Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 19, Lady Ise, of the Ogura Hyakunin Isshu: "Even for a time Short as a piece of the reeds In Naniwa's marsh, We must never meet again: Is this what you are asking me?" The image shows a Japanese woman of antiquity from the back. She is dressed in highly ornamented, precious robes. Her hair is put up in an an extravagant hairdo. Her slumped shoulders and the cast of her head indicate that she is melancholy, as she wistfully gazes out over strongly repetitively patterned, sumptuous reeds lining the banks of Naniwa (Osaka) inlet. Behind the reeds, blue water twinkles in the sunlight. The sky above is bedecked with intricately patterned cirrocumulus clouds. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 22, Fun’ya no Yasuhide, of the Ogura Hyakunin Isshu: "It is by its breath That autumn's leaves of trees and grass are wasted and driven. So they call this mountain wind The wild one, the destroyer." The image shows a side view of a richly wooded, sloping mountainside in late fall. A gale-force gust of wind is blowing down the mountainside quite dramatically and, for the sake of the viewer, with a visible pattern. The wind is blowing red and yellow leaves before it, and bending grasses all the way to the ground. The leaves swirl and twirl in the crisp fall air. The red and yellow of the trees and leaves contrast sharply with the white pattern used to visualize the wind against an electric blue sky. Intricate watercolor overlaid with a woodblock print. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 24, Kanké (Sugawara no Michizane), of the Ogura Hyakunin Isshu: "This time around / I couldn't even bring the sacred streamers / --Offering Hill-- / but if this brocade of leaves it to the gods' liking..." The image shows autumn on Mount Tamuke, with red-leaved trees ringing the mountain. Almost transparently overlaid over the image of the mountain is a nusa, a rather large wand from the top of which many thin, white paper streamers hang down. The wand is used in Shinto religious ceremonies. The red-leaved trees shine through the nearly transparent, full top layer. The mountain and trees exhibit patterns typical of a woodblock print. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 29 - Ōshikōchi no Mitsune
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 29, Ōshikōchi no Mitsune, of the Ogura Hyakunin Isshu: "Must it be by chance, / if I am to pluck one, that I pluck it? - / white chrysanthemums / on which the first frost / lies bewilderingly." The image shows a close-up of a single, magnificent white chrysanthemum with dozens of petals. The first frost, a hoarforst, lies on the petals. Each petal is covered with dozens of tiny, crystalline frost grains. The golden sun is shining on the petals, causing each and every hoarfrost crystal to reflect rainbow colors, so that the entire chrysanthemum blossom shines and shimmers with rainbow light reflections. Breathtaking nature spectacle executed in the most painstaking linocut and watercolor wash technique. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 26, Teishinkō, of the Ogura Hyakunin Isshu: "O autumn leaves / on the peak of Ogural Hill, / if you have a heart, / I would that you would wait / for one more royal progress." The image shows a single, old, large, magnificent Japanese maple tree with a gnarled trunk, winding branches, and feathery, scarlet leaves. The tree stands on a gently sloping, green, grassy mountainside. Some maple leaves are drifting downward on a breeze; they are curled into heart shapes. The leaves are awaiting a visit by the emperor. The patterns in the image are highly complex, with a woodcut esthetic. Exquisite Japanese folio.
Prompt: Full-width image, 16:9, mixed media, contemporary watercolor in the style of Jaroslaw Filipek and Stanislav Bojankov, of a savanna landscape during the dry season. Close-up of a herd of zebras is grazing, heads down. A single, polka-dotted zebra stands apart with its head raised. This separate zebra has black-and-white polka dot markings. The polka-dotted zebra stands out among the herd. The divergent zebra is looking at the viewer. It is extremely painstakingly rendered, whereas the herd and the savanna grassland with a single tree giving shelter from the hot sun are more sketchily rendered with wet watercolor. Very brilliant, rich colors, hyperrealistic atmosphere.
Prompt: 16:9 format of a painstakingly detailed, multilayer, delicate lithograph and watercolor wash rendering on rough handmade paper of poem number 30, Mibu no Tadamine, of the Ogura Hyakunin Isshu: "There is nothing so depressing / as the break of day / and leaving you after / having seen the heartless / morning moon." The image shows only part of the moon, a last quarter (or third-quarter) moon, which looks like a half-moon, in a ghostly bone-white in the sky at dawn. The horizon is turning pink and golden, whereas the sky above is still progressively darker blue. The horizon consists of a single, sinously curved mountain line, curved like the body of a woman lying on her side, but the landscape is still mostly pitch-black with shades of blue. The horizon and sky make up 90% of the image, whereas the mountain line and the landscape below accoutn fro only 10% of the image. Chilly ambiance, executed in the highly detailed, intricate, lithograph and watercolor wash technique. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 28 - Minamoto no Muneyuki Ason
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 28, Minamoto no Muneyuki Ason, of the Ogura Hyakunin Isshu: "In the mountain village, / it is in winter that my loneliness / increases most, / when I think how both have dried up, / the grasses and people's visits." The image shows a remote Japanese house of antiquity on a mountain slope. Snow drifts have piled up along the outer walls and on the roof of the house. A low-ranking official of the Heian Court is peering out of the window of his house. Snowflakes whirled about by a blizzard visualize the path of the icy winds blowing. The image is carefully executed as an imaginative linocut with hand coloring in watercolor. Shades of blue, white and gray predominate, with the only touch of color being the yellow light in the window and the figure of the Japanese court official in the window. Exquisite Japanese folio.
Ogura Hyakunin Isshu No. 32 - Harumichi no Tsuraki
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: 16:9 format of a painstakingly detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 32, Harumichi no Tsuraki, of the Ogura Hyakunin Isshu: "Ah, the weir / that the wind has flung / across the mountain stram / is the autumn foliage that cannot flow on, / even though it would." The image shows a silvery mountain creek cascading over rocks and pooling at the right-lower-hand corner of the image, where a pile of wet, bunched-up maple leaves turned soggy and brown lies on the creek, stlowing down the flow and damming up the waters. More red maple leaves are falling from the trees above, fluttering through the cold air. The sides of the small brook are iced over with thin shards of late-autumn ice. A pale, yellow sun catches in the reflections of the stream and the wet rocks. Lithograph and woodcut execution in styles reminiscent of Kawase Hasui. Deft execution, introspective nature motif. Old masters' technique. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 33, Ki no Tomonori, of the Ogura Hyakunin Isshu: "In these spring days / with the tranquil light encompassing / the four directions / why should the blossoms scatter / with uneasy hearts?" The image shows a line of Sakura cherry trees in two-point perspective leading from the left lower-hand corner of the image to the horizon and the last third of the image. The cherry trees are in full bloom, with rich, double blossoms in shades of pink to magenta, under a peaceful spring sun. The grassy meadow under the cherry trees is fresh and green. A Zephyr is blowing, tossing about fallen blossoms that whirl thorugh the air. The sweep of the wind is made visible by many parallel, elegantly curved woodcut lines. Combination lithograph and woodcut, executed in a styles reminiscent of Kawase Hasui. Deft execution, introspective, peaceful nature motif. The whirling blossoms add a melancholy note of transience to the spring tableau. Old masters' technique. Exquisite Japanese folio.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 37, Fun’ya no Asayasu, of the Ogura Hyakunin Isshu: "In the autumn fields / When the heedless wind blows by / Over the pure-white dew, / How the myriad unstrung gems / Are scattered everywhere around." This poem uses fairly common imagery: Glistening, refractive, rainbow-color-reflecting, opalescent, sparkling, jewel-like dewdrops densely covering the crumpled leaves of fall shine like pearls and gemstones. The image focuses on the sunshine on fallen leaves on the forest floor and their sparkly dewdrops. Some leaves are being whirled about by the wind, spraying their gemstone-like dewdrops through the air to create a glittering spectacle with a bokeh esthetic. The gust of wind is made visible by almost comic-like parallel lines and curls. Combination watercolor and woodcut, executed in a style reminiscent of Kawase Hasui. Deft execution, whimsical, peaceful, nature motif. Old masters' technique. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 34, Fujiwara no Okikaze, of the Ogura Hyakunin Isshu: "IWho is still alive / When I have grown so old / That I can call my friends? / Even Takasago's pines / No longer offer comfort." The image focueses on a single, ancient secred, venerable pine tree, with a split trunk and twisted limbs. The iconic pine tree stands before Takasago Shrine. The shrine can be made out behind the branches of the pine tree. The single, old pine tree symbolizes the loneliness of age. Combination lithograph and woodcut, executed in a styles reminiscent of Kawase Hasui. Deft execution, introspective, peaceful, melancholy nature motif rendered in dark colors. Old masters' technique. Exquisite Japanese folio.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 35, Ki no Tsurayuki, of the Ogura Hyakunin Isshu: "The depths of the hearts / Of humankind cannot be known. / But in my birthplace / The plum blossoms smell the same / As in the years gone by." The image shows an unassuming-looking, older, contemporary Japanese man looking out of a train window, his head resting on his palm, and his elbow on the windowsill. He is contemplating the sunny, early spring landscape outside the train window. As if in a perfect snapshot, a single, magnificent plum tree in full bloom stands on a grassy meadow and can be seen right in the middle of the windowpane, with only the left side of the tree slightly obscured by the profile of the man looking out of the window. Combination watercolor and woodcut, executed in a style reminiscent of Kawase Hasui. Deft execution, introspective, peaceful, melancholy motif. The view out of the window is rendered in pastel spring colors, contrasting with the darker, shaded tones of the man inside the train window. Old masters' technique. Exquisite Japanese folio.
Prompt: "3D oil painting, spectacular sunrise over a winding jungle river, satiny, high quality, shimmering, elegant, with vibrant colors, elegant, highly detailed, glistening magic style, by Johannes Vermeer with elements of the style of Monet"
Prompt: This enchanting artwork depicts a mesmerizing scene of lunar magic, fantasy elegance, and otherworldly grace.
A beautiful, mystical woman kneels under the luminous full moon, bathed in soft, magical blue light. Her expression is serene yet wistful, eyes gently closed as if caught in a trance or a silent sorrow. Her lips are painted a deep blue, matching the celestial aura that surrounds her.
She wears an opulent, flowing midnight-blue gown adorned with glowing floral patterns and shimmering accents. The fabric cascades around her like a pool of moonlight shadows. A trail of soft mist and enchanted blue maple leaves swirls around her, some rising from her dress, giving the illusion that she is part of the night itself.
Her jewelry sparkles like frost, and her crown of light and thorns radiates a regal, mystical energy. Her long earrings and the delicate chains on her chest sparkle with icy brilliance. One of her heels lies discarded to the side, adding a hint of vulnerability and storytelling—perhaps she fled from somewhere, or is about to rise into an ethereal dance.
Behind her, a dense forest looms in darkness, silhouetted by the pale moonlight. The glowing mist and magical leaves drift like spirits, adding to the dreamlike and slightly melancholic ambiance.
Prompt: Claude Monet Watercolor painting Ralph Steadman Jeremy Mann Catrin Welz-Stein Endre Penovac Dee Nickerson Duy Huynh Gabriel Pacheco
Majestic Tiger in a Surreal Paradise
A vibrant, surreal landscape features a majestic tiger resting by a serene river, surrounded by colorful flowers and lush trees, illuminated by soft, golden sunlight filtering through the foliage.
Prompt: A symbolic portrait of a woman walking through a sunlit city park in early June, facing sideways. Her dress flows with textures of green ivy, soft leaves, and filtered morning light. Her hair is tied with lavender and wild grasses. Around her: cobblestone paths, blooming balconies, bicycles, and tree canopies arching over benches. Palette knife strokes create depth in foliage and architecture. Silver foil highlights shimmer on puddles, earrings, and urban details. Black ink outlines frame her silhouette and natural forms. Created Using: oil and watercolor fusion, impasto texture, silver foil accents, expressive ink lines, poetic urban palette, gentle summer mood
Prompt: Créez une aquarelle vibrante avec des textures de gouttes d'eau épaisses et éthérées. Le point central de l'image est une belle sirène de cristal transparent finement ciselée avec une queue dont les écailles sont très brillantes, légèrement bleutée, émergeant de l'eau et se reflétant dans un lac bleu foncé avec de petites vagues. La scène est entourée d'arbres gelés dans un cadre enchanteur et féérique. Appliquez un style artistique présentant des détails complexes, avec des couleurs joliment froides
Prompt: A still life composition featuring an ornate purple ceramic pitcher with gold accents, a delicate floral-patterned lidded jar, and a large yellow fruit cut in half, revealing its textured interior. Surrounding these objects are soft pink roses and vibrant purple flowers, set against a softly blurred neutral backdrop that enhances the elegance of the arrangement.
Prompt: Stylized figure of a hyper-realistic woman sitting with her head close to her knees and her arms embracing her legs. Her body is covered in lotus floral designs details, the background is the calm shore of a pond at night, fireflies are buzzing about partially lighting the scene perfect body anatomy purple, pink, green, black,white and yellow a defined surreal wet on wet oil on water dripping alcohol ink, a woman with no real translucent substance made of purple lotus flowers caught in a powerful emotions and web, the background is reminiscent in style of Pablo Amaringo, Patrick Woodroffe
Prompt: A warm sunny day, a hermit sits reading on a stump, leaning against an old oak, his rundown shack nearby is overgrown with vines, by Jean-Baptiste Monge, Lucie Bilodeau, watercolor and ink, intricate details, colorful,
Prompt: Vivid surreal landscape, nature meets imagination, explosion of colors, unexpected shapes, kaleidoscope sky, emerald green to deep purple, mythological cloud creatures, neon birds with Psychedelic Patterns, storyteller with a book, multi-layered radio wave sunflowers, purple/lilac/lavender hues, electrical circuits, interconnected schematic diagrams, interference patterns, three-dimensional layers, iridescent tree of life, swirling DNA helices, fantasy, vibrant, detailed, digital art, dreamlike lighting.
Prompt: Alcohol and ink by r crumb, pino daeni. A weathered wooden shack on a dock. In the background, a calm sea with two sailing ships. The style is reminiscent of a bold, colorful woodcut print, with high contrast and vivid blues.
Prompt: Whimsical moonlit night, charming cottages, little girl on swing, back view, dreamy atmosphere, watercolor masterpiece, wet-on-wet technique, thick paper texture, medium brush strokes, gold accents, soft edges, stars in the sky, liquid metal effect, lavender and gold palette, blue hues, nostalgic feel, magical composition, shimmering lights, swinging motion, sense of altitude, detailed artwork, exquisite patina, golden ratio.
Prompt: Majestic unicorn, glowing aurora borealis, mystical forest, cascading waterfall, enchanting fireflies, ethereal mist, pastel color palette, whimsical fantasy, detailed linework, soft and dreamy, magical realism, digital painting, intricate details, enchanting glow, soft lighting, fantasy art style, Artstation. A mythical unicorn gracefully moving through a magical forest under the shimmering lights of the aurora borealis, surrounded by whimsical fireflies and a gentle mist, creating an enchanting and mystical ambiance.
Prompt: Sunset reflection on tranquil lake, white birch trees, autumn foliage, orange sunset glow, serene water surface, dreamy atmosphere, picturesque desolate scenery, glass painting style, Richard Rowan inspired, black and white shades, high detail, digital art, Artstation.
Prompt: Create a dark and atmospheric landscape painting depicting the large, glowing orange sun setting over a calm lake. The stage is surrounded by rough, textured edges resembling sandstone stones. On the left, a twisted, bare tree with gnagged branches reaches up, the silhouette against the background of the sun. The background presents dramatic mountains, casting deep shadows and creating a sense of depth and mystery.
In the foreground are the calm waters of the lake, reflecting the vivid orange shades of the sunset, with notes of red and gold shimmering on the surface. Tall, dark pines along the shores of the lake, contributing to the raw, natural feeling of the surroundings. The colour palette consists of deep browns, blacks and oranges, which emphasises the atmospheric atmosphere. The general composition conveys a sense of tranquillity mixed with amazing wildlife.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
