Prompt: A lone time traveler, clad in worn, brown leather jacket and advanced chronometer gear, stands before a colossal, ancient oak tree in a desolate, post-apocalyptic desert, with a hidden, ornate treasure chest partially buried beneath its exposed, gnarled roots, under a swirling vortex of cosmic dust and nebulae, in a painterly, surrealist style reminiscent of Simon Stalenhag and John Harris, with soft, blended colors and ultra-detailed textures, inspired by the dreamlike landscapes of Ashley Wood and the fantastical worlds of Android Jones.
Prompt: Impasto surrealism, whitewashed cottage, gnarled oak, fractured windows, red geranium smears, background montains,
birds at the sky, fluffy clouds, papagei, great golden sunset, tactile chaos, art van Gogh
Prompt: Create a water painting with a darker colour palette, including browns and beige . Keep it in nature, autumn painting with shades of red as well to create the effect of autumn. It should look like a water painting created by a mediocre painter
Prompt: A library within the moon. Medium close-up of an enchanted library hidden within the moon, a creative masterpiece by Patrick Woodroffe, Alexander Jansson, and Martin Stranka; a magnificent, surreal library scene. A ladder leading to the full moon, constructed entirely of books. A boy sits on a chair reading by a candle. The edge of the moon is decorated with twisted old bonsai trees, Victorian cottages, and glitter. A surreal fantasy fairytale scene. Starry sky, epic moon, enchanting, mystical starry night, Van Gogh.
Prompt: On graph paper with millimetric lines a mathematician has sketched a set of complicated curves which draw the face of a beautiful young girl with elusive abstract charm
Prompt: a Pointillist oil painting of beautiful large cliffs only on left in shadows at the edge of the open ocean and eroded sea stacks, with the sea with small waves reflecting the sky in shimmering light under mostly cloudy sky late in the day but still a little sunlight, in the style of Camille Pissarro, Gustav Klimt, Odilon Redon
Prompt: A black cat on a rooftop with red shingles, sneaking up on a sleeping pigeon, against the backdrop of a whimsical patchwork vibrant ancient gothic neighborhood, with cute crooked whimsical patchwork crooked makeshift colorful houses. The setting is engulfed in rain and wind.
Prompt: An old stone arch bridge over a river with rapids in the mountains in front of a village with three different towers in the haze and dust, in the style of Joseph Mallord William Turner, impressionist oil painting, dramatic sky, swirling brushstrokes, masterpiece, clearly recognizable bridge, cityscape in Turner's incomparable light
Old lost cottage with red and white flowers, light and shadow
Model:
DaVinci2
Size:
1240 X 824
(1.02 MP)
Used settings:
Prompt: Impasto surrealism, white and blue washed cottage, lost garden house, gnarled oak, fractured windows, red geranium smears, dripping sky, great golden sunset, little cat on the stairs, tactile chaos, art van Gogh
From this rock, there is no departure. To it, there is no arrival.
Model:
AIVision
Size:
1024 X 1024
(1.05 MP)
Used settings:
Prompt: October 12th, 1898.
The Old Girl’s bones are groaning tonight. Thirty years I’ve kept her lamps lit, felt her pulse through the spiral stairs, weathered gales that’d strip paint from iron… but this? This storm’s a different beast. A mad, roaring bastard clawing at the rock since yesterday’s dusk.
It ain’t just the wind – though God knows it screams like a thousand lost souls down the chimney, rattling the very plates in the cupboard. It’s the sea. Never seen water climb like this. Great black mountains heaving themselves against the cliffs, exploding into the sky higher than the lantern room itself. The whole tower shudders with each impact, a deep, sickening thud you feel in your teeth, followed by the deluge – salt spray like gunfire against the thick glass, even up here.
The light… keeping her steady is near killing me. The mechanism whines against the unnatural strain, the gale trying to wrench the lens off its track. Every half-hour, fighting my way down to the service room feels like a war. Leaning into the wind just to stay upright on the catwalk, soaked to the skin in seconds despite the oilskins. Hands raw from hauling fuel, ears ringing constant.
Down in the cottage, the sound… it’s not just noise. It’s a pressure, like the island itself is drowning. The stink of salt and wet stone, the kerosene clinging to everything. Found myself shouting at the kettle just to hear my own voice. Remember ’68? A squall compared to this. This feels… sentient. Hungry. Saw the wreck of the Marianne flash in my mind earlier – saw her bones in the white water churning below the point. Prayed no poor souls are out there tonight. Prayed the light cuts through this filthy murk.
Back up top now. Lamp’s holding. Brass fittings weeping condensation. Hands trembling – age or fear, hard to tell. Glanced at Bella’s old chair. Could have sworn I saw her face in the salt-streaked glass for a second, pale and worried. Told her, silent-like: “Still standing, love. Light’s still burning.”
But Christ Almighty… this storm. It feels like the end of the world trying to batter down our door. Hope dawn finds the island still here. Hope the light was enough. – Silas Crowe
Two young kittens in a wonderful garden. There is a lot to discover, full concentration.
Model:
DaVinci2
Size:
1168 X 880
(1.03 MP)
Used settings:
Prompt: A small puppy and a kitten play together in front of an old wooden gate revealing a secret garden. Little flowers in the foreground, The walls at the entrance to the secret garden are covered with ivy, and at the side is a weeping willow,
powdery texture of pastels. impasto, thick strokes, visible brushstrokes.
Highly detailed, precise, evocative, correct proportions of every part of the body.
Prompt: 16:9 format of a delicate ink and watercolor wash rendering on rough handmade paper of poem number 11, Semimaru, of the Ogura Hyakunin Isshu: "Truly, this is where Travelers who go or come Over parting ways--Friends or strangers--all must meet: The gate of "Meeting Hill." The image shows a small, weathered wooden gate overgrown by grass and weeds on either side of the gate. The gate is integrated in a wooden rail-and-post fennce in rich, dense vegetation. A gravelly path leads up to and beyond the gate. The path winds up a grassy slope and beyond to the Meeting Hill. A wan sun shines down on the scene from a cloudy sky. Exquisite Japanese folio.
Prompt: A whimsical scene featuring an elderly woman in a traditional kimono made of newspaper, walking a playful Dalmatian dog. The woman is depicted in a stylized origami form, with intricate folds and details, holding a leash and a small bag. The Dalmatian is also crafted in a similar origami style, showcasing its distinct black spots. The background is a smooth, dark surface that enhances the contrast of the folded paper figures, creating an imaginative and artistic atmosphere.
Prompt: Masterwork oil painting on canvas in the style of Peter Gric and Richard Dadd, featuring a woman wearing a loose white robe which is subtly infused with mycelium thread patterns and fine roots, caught in a restless wind. She stands alone in an expansive white desert with sparsely scattered, oddly shaped rock formations, sand curling at her ankles. Her tousled hair sweeps across her face, echoing the storm-like atmosphere. Above, the sky menaces with layered greys, blues, and whites, a faint sun barely piercing the thick storm clouds. The composition evokes the sparse, futuristic environments of Simon Stålenhag and the intricate surrealism of Aubrey Beardsley, with atmospheric tension reminiscent of Ash Thorp’s visual style. The result is a striking scene of quiet isolation, textured depth, and haunting stillness.
Prompt: Misty morning by the sea, richly textured delicate surrealist impasto kintsugi painting with very thin lines, mixed with a filigree, very fine spirograph drawing, depicting trees, high grasses, flowers, waterfall, houses with tiled roofs on rugged cliffs, mist, fog, abstract expressionist medieval mixed media, intricate textures, filigree floral gold leaf overlays, geometric fragments, by Susanne, in the style of Odilon Redon, Andy Kehoe and van Gogh.
Prompt: Sauron's Eye, a malevolent eye of burning crimson and gold, pulsating with dark energy. It has a shape of human eye, and sees everything !dominates the peak of a tall jagged, black volcanic tower. The sky is a swirling vortex of ominous crimson and black clouds, making strong contrast. The landscape below is desolate and scarred, hinting at the Eye's destructive influence. High detail, cinematic lighting, 8k resolution, hyperrealistic, dark fantasy art style in the style of Frank Frazetta and Zdzisław Beksiński.
Prompt: Extreme Abstract painting with dramatic lighting using palette knife. An artfully arranged still life including eggplant, zucchini, tomatoes, cucumbers on a beautiful large plate sitting on a table.
Prompt: Against the backdrop of a whimsical patchwork vibrant ancient gothic neighborhood, with cute crooked alleys and whimsical patchwork crooked makeshift colorful houses, capture the scene of 3 witches sitting at a bus stop, waiting for the bus. The setting is engulfed in rain and wind.
Prompt: A street at night in a small old village in the 18th century, in places the houses are overgrown with flowers, intricate details, imagination, beautiful, award-winning, colorful, fantastic views, razor-sharp quality, by Ivan Shishkin
Prompt: In patchwork art and in impasto paint there is a hilly landscape with a lake and a canoe and ducks with an ancient oak nearby and wildflowers beneath a golden sunset and cumulous stormy clouds in colors gold, teal, and black. Deeply carved and textured.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.