Prompt: A realistic and cinematic watercolor-style illustration of a young nun seated on a wooden church pew, inside an old stone cathedral bathed in moody, dramatic light. She wears a traditional black and white habit, slightly loosened around the neck. One leg is extended forward as she gently adjusts her stocking, creating a graceful, natural pose. Sunlight pours in from stained-glass windows, casting vivid, angled rays of color across her figure and the floor, with soft highlights on her exposed skin. Her expression is serene but slightly distant, almost contemplative. The image is filled with textured shadows and glowing light, capturing an intimate, poetic atmosphere. The style is watercolor with high contrast and detail, blending softness with visual strength.
Prompt: A parade of anthropomorphic home appliances, such as a cheerful refrigerator, a dancing toaster, a classic vacuum cleaner, a vintage TV, a washing machine and a standing fan, walking or rolling down a charming old European cobblestone street. The scene is colorful, detailed, and drawn in the whimsical, heartwarming style of Studio Ghibli, with warm lighting, rustic buildings, and a peaceful blue sky.
Prompt: A colorful and whimsical portrait of a woman, blending the playfulness of pop art with the expressive brushstrokes of impressionism, capturing a sense of elegance and freedom.
Prompt: A poetic scene on a rustic wooden table featuring traditional Vietnamese dishes. At the center, a fresh spring roll wrapped in translucent rice paper gently opens, with spring flowers blooming from it—cherry blossoms, a soft pink peony, dandelions, and a bright yellow daffodil—as if the roll were a whimsical planter. Surrounding it are a steaming bowl of phở, a crispy golden banh xèo, and small dipping sauce bowls. The light is soft and diffused, using warm, earthy tones in a style reminiscent of a delicate oil painting or realistic watercolor with a gentle, dreamlike atmosphere.
Prompt: Complete width, as large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a large, dense patch of winter aconite (eranthis hyemalis) in full bloom on a leaf-littered forest floor in eraly March. The sun is shining through the bare branches, throwing light and shade patterns on the six-sepaled, bright-yellow blossoms of the aconites and the deeply notched, ribbed, leaf-like bracts enveloping each shiny, yellow blossom. The floral display and the rock are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Shiny lemon-yellow for the flowers, green for the bracts, dark brown for the leaf litter underground.
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a large patch of creeping cinquefoil (potentilla reptans) on urban wasteland. The creeping, extremely low-growing plants have crept and spread by runners that have rooted in cracks on the concrete underground. It is June, and the plants have burst into bloom, with five-petaled, neon-yellow flowers spaced densely along the runners. The cinquefoil has many palmate leaves that are divided into five strongly toothed leaflets. The plants are soaking up the full, hot July sun burning down on the arid wasteland. in The floral display and the concrete are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Neon-yellow for the flowers, rich green for the leaves, reddish-broan for the runners, and shades of light gray with a strong crack pattern for the concrete wasteland.
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a patch of wild strawberries (fragaria vesca= laden with many small, bright-red wild strawberries. The strawberries rise above the dense foliage of glossy, trefoil, pleated leaves that have toothed edges and hairy undersides, hangig on thin stems. The plants also still have a few small, white, five-petaled flowers with many small golden-yellow stamens and a golden-yellow pistil at the center. The plants are growing on a sunny embankment, and have sent runners over the dry, stony soil. The delicate floral display and the embankment are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Bright red with little greenish-black seeds for the strawberries, white and golden yellow for the flowers, glossy green for the leaves, and shades of light-brown for the embankment.
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a dense tangle of lesser periwinkle (vinca minor) in bloom, sporting an abundance of the typical periwinkle-blue, five-petaled flowers. The many ovate leaves are leathery, evergreen, glossy, and dark green. The tnagle of periwinkle hs spread over fallen logs in an old forest. Sunlight filters through the treetops, illuminating individual leaves and flowers of the periwinkle.stand. The periwinkle flowers, leaves, and the forest floor are rendered in a strongly repetitive, linear pattern. The entire image has mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Sunlit and shaded green for the leaves, contrasting with the intense periwinkle-blue of the flowers, shades of brown for the leafy forest floor and the overgrown logs. The green and periwinkly blue repeat in the thin guilloche frame.
fictional future banknote designs - common groundsel (senecio vulgaris)
Model:
AIVision
Size:
5960 X 3352
(19.98 MP)
Used settings:
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of common groundsel (senecio vulgaris) on the margins of a wheat crop field. The plant has pinnately and sharply lobed, somewhat hairy, glossy, green leaves that all along the stem; they become smaller toward the top of the stem. The flowers lack ray floreds, with the yellow disc florets peeking out from the green, tubular bracts that have a striped appearance. Two of the flowers have already gone to seed, with fluffy, silver-white seedheads that look only messy. The groundsel plant stands out against the partly yellowish stems of the whet crop behind it, which are rendered in a strongly repetitive, linear pattern. The groundsel and the field are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Green for the groundsel leaves, yellow highlights for the groundsel disc florets, silvery-white for the seedheads, and greenish-yellow for the wheat stems. The yellow-green repeats in the thin guilloche frame.
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a patch of Arctic lupine (lupinus arcticus) in full bloom carpeting an Alpine meadow in May against a breathtaking muntain backdrop. The lupines have palmate leaves with seven or more leaflets each, and the leaves appear silvery-green, as they are densely coated with silvery hairs. The flowers exhibit in dense whorls on an erect spike, with some two dozen flowers resembling pea flowers closely arranged on each spike. The upper petals fan out like wings, whereas the lower two petals have fused into a keel shape. lt has just rained, and droplets cling to the leaflets, but the sun has now come out in an azure sky, letting the droplets shimmer and reflect rainbow colors, and bringing out the intense blue-purple of the flowers. The flowers, leaves, and the Alpine meadow are rendered in a strongly repetitive, linear pattern. The entire image has mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Purple-blue for the flowers, silvery green for the leaves, light green for the Alpine meadow, azure for the sky and shades of blue and gray for the Alpine backdrop. Tiny rainbow highlights reflect from the droplets on the lesves. The purple-blue and rainbow highlights repeat in the thin, elaborate guilloche frame.
Prompt: Extreme and complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a large, old prickly pear cactus (opuntia ficus-indica) growing in stony soil in a hot, arid, sun-baked Southern Mediterranian country. The cacus has many fresh, new pads emerging from its older, oblong paddles (cladodes) covered in caredully arranged, long spines, each emerging from a group of smaller, hairy bristles (glochidia). The paddles and new plantlets are light green, the spines brown, and the glochidia silvery-white. The venerable prickly pear cactus also has numerous large, red, fleshy, spine-covered fruits in various stages of maturity. The cactus and the stony field on which it grows as well as azure sky are rendered in mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Light green for the prickly pear cactus, with brown spines and shit-silver glochids, red for the fruit, azure for the sky, and shades of arid brown for the stony field. The stone pattern and colors repeat in the thin guilloche frame.
Prompt: Complete width, as wide and large as possible image, extra full and wide, 16:9, full image extending all the way to the edges, extremely large and wide, rectangular, full-screen, full frontal image surrounded by an elegant, very thin, slender frame of intricate guilloche patterns of unparalled detail and beauty. Inside the single, very thin, rectangular frame that fills the entire screen is an intricately patterned print showing a banknote motif from an imaginary series themed "European wildflowers." The image features a close-up of a mat-like stand of spreading goldmoss stonecrop (sedum acre) in full bloom in July. The mat is densely covered with tiny, bright sulphur-yellow, five-petaled, star-like flowers sitting on short stems enveloped in tiny, red-tinged, fleshy leaves. The mat of goldmoss stonecrop under the flowering stems is made up of very dense branchlets close to the ground.These short stems are fully covered in tiny, fleshy, mid-green to yellow leaves with rounded tips, making the leaves look like tiny grains of rice. The plant mat hugs the stony underground. The stonecrop and the stony underground are rendered in a strongly repetitive, linear pattern. The entire image has mesmerizingly repetitive, organic patterns of painstaking detail, as the image is an extremely detailed intaglio print composed of hundreds upon hundreds of lines and dots in few basic colors: Green for the low carpet of stems, redddish-green for he flower stems, sulphur yellow for the flowers, and shades of brown-gray for the stony underground. The yellow, green, and red repeat in the thin guilloche frame.
Prompt: A delusion starts like any other idea, as an egg.
From the shell, you'd never know anything was wrong.
It's what's inside that matters.
Original prompt by un_art_030
Prompt: I'm not asking for a throne and crown
I'm not pining for a starving queen
Tooth and nail will wear any man down
And my Mama keeps telling me I'm lookin' too lean
by ethereal Gustav Klimt soft romantic mystical Nicoletta Ceccoli translucent Catrin Welz-Stein,
Original prompt by CKOj
Prompt: a painting created from fragments of wool and cotton fiber scraps in style of beksinski in deep teal, gold and amber colors - a very surrealistic and abstract painting presenting the way in which woman single strange thought influences in life of other people in very minimal graphics thin graphics line style and amazing creativity ideas.
Original prompt by mati sol
Prompt: Create a beautiful painting of two rally old truckloads of liquid nitrogen racing down a rough and dusty track, kicking up clouds of dust, And a Boeing B-29 Superfortress is flying low above the cars and in the direction of the cars, They are in flight, fast and furious, high speed, fierce competition, very intricate and crazy details, very detailed and complete and very beautiful. oil-painting with multiple textured thick layers of detailed oil paint using the technique of glazing, 8k resolution. Textured painting by an extremely talented surrealist painter.
Prompt: “Create a detailed illustration in the classic ‘Ligne Claire’ comic book style, inspired by Hergé’s Tintin series. The scene takes place at a bustling harbor pier, where a diverse group of people are waiting for a ship. Include travelers with luggage, sailors, merchants, and children, all dressed in 1930s–1950s European-style clothing. The atmosphere should feel lively but organized, with clean lines, flat bright colors, and no shading—only solid color areas. Background should feature dock details like ropes, crates, seagulls, and a ship in the distance arriving or departing.”
Prompt: "An 18th-century Rococo oil painting in the style of Jean-Honoré Fragonard, depicting two elegantly dressed French aristocrats seated beneath a large, ancient tree in a lush rural landscape. The couple is engaged in a romantic moment, with the an old 18th century Middle Eastern man with a Turban and robe and long white beard gently holding the woman's hand as she leans toward him with a playful smile. Sunlight filters through the leaves, casting dappled golden light across their luxurious garments and the soft grass around them. The background features rolling hills, blooming flowers, and distant trees, creating a dreamy, intimate atmosphere. Highly detailed brushwork, rich colors, and soft textures evoke a sense of passion and refined elegance."
Prompt: An astronaut and an alien on the moon are lying side by side on the ground, leaning on an ice cube with their legs apart and holding Coca-Cola, front view, surrounded by several empty Coca-Cola cans. the alien's eyes are very otherworldly and galactic and dazzling, the alien is wearing a headscarf with an American flag on it, and a cosmic crystal ball with a shiny silver chain around its neck, and a leather half-claw glove. He is smoking a cigar in his hands and holding a Coca-Cola drink in his other hand, the details of the alien's facial skin are very complex and detailed, the background is the globe, the details are beautifully designed and very complex, 8k.
Prompt: A striking oil painting features a pastel Peter Pan sitting on a tree branch, very intricate and detailed details. Thick layers of paint create depth, blending influences from various renowned artists. pencil sketch, Jean-Baptiste Monge
Prompt: A striking oil painting features a pastel a beautiful amarican cowgirl rides a rodeo on a wild bucking bull, spectators cheer him on, typical wild west rodeo scene, very intricate and detailed details. Thick layers of paint create depth, blending influences from various renowned artists. pencil sketch, Jean-Baptiste Monge
Prompt: A striking oil painting features a pastel 70s, Full-length image of a beautiful Afro woman, sunglasses, Leaning on a old rusty Mack fuel truck, front view, one headlight broken and the other light on, giant trailer The Mack body is of the old type with a chrome grille and shiny front bumper, gas mask, facing the viewer, post apocalypse streets of a city in the background, very intricate and detailed details. Thick layers of paint create depth, blending influences from various renowned artists. pencil sketch, Jean-Baptiste Monge
Prompt: A dynamic illustration in Ashley Wood’s signature painterly-graphic style depicts a statuesque Greek woman emerging from a steaming milk bath, her athletic body glistening with rivulets of molten chocolate that cascade down her sculpted shoulders and thighs. Her long violet hair, tied into a windswept ponytail with a vermilion-and-gold ribbon, whips through the air as she steps forward, the motion sending droplets of milk and chocolate splattering in thick, textured arcs. Intelligent, seductive eyes—rendered in Wood’s trademark smoldering gaze—lock onto the viewer, framed by smudged kohl and flecks of gold leaf that cling to her cheekbones. The milk bath churns behind her, its surface a chaotic blend of creamy whites and cocoa swirls, while the background fractures into Wood’s signature abstract chaos: splattered ink blots, distressed brushstrokes, and torn parchment textures that suggest ancient frescoes decaying at the edges. Her pose thrums with kinetic energy—one hand brushing dripping chocolate from her collarbone, the other gripping the bath’s edge with fingers that dissolve into ink-spatter shadows. The chocolate’s glossy sheen contrasts with the matte, weathered textures of her surroundings, every drip and splatter echoing the raw, visceral energy of Wood’s best work.
Prompt: A high-contrast explosion of ink and chaos in Russ Mills’ signature fractured style—a demoness ripped from some celestial gutter, her milk-white skin smeared with graphite shadows and dripping gold acrylic. Those ibex horns, more bone than ornament, carve through the composition like shattered porcelain, their cream-and-rose veins rendered in splintered brushstrokes that bleed into the negative space. Wings? Not the tidy angel shit—these are brutal things, half-plucked and angry, the “feathers” just staccato jabs of white ink and correction fluid, the gilded tips rusted over with ochre spatter.
Her pose is all fuck-you elegance: one knee forward, fingers splayed like she’s mid-incantation, the geometric tattoos (red as dried blood) crawling up her thighs in jagged, screen-printed patterns that glitch where the ink pools. Mills’ trademark ink-drips eat at her edges, dissolving her left flank into a storm of newspaper clippings and charcoal dust. The eyes? Sliced open with a palette knife—amber-green irises glowing under layers of varnish, the pupils thin as razor cuts.
Background? Imagine a dumpster fire of Renaissance fresco scraps and spray-paint tags, the whole thing vibrating with unstable energy. She’s not standing in the hellscape—she’s unmaking it, her horns tearing holes in the paper grain. Every stroke feels stolen from a vandal’s sketchbook: the claw marks in her wings, the way her lower lip melts into a cigarette burn on the canvas. No softness here. Just a beautiful accident waiting to rot.
Key Mills-isms:
Destruction as texture (scratches, torn paper effects)
Graphic vs. painterly (sharp tattoos vs. chaotic ink washes)
Unapologetic grunge (dirty whites, oxidized gold, “mistakes” left visible)
I Was Told There's A New Love That's Born For Each One That Has Died
Model:
FluX
Size:
1080 X 1920
(2.07 MP)
Used settings:
Prompt: An illustration in the raw, expressive style of Ashley Wood, portraying a full-body figure of a young pregnant woman, standing in a loose, fluid pose. Her body is rendered in sketchy, abstract brushwork with earthy tones, distressed textures, and spontaneous splashes of ink, giving her form a fragmented, war-torn grace typical of Wood's style.
She cradles her belly with both hands—fingers slightly smudged, paint-streaked—resting gently in a gesture of serene protection. Her posture is quiet but powerful, radiating an inner stillness amid the surrounding chaos. Her long, unkempt hair trails in ink-smeared lines, blending into the smoky, erratic background filled with rust-toned gradients and heavy brush marks.
At the center of the composition, her swollen belly is rendered translucent—ghostlike and luminous—glowing from within. Inside, the faint but clearly formed silhouette of a fetus pulses in shades of soft teal and electric white, bioluminescent like a living ember. Delicate halos of light radiate from the unborn child, contrasting starkly with the gritty textures around it, adding a surreal, near-spiritual focal point to the image.
Loose anatomical sketches peek through parts of the figure’s body, as if the artist abandoned and rediscovered the form mid-creation. The background feels like a war between decay and life: urban decay, scorched pigments, mechanical remnants, and torn paper collages swirl and fight for space—but she remains calm, anchoring the chaos.
This piece merges biological wonder with expressive abstraction, turning a moment of maternal intimacy into a visual storm of emotion, decay, and transcendent beauty—classic Ashley Wood: brutal, tender, alive.
Prompt: A full-body explosion of ink and defiance in Russ Mills’ signature fractured aesthetic—a Senegalese warrior-queen carved from lightning and stardust, her three-quarter rear pose a study in controlled chaos. Her physique is a masterpiece of athletic grace, every muscle defined under luminous umber skin, back arched like a bowstring as the cosmos bleeds across it: an astronomical tattoo of constellations and celestial maps, its inky nebulas and comet trails etched in white-gold ink that glows against her skin like fresh welts. The Milky Way swirls down her spine, Ptolemaic equations and Kepler’s laws scrawled between the stars in jagged, screen-printed lettering.
Her golden curls are a riot of textured brushstrokes—some coils rendered in thick impasto, others dissolving into ink-spatter halos. The mathematical veil in her grip is Mills’ brutal poetry: raw silk shredded at the edges, embroidered with crimson fractals and half-erased quantum formulae, its threads fraying into the storm of India ink and rusted acrylics that devour the background. When the light hits, the fabric’s Newtonian diagrams and topological symbols gleam like fresh scars.
The backdrop is a collision of vandalized textbooks and telescope sketches—layers of torn graph paper, smeared white-out planets, and charcoal equations that combust near her waist. Her left calf phases into abstraction, consumed by the tempest; her right foot anchors the chaos, toes curling against nothing. Key details:
The veil’s hem drips with diluted gouache, pooling into a black hole at her feet.
One constellation on her shoulder pulses with UV-bright ink (Orion’s belt as a knuckle-duster).
Her earrings are miniature astrolabes, swinging violently as if caught in solar wind.
Mills’ trademarks scream through the piece: misregistered screen-print layers, oil stick graffiti over her deltoids, and the dragon tattoo replaced by a supernova mandala that cracks her skin open at the ribs.
Prompt: An avant-garde full-body portrait in the explosive, chaotic style of Russ Millis, depicting a powerful young Senegalese woman with a statuesque, athletic build, captured in a dynamic three-quarter rear angle. Her smooth, deep skin glows under dramatic, directional lighting, which sharply defines the muscles of her back and legs, elevating her physical presence with both strength and elegance.
Sprawling across her back is a large, finely detailed astronomical tattoo—a celestial chart mapped in gleaming silver ink. Constellations swirl around a central nebula etched between her shoulder blades, while planetary symbols and orbital lines arc gracefully down her spine, as if her body itself were the firmament.
In her hands, she holds a flowing silk veil that trails behind her like a comet’s tail. The veil is densely embroidered with shimmering gold and copper thread, forming swirling equations, geometric spirals, and ancient mathematical symbols. These intricate markings seem to glow against the dark fabric, evoking the mysteries of the cosmos and the logic behind it.
Her hair—long, voluminous, and tightly curled—pours down in a radiant cascade of gold, catching bursts of colored light that echo the chaotic storm around her. The background is pure visual tension: ink splashes, scorched brush lines, smears of ultramarine, violet, and radiant ochre. These elements bleed into the figure, creating an unstable edge between her form and the raw abstraction surrounding her.
Caught mid-motion, her posture evokes both intellectual grace and mythic force—a living embodiment of knowledge, movement, and cosmic wonder. The composition surges with Russ Millis’ signature energy: expressive mark-making, fragmented realism, and layered pigment storms that collide with form and dissolve into symbol. She is rendered not just as a figure—but as a visual manifesto of science, spirit, and motion.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.