaven's Perfume." The image shows an intricately geometrically patterned woven silk robe spread on a dewy flower meadow under a rising summer sun. Exquisitely detailed Japanese folio.
Ogura Hyakunin Isshu No. 3 - Kakinomoto no Hitomaro
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 3, Kakinomoto no Hitomaro, of the Ogura Hyakunin Isshu: "Oh, the foot-drawn trail Of the mountain-pheasant's tail Drooped like down-curved branch! Through this long, long-dragging night Must I lie in bed alone?" The image shows a forlorn, old man in a Japanese patterned cotton robe lying supine on a stark bed, arms crossed over his chest, staring into the sky. Outside his bedroom window, it is the break of dawn. A foggy, orange glow lies over the landscape. In the morning haze, we can make out a mountain footpath leading up to a snowy peak. Exquisitely detailed Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 4, Yamabe no Akahito, of the Ogura Hyakunin Isshu: "When I take the path To Tago's coast, I see Perfect whiteness laid On Mount Fuji's lofty peak By the drift of falling snow." The image shows a full scenic view of Mount Fuji from the coast at Tago near Eijiri, based on Katsushika Hokusai's woodblock print from his series "Thirty-Six-Views of Mount Fuji." In the foreground, we see wooden fishing boats steering through strong currents shown in repetitive wave patterns. In the mid-ground, we see the gentlecoastline. The upper half of the image is dominated by the spectacular view of Mount Fuji, with its blindingly white snow-capped peak and its archetypal curved silhouette, with its reverse curvature compared to the fishing boats in the foreground. The sun is shining on the mountain, and the trees along the coast as well as the choppy waves indicate that a strong wind is blowing. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 8, The Monk Kisen, of the Ogura Hyakunin Isshu: "My lowly hut is Southeast from the capital. Thus I choose to live. And the world in which I live Men have named a "Mount of Gloom."" The image shows a Shintō priest wearing the traditionsl shōzoku of an ordinary type (jōsō) in light blue, signifying a lesser rank. The priest is sitting on his haunches in front of his "lowly hut," gazing at the distant skyline of a modern city to the northeast, illuminated by the setting sun. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 7, Abe no Nakamaro, of the Ogura Hyakunin Isshu: "When I look up at The wide-stretched plain of heaven, Is the moon the same That rose on Mount Mikasa In the land of Kasuga?" The image shows a very large, pink rising full moon on the low horizon, so clear that the craters and marks on the moon are visible in full detail. The sky is a deepening mid-blue and extends to the edges of theimage. The first star, the evening star, is visible at the edge of the image. The landscape over which the moon is rising is hilly. The image focuses fully on the singular motif of the rising moon. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 6, Otomo no Yakamochi, of the Ogura Hyakunin Isshu: "If I see that bridge That is spanned by flights of magpies
Across the arc of heaven Made white with a deep-laid frost, Then the night is almost past." The image shows a tied arch bridge made of wood, bamboo and rope, spanning a deep valley. Craggy mountains populated by coniferous trees surrround the bridge. Above the bridge, a flock of magpies ascends to the frosty, deep blue sky. White hoarfrost has settled on the bridge and the abundant conifers. A rosy dawn fills the horizon, causing the hoarfrost to glint and shimmer. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 5, Sarumaru, of the Ogura Hyakunin Isshu: "In the mountain depths, Treading through the crimson leaves,
The wandering stag calls. When I hear the lonely cry, Sad--how sad!--the autumn is." The image shows a single, majestic stag in a bare autumn forest standing on a carpet of red, fallen leaves. The stag has lifted his head and is sending forth a rutting call. He has large, twelve-point antlers and is calling for a hind. One can see the breath of his call in the cold autumn morning air. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 9, Ono no Komachi, of the Ogura Hyakunin Isshu: "Color of the flower Has already faded away, While in idle thoughts My life passes vainly by, As I watch the long rains fall." The image shows a back view of a middle-aged woman standing at a large picture window in the 35th floor of a skyscraper. She is gazing outside at the rain. We see a reflection in the windowpane of a pale, perfect calla lily in a vase. It is evening, and behind the reflection fo the calla lily, and behind the rain outside, we can make out the blurry outlines of many lit windows in nearby skyscrapers. The ambiance is one of wistfulness and loneliness, as the woman stands forlorn at the window. Exquisite modern Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Semimaru, of the Ogura Hyakunin Isshu: "Truly, this is where Travelers who go or come Over parting ways--Friends or strangers--all must meet: The gate of "Meeting Hill." The image shows a small, weathered wooden gate overgrown by grass and weeds on either side of the gate. The gate is integrated in a wooden rail-and-post fennce in rich, dense vegetation. A gravelly path leads up to and beyond the gate. The path winds up a grassy slope and beyond to the Meeting Hill. A wan sun shines down on the scene from a cloudy sky. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Ono no Takamura, of the Ogura Hyakunin Isshu: "Over the wide sea Towards its many distant isles My ship sets sail. Will the fishing boats thronged here Proclaim my journey to the world?" The image shows a small harbor inthe foreground, in which numerous traditional Japanese wooden sabani fishing boats are anchored. From the harbor, a single wooden sabani with large, white sails, is setting sail in good weather. The ocean is smooth, and the water's surface glitters silver and blue in the golden, late afternoon sun. The ship is sailing toward distant islands visible on the horizon, where the silver-blue sea meets the golden light of the sun. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 12, The Monk Henjo, of the Ogura Hyakunin Isshu: "Let the winds of heaven Blow through the paths among the clouds And close their gates. Then for a while I could detain These messengers in maiden form." The image shows four beautiful Gosechi dancers in their colorful, elaborate, ornamented, multi-layered silk kiminos called jūni-hitoea, holding cypress fans, wearing their hair in an elaborate hairdo, and dancing to celebrate the rice harvest. Above the dancers, ominous, dark clouds are gathering decoratively, blown together by a strong wind. The purpose of the clouds is to detain the four "heavenly madens" from returning to heaven. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 14, Emperor Kōkō, of the Ogura Hyakunin Isshu: "It is for your sake That I walk the fields in spring, Gathering green herbs, While my garment's hanging sleeves Are speckled with falling snow." The image shows an elegantly dressed, young man, Kōkō Tennō, bending over to pick wildflowers and green herbs in very early spring. Snowflakes are falling on the sleeves of the emperor's intricately patterned silk kimono. He is fully concentrated on his task, and is holding a small bouquet of greens and spring wildflowers in one hand while he is bending over and picking a single flower to add to the bouquet. The weather is cold and gray, with a strong wind blowing patterned clouds through the sky. The emperor's exquisitely colored silk robe contrasts starkly with the inclement, gray weather. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate linocut, additionally hand-colored of a black, palatial, intricately worked, wrought-iron gate in a state of disrepair. The gate is attached to a crumbling red brick wall on either side that encloses an overgrown garden that must have been splendid. Now, the garden is overgrown with grass, blooming weeds, tall, shady trees, and brambles overgrowing profusely blooming roses in all shades of pink. Dappled sunlight filters through to highlight the roses. The garden view is visible through the old gate. The patterns in the image are highly complex, combining a multi-layered linocut print with hand coloring.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 13, Emperor Yōzei, of the Ogura Hyakunin Isshu: "From Tsukuba's peak Falling waters have become Mina's still, full flow: So my love has grown to be Like the river's quiet deeps." The image focuses on a silver, glittering waterfall cascading from the green, richly wooded peak of Mount Tsukuba. At the bottom of the waterfall, a deep, dark-blue pool with a swirling pattern forms. From the pool, the gentle, blue river Mina issues forth. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 16, Ariwara no Yukihira, of the Ogura Hyakunin Isshu: "Though we are parted, If on Mount Inaba's peak
I should hear the sound Of the pine trees growing there, I'll come back again to you." The image shows Inaba mountain, on whose slopes a verdant pine forest grows, in the distance. In the foreground, we see a small group of young Japanese Middle Counselors wearing intricately patterned silk black-and-gold robes with a high collar at the back of their necks, over loose, abstractly patterned white-and-gold pants. The noblemen are thronging around one of their members to bid him farewell and good luck for his assignment to Inaba province. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 17, Ariwara no Narihira, of the Ogura Hyakunin Isshu: "Unheard of even in the legendary age of the awsome gods: Tatsuta River in scarlet and the water flowing under it." This particular poem, and the image it conjures up, is a masterpiece. We see scarlet Japanese maples lining the bank of the scenic, gently flowing Tatsuta River. The golden sun is shining on this day in fall, and the maple trees are very gradually losing their foliage. Leaves are lazily floating downward through the air, and cover nearly the entire surface of the river. The leaf-covered river shimmers in tones of scarlet and burgundy as the leaves slowly floating downriver. Poignant image perfectly capturing the essence of autumn. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 19, Lady Ise, of the Ogura Hyakunin Isshu: "Even for a time Short as a piece of the reeds In Naniwa's marsh, We must never meet again: Is this what you are asking me?" The image shows a Japanese woman of antiquity from the back. She is dressed in highly ornamented, precious robes. Her hair is put up in an an extravagant hairdo. Her slumped shoulders and the cast of her head indicate that she is melancholy, as she wistfully gazes out over strongly repetitively patterned, sumptuous reeds lining the banks of Naniwa (Osaka) inlet. Behind the reeds, blue water twinkles in the sunlight. The sky above is bedecked with intricately patterned cirrocumulus clouds. Exquisite Japanese folio.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
