Prompt: Expressionism, layered encaustic oil on canvas; a priest in a posture of fatigue, regret, sadness, and loneliness; in the dramatic expressionistic style of Georges-Henri Rouault, composition by Edward Hopper and by Alex Colville, bleak color palette by Edvard Munch
Father Mackenziе
Writing the words of a sermon
That no one will hеar no one comes near
Look at him working
Darning his socks in the night
When there's nobody there what does he care?
All the lonely people
Where do they all come from?
All the lonely people
Where do they all belong?
Father Mackenzie has buried Elenore. Nobody came, no one was saved
Model:
AIVision
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: Expressionism, layered encaustic oil on canvas; a priest in a posture of fatigue, regret, sadness, and loneliness; in the dramatic expressionistic style of Georges-Henri Rouault, composition by Edward Hopper and by Alex Colville, bleak color palette by Edvard Munch
Eleanor Rigby died in the church and was
Buried along with her name nobody came
Father Mackenzie
Wiping the dirt from his hands as
He walks from the grave no one was saved
All the lonely people all the lonely people
(Ah, look at all the lonely people)
(Ah, look at all the lonely people)
Prompt: Blackbird singing in the dead of night Take these broken wings and learn to fly
All your life You were only waiting for this moment to arise ...
Blackbird fly, blackbird fly. Into the light of a dark black night
Prompt: Graffiti art, stencil and detail; an epic struggle for change, all image, (no words);
You say you want a revolution, Well, you know We all want to change the world
You tell me that it's evolution, Well, you know We all wanna change the world
But when you talk about destruction, Don't you know that you can count me out, in;
Don't you know it's gonna be all right? .... in the style of Banksy and Keith Haring, influenced by Sonia Delaunay
Prompt: A detailed pencil and crayon sketch; a scruffy dog is peeking out of a pile of leaves he has just jumped into, only his head can be seen, the huge pile of leaves completely covers the dog, but the outer layer of leaves are flying out in all directions; an autumn vignette within an abstracted background of a cheerful yard with an old tree swing; in colored pencil and crayon by Ralph Steadman, Quentin Blake, Sam Toft, and Charles Santore
Prompt: Semi abstract expressionism; an anthropomorphic lycanthrope figure, the Werewolf, painted by Ensor, influences from Beardsley, in the style of Zdzisław Beksiński with a a misty Grimshaw graveyard background; atmosphere by Odilon Redon and Sarah Moon, stylized, animal fur, created with fine brushes and texturizing gels to emulate the softness of real fur.
Prompt: Friends in fair weather and foul! helping hands and comfort; a single image, an abstracted vignette in pencil, pen and colored ink and oil pastels by Gabriel Pacheco, Michael Sowa, and Bernard Kliban.
Prompt: A low angle intimate view of ruby slippers under an old bed, the slippers are glowing with magic, in the bed above an elderly woman's profile can just be seen, she is sleeping with a contented soft smile, her blanket has an embroidered border of a Yellow Brick Road; the whole image is crisp in textural detail, but soft with magical realism and fantasy, in the style of Charles Santore and Gred Simkins; high quality, centered, perfect composition, pencil drawing, beautifully rendered fine details and textures, iridescence and soft colors except for the vividly glowing Ruby Slippers beneath the bed.
Prompt: An expressionist study of a crime scene: an intimate view of a pair of high heels lying on their side in an alley (filthy, scuffed, tattered), next to them a small purse lies open with contents spilling out; details of an obvious struggle; encaustic oil on canvas provides textural brushwork, and detail to the alleyway and the shoes, inspired by the still life paintings of Kim Frohsin and Olga Antonova; in the style of Vincent Van Gogh; post impressionism, dark moody muddy color palette
Prompt: An illustration of movement; intimate view, minimalism, three autumn leaves botanically detailed by Pandora Sellars curling in swirls created by gusts of wind detailed with fine lines inscribed in elegant arcs of dynamic movement by Katsushika Hokusai, sweeping gradient curves influenced by Umberto Boccioni and Marcel Duchamp; an elegant, graceful composition; colors of bright early autumn, unified, deep, dry color ink study, autumnal color palette from gold to deep red, on a background of deep moss green
Prompt: A museum quality painting in oil on canvas; a lonely child sitting in an armchair looking out of a window, he has a lap-blanket over his legs and an overturned book in his lap; he is looking out of the window with intense yearning; there is a strong side light from a dormer window high to the left which illuminates him in an otherwise dark room, casting intense shadows and highlighting the texture of the blanket, the patina of the book binding, and his glossy tousled hair; subdued atmospheric color, minimalism; by Winsor McCay, by Lizbeth Zwerger, by Sarah Moon
Prompt: A scowling Mother Nature whips wind and water into a hurricane; a single image of a hurricane in a seaport; an abstracted vignette in pencil, pen and colored ink and watercolor by Gabriel Pacheco, Katsushika Hokusai, and JMW Turner; simple but powerful composition, fanciful medieval anthropomorphic imagery, epic, mythological, highly saturated range of gray and blue and purple
Prompt: Friends in fair weather and foul! a single image of two anthropomorphic critters at sea in a boat; they are reaching down to help another very different critter that is in the water; an abstracted vignette in pencil, pen and colored ink and oil pastels by Gabriel Pacheco, Michael Sowa, and Bernard Kliban.
Prompt: Friends in fair weather and foul! a single image, an abstracted vignette in pencil, pen and colored ink and oil pastels by Gabriel Pacheco, Michael Sowa, and Bernard Kliban.
Prompt: Oil on canvas painting: low tide, exposed sand-waves, tidal pools, a dark horizon; inspired by the dramatic compositions of Albert Pinkham Ryder, with style influences by Piet Mondrian's figurative landscapes and textural emphasis by Vincent VanGogh. Simple, elegant composition, high drama, vivid saturated color
Prompt: A theatrical scene-set creating the illusion of a midnight shoreline; this has a multi-media backdrop of layered fabrics with encaustic paint details and an array of lights for the milkyway; the floor space is a functional multi-level illusion of a rugged shoreline and a choppy sea; an off-kilter composition by Gabriele Münter softened with Odilon Redon; textural effects, fantastic view with a skewed perspective, a finely detailed milky way, intricate, high definition, deeply saturated color, dynamic movement, paradoxical geometry in the style of Léon Spilliaert
Prompt: A sketch in colored chalk by Erik Johansson, Albrecht Dürer, and Vincent VanGogh; an exhausted young nursemaid with head back and eyes closed, she sits in a rocking chair holding a sleeping infant; the nursery where she rests is tidy, but well used, an intimate focused vignette in an interior
Prompt: And in your eyes the ocean, And in your eyes the sea, The waters frozen over, With your longing to be free; low angle perspective, dreamy surrealism, layered, in the style of Thomas Wilmer Dewing, by Jean Etienne Liotard
Prompt: A mokuhanga wood block print of the man who feeds the birds by Andy Farkas who tends the small idea and tells the story, multi-colored high density pigments, rice paste and water, brushed and luminous gradient color, reflecting the beautiful mystery of hand made processes
The realization on impact - seven long years ahead!
Model:
AIVision
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: Oil on canvas, slightly textural brush strokes: a woman is looking into in a (cracked, fractured, broken) mirror, we see her from the back, but we also see her partial reflection; her reflected face is fractured by the broken shards of the mirror; in the largest intact piece we see the fear and dread on her face as she thinks about the seven long years ahead; deeply saturated colors in a somber palette, simple off-kilter composition with the emphasis on her fractured reflection; distress, distortion, broken lines and shapes; by Francis Bacon, Tom Bagshaw, Peter Doig, and Ralph Steadman
Prompt: Oil on canvas, A harbinger of death, a mostly white owl flies over a homestead in the Navajo Nation, a woman working outside watches its passage overhead. A vignette within a larger landscape in red-rock country. by Mark Maggiori, by Victor Higgins, Kandinsky
Prompt: Finely detailed woodblock print, semi-abstract with textural effects, a figurative abstract of birds by Kunihiro Amano. Simple, elegant composition, delicate details, gradient color in soft greens and earth tones with rust-red accents.
Prompt: Concatenation of shape, dynamic movement, sweeping curves in two point perspective, gradient colors: an abstraction of tulips in a vase; cubism, precisionism
Prompt: Concatenation of shapes, dynamic movement, sweeping curves in two point perspective, gradient colors, an abstraction of motion; cubism, precisionism
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.