Prompt: Charcoal and ink. Vivid colors in red and black. A surreal and mesmerizing scene featuring a girl with striking red hair cascading down her shoulders, blending seamlessly into the red brick wall behind her. Her minimal red clothing clings gently to her form, its hue almost indistinguishable from the bricks, creating the illusion that she is dissolving into the wall itself. Her expression is distant, as if caught between reality and abstraction, her body fading into the textured surface. The bricks appear slightly distorted around her, as if absorbing her presence, with subtle shadows and highlights adding depth to the illusion. The overall effect is both haunting and beautiful, a visual metaphor for blending in, disappearing, or becoming one with her surroundings.
Prompt: 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered woodblock rendering on rough handmade paper of poem number 60, Koshikibu no Naishi, of the Ogura Hyakunin Isshu: "By Ōe Mountain / The road to Ikuno / Is far away, / And neither have I beheld / Nor crossed its bridge of heaven." The image shows a mountain, snow-capped Ōe Mountain, in the distance. A winding road leads through rolling wheat fields from the viewer to the mountain. An elaborate wooden bridge in the style of a painted, wooden Japanese temple over a small stream can be made out on the road ahead, Rendered as a fine woodcut partly additionally complemented by wet watercolor exectued in a style reminiscent of the great Japanese woodcut artists. Deft execution, peaceful landscape motif. Old masters' technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 61, Isé no Tayū, of the Ogura Hyakunin Isshu: "The eight-petalled cherries / from the Nara capital / of the ancient past / today nine layers thick / have bloomed within your court!" The image shows a single, venerable, gnraled, beautiful "yae-zakura" cherry tree whose last, eight-petaled cherry blossoms are still clinging to the tree. The remaining blossoms have fallen to the ground in a shower of pink and white, covering the ground in a thick layer of perfect, fallen petals. The tree stands protected in the corner of a brickwork wall enclosing a palace courtyard, with the April morning sun shining on the tree and casting its shadow on the elaborate terra cotta brickwork of the cozy wall corner behind it. Rendered in highly detailed wet watercolor technique, additionally highlighted with ink. Magenta pink blossoms, deft execution, introspective, peaceful nature motif. Superlative technique reminiscent of John Singer Sargent. Expressionist and highly emotive ambiance. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 63, Sakyō Daibu Michimasa, of the Ogura Hyakunin Isshu: "Now, the only thing / I wish for is a way to say / to you directly / - not through another- / 'I will think of you no longer!'" The image shows the poet, Sakyō Daibu Michimasa, sitting alone and contemplating his ill-fated affair with a 15-year old High Priestess. The poet is sitting cross-legged on a simple tatami mat in a simple hut. Behind him, we see his thoughts in a double exposure: He is thinking about the young High Priestess, Princess Masako, standing regal in the Ise Shrine. The poet will never see her again, and was not even allowed to say good-bye. Finest linocut additionally colored with wet watercolor. Compelling double exposure, every detail of the tatami mat and the poets clothing finely worked with the linocutter's tool. The double exposure showing the scene with the High Priestess is executed in dark colors and in a bokeh esthetic. Deft execution, melancholy motif. Superlative technique. Exquisite Japanese folio.
Prompt: Fully wide 16:9 format of a painstakingly crafted, extremely detailed, multilayer, delicate lithograph and multilayered wet watercolor rendering in magnificent colors on rough handmade paper of poem number 65, Sagami, of the Ogura Hyakunin Isshu: "Even when your hate / Makes me stain my sleeves with tears / In cold misery, / Worse than hate and misery / Is the loss of my good name." A visibly sad and distraught contemporary Japanese woman is kneeling on her bed, her hands on her knees. crying. Her apartment is sparsely furnished, except from four panels of Japanese paintings on the walls evoking the Heian period. Each panel shows part of a continuous motif of a sakura tree rendered in ink on a golden background. The woman, the bed and the apartment are rendered as a heavy impasto oil painting in various shades of white, gray, tan, and borwn, with the black and gold of the four panels providing a welcome contrast. Skilled and masterful execution juxtaposing the traditional feel of the four panels and the contemporary ambiance with the sorrowful Japanese woman. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a Symbolistic pastel painting int he style of Odilon Redon in rich, luminous colors, executed on rough handmade paper of poem number 68, Sanjō-in, of the Ogura Hyakunin Isshu: "Though I do not want / To live on in this floating world, / If I remain here, / Let me remember only / This midnight and this moonrise." We see an older Japanese man from the side. He is floating, prostrate, in the midnight air, his eyes closed and his arms crossed peacefully on his chest. Below him, a yellow moon is rising, just peeking over the dark horizon. The colors of the image are luminous blues, whites, yellows, and, for the loose-fitting, simple clothes of the man, magenta and light blues. The highly symbolistic pastel painting shows the man and the moon in exquisite detail, whereas the background is smudged and executed many layers of rich oil pastels. Clarity of rendering, timeless, symbolical motif. Masterful technique. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed, finely cut, multilayer linocut showing the topic of poem number 83, Dōin Hōshi, of the Ogura Hyakunin Isshu: "From this world I think / That there is nowhere to escape. / I wanted to hide / In the mountains' farthest depths; / But there I hear the stag's cry." see light from the hallway shining on an old, closed, heavy-plank wooden basement door. The door has a brass knob and shield-mounted stag antlers. The basement door leads to a refuge for the plagued poet to hide away when the worl becomes too much for him. Highly symbolic image. The linocut is so fine that we see every single wood fiber of the door's planks perfectly lit in dimensional detail, every twist and turn of the antlers, and every spot on the brass doorknob. Exquisite Japanese linocut folio in full 16:9 width.
Prompt: Full-screen, complete width, broad, 16:9 format of an extremely detailed photograph showing the topic of poem number 82, Dōin Hōshi, of the Ogura Hyakunin Isshu: "Though in deep distress / Through your cruel blow, my life / Still is left to me. / But I cannot keep my tears; / They break forth from my grief." We see a chubby young actress from the back as she is sitting on an ornate chair in front of a dressing room table. She is dressed in a pretty, patterned silk t-shirt and jeans and is staring at her desolate, tear-streaked reflection in the dressing room mirror. The mirror is surrounded by lamps, so we se her face very clearly, whereas the surroundings are steeped in shadow. The young actress has just been severely reprimanded by her much-admired director and is now desolate, despondent and crying. The image is executed as a hyperrealistic photographic shot. Perfectly captured moment of deep despair. Exquisite shot for a photography contest.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate linocut with somber colors, executed on rough handmade paper of poem number 86, Saigyō Hōshi, of the Ogura Hyakunin Isshu: "Should I blame the moon / For bringing forth this sadness, / As if it pictured grief? / Lifting up my troubled face, / I regard it through my tears." The image shows a despondent young man in a dark overcoat with an upturned collar. His hands are defiantly stuffed deep in the pockets of his overcoat' as he gazes upward at the pale, full moon late at night. The pale light of the moon is reflected in his face, tears glinting in the moonlight. To the left and right of the narrow alley, tall, dark, dimly lit city buildings rise high. Amidst his tousled hair, his face is drawn in emotional pain, and tears are flowing from his eyes as he looks at the impervious moon. The young man's face and the pale blue-white moon's surface are exceedingly detailed, with a zentangle-like esthetic. The somber grays and blacks of the buildings with some smudged, dark yellowish lights in the windows, and the lighter grays of the moonlit street echo the young man's dark mood. Extreme detail, clarity of rendering, timeless, symbolical motif executed with great mastery. Exquisite Japanese folio.
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate, wet watercolor with chilly autumn colors, executed on rough handmade paper of poem number 87, Jakuren Hōshi, of the Ogura Hyakunin Isshu: "While the raindrops of / the passing shower have not yet dried from / near the leaves of the evergreens, / the mist is already rising, on / this evening in autumn." The image shows a closeup of a fir bough, with the needles dripping wet from a rainshower. The glassy, bluish drops on the dark-green fir needles are beautifully captured in watercolor. The fir bough stands out against a blue-gray mist wafting though the deciduous trees in their autumn dress, as darkness descends on the scene. Quick, masterful brushstrokes perfectly capture the wet, misty autumn evening mood. Exquisite Japanese folio.
Prompt: Full-width, broad, 16:9 format of an extremely detailed, delicate, intricate, multicolored linocut all the way to the edge, rich colors, executed on rough handmade paper of poem number 94, Sangi Masatsune, of the Ogura Hyakunin Isshu: "From Mount Yoshino / Blows a chill, autumnal wind. / In the deepening night / The ancient village shivers: / Sounds of beating cloth I hear." The linocut shows a naturalistic close-up of an older Japanese peasant woman in simple work garb beating woven wool lying on a smooth stone surface. She is raising her right arm, in which she is holding a simple wooden hammer that she uses to beat the woolen cloth. This process will make the cloth more durable, warmer, softer and water-resistant. Behind the woman, we see the lights in the windows of the ancient village on the mountainside as night falls. The horizon is still light blue, but the blue of the sky deepens toward the top of the image. A chilly wind whisks and twirls late autumn leaves in a flurry surrounding the woman. Color palette of rich colors, shades of blue in the sky and work garb, yellow in the windows of the houses, mostly grays and browns for the houses, tan for the wooden hammer-like mallet, gray for the stone on which the wool fabric lies, and anthracite for the woollen cloth. Clarity of rendering, masterful linocut in several layers and with highly intricate detail, clearly visible, short cuts with the linocutter. Exquisite Japanese folio.
Prompt: ((Masterpiece)), ((In the photo, A stunning artwork showcases willow branches creating a graceful figure silhouette against vibrant spring colors. This fantasy-inspired piece combines watercolor and ink with intricate patterns and rich hues, watercolor fantasy, watercolor elements), By Van Gogh, Joan Miró, Beksinski, Aubrey Beardsley, Catherine Abel, Paul Klee, Tomasz Setowski, Dee Nickerson, Jaceck Yerka.
Prompt: This is a stunning and colorful landscape, created in the patchwork style of Mandelbrot, Julia, Wassily Kandinsky, Alphonse Mucha, Paul Klee, Gustav Klimt, Amanda Clark, Catrin Welz-Stein and Aubrey Beardsley, (A young woman with pale skin and long, flowing, detailed, silver-grey hair is depicted. Her hair is styled in loose waves and has a delicate, almost thread-like texture. The woman's expression is thoughtful and slightly melancholic. She is positioned in a three-quarter profile view, angled towards the right of the image and looking slightly downward. She has striking red lipstick, defined red-toned eyeshadow, and striking, large, expressive eyes. Her hand, with light-toned nails, rests gently near her face, as if touching or playing with her hair. The subject's pose suggests a sense of quiet contemplation. The setting appears to be a stylized studio environment, with a rich, dark purple, striped background that creates depth and creates an ethereal atmosphere. The background pattern is composed of diagonal lines, adding a graphic element to the composition. Detailed lines and shading add to the visual richness of the portrait. The lighting is soft and focused on the subject, emphasizing the intricate details of her hair and features. The style of the artwork is evocative of fine art illustration with a dreamlike and mysterious quality. The overall impression is of a portrait with a strong focus on aesthetic beauty and emotional depth), Hand drawn illustration style.
Prompt: ((Masterpiece)). This is a stunning and colorful landscape, created in the patchwork style of Arthur Rackham and Joan Miró, (A vibrant, detailed painting of a fantastical floating city. Multiple, colorful, multi-level, buildings and structures are suspended over a body of water. The buildings vary in style, color, and size. Many are covered in varying shades of terracotta, orange, and yellow with accents of blue and cream. Trees and vegetation are scattered throughout the cityscapes. The structures rest atop large, bulbous, light blue, floating forms. Hot air balloons are interspersed throughout the sky and attached to the city structures. Clouds of various pastel hues fill the sky. The water below is a deep teal, with ships scattered across it. The style is highly detailed, reminiscent of meticulously crafted miniature scenes. The image is filled with light and color. The overall composition is a layered perspective, offering many details to be seen at multiple depths. The light appears diffused, enhancing the vibrant colors and the sense of an otherworldly place. A sense of wonder and whimsy is strongly evoked), Full Size Image.
Prompt: ((A colorful panoramic masterpiece)), ((A surrealist oil painting. A fantastical illustration depicts a young, possibly Caucasian, woman with dark, curly hair adorned with horns, riding a bicycle. She is wearing a yellow patterned dress over red leggings and a red scarf. The woman is angled in a three-quarter profile view, looking forward with a focused expression. A whimsical tree branch laden with lit candles, an owl, an open book, and small cages hangs from the bicycle frame, creating the illusion of a fantastical mode of transportation. The background features a crescent moon, a starry night sky, and distant city lights. The overall atmosphere is dreamlike and surreal, with a muted color palette dominated by greens, yellows, and reds. The composition is slightly off-center, drawing the eye to the woman and her imaginative vehicle. The lighting is soft and ethereal, emphasizing the fantasy elements of the scene. The style is reminiscent of a fairy tale or a children's book illustration. Hyperrealistic style. Pastel and oil painting), By Joan Miró, Beksinski, Tomasz Setowski, Jacek Yerka, Amanda Clark, Aubrey Beardsley, Josephine Wall.
Prompt: Create a surreal artwork that represents, in a colorful way, the following concept:
"All these places had their moments
With lovers and friends, I still can recall"
Very balanced dreamlike composition, in style by Scott Bergey, Richard Burlet and Peter Wileman
Prompt: Full-screen, complete width, broad, 16:9 format of a delicate, wet watercolor with chilly autumn colors, executed on rough handmade paper of poem number 87, Jakuren Hōshi, of the Ogura Hyakunin Isshu: "While the raindrops of / the passing shower have not yet dried from / near the leaves of the evergreens, / the mist is already rising, on / this evening in autumn." The image shows a closeup of a fir bough, with the needles dripping wet from a rainshower. The glassy, bluish drops on the dark-green fir needles are beautifully captured in watercolor. The fir bough stands out against a blue-gray mist wafting though the deciduous trees in their autumn dress, as darkness descends on the scene. Quick, masterful brushstrokes perfectly capture the wet, misty autumn evening mood. Exquisite Japanese folio.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
15d
