Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A ginger-haired girl stands close to a large window on a rainy night.
The glass is fogged, covered with raindrops slowly sliding down.
From inside the room, warm golden light touches her skin, while outside, the night is deep blue and full of quiet reflections.
Her reflection is clearly visible on the glass — seen from the front, slightly blurred by the rain.
The viewer first sees her face and expression through the reflection, not directly, as if the camera focuses on the glass.
Behind the reflection, her real figure stands softly in the background, forming a double image — one real, one in the window.
Her ginger hair glows gently in the light, and every brushstroke feels alive — the impasto capturing the moisture on the glass and the glaze giving depth to the reflection.
The mood: introspective, calm, tender — like a quiet moment before a thought turns into a memory.
Use pastel and muted night tones, soft candle reflections, and gentle movement of rain over the glass.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Reflections in the Rain”
A young ginger-haired woman stands by the window of a dimly lit room.
Rain trickles down the glass in slow, silver threads.
Her reflection trembles in the pane — not as a mirror, but as a memory caught between droplets.
The city lights outside bleed softly into her silhouette,
mixing with the warm amber glow of a single lamp behind her.
With each stroke of light, the palette knife carves subtle movement into the shadows —
a whisper of orange hair blending into blue-gray tones of the night.
The impasto texture thickens around the glass,
where reflections melt into rain —
and her gaze, somewhere far beyond,
seems to shimmer like the echo of a dream that won’t return.
In the glazing, her reflection fades and reforms —
half inside, half out —
like the soul of someone remembering herself
in the hush between lightning and silence.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “After the Rain”
(Techniques: Mixing Palette Knife, Impasto, Glazing — Pastel Palette)
Two young women stand on a quiet cobblestone street, just after the rain.
The ginger-haired girl and her dark-skinned friend lean toward each other, laughing softly —
their words still wrapped in the hush that follows a storm.
Beneath them, a shallow puddle glimmers like a mirror,
catching the pale lilac sky and soft blush tones of their faces.
The reflection is vivid yet trembling —
a world upside down, painted in ripples and whispers of color.
The palette knife traces the uneven shimmer of the water,
mixing pastel hues — powder blue, dusty rose, pale gold —
while the impasto texture builds gentle highlights where light lingers on the wet stones.
Through glazing, the reflection becomes almost more alive than the figures themselves —
their laughter seems to echo from the puddle,
as if the water remembers their joy longer than the air does.
And in that fleeting moment,
the world above and the world below breathe as one —
a harmony of rainlight and friendship suspended between reality and reflection.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: It’s late morning after a gentle summer rain.
The park still smells of wet grass and earth — the kind of scent that makes everything feel more alive.
Beside a wide, shallow puddle, a ginger-haired girl and her dark-skinned friend sit close together on a wooden bench, their laughter soft and shared, as if the world has slowed down just for them.
The surface of the puddle is painted in Glazing technique — thin, transparent layers that capture the delicate shimmer of light as the clouds drift above.
Each ripple moves slowly, breaking their reflection into a thousand trembling fragments.
The reflected image of the girls — one with sunlit copper curls, the other with deep, calm eyes — is rendered through Mixing Palette Knife, giving the illusion of motion within stillness.
Their mirrored smiles appear softer, dreamlike — as if the water itself remembers their joy.
The nearby bench and fallen leaves are shaped with Impasto strokes, thick and textured, adding contrast to the fragile surface of the puddle.
Soft pastel tones dominate — muted turquoise, pale peach, gentle ivory, and warm ochre — blending sky and earth into one continuous breath.
And there, in that quiet reflection, the girls look like they exist both above and below the world —
two souls caught between rain and sunlight,
between reality and its gentle, liquid echo.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Reflection in the Afternoon Window”
In the late afternoon light, a ginger-haired woman stands by an old window.
The sun melts across the glass in warm tones of honey and copper — (Glazing: thin, translucent layers creating the glowing reflection on the window surface).
Her face slowly dissolves into the reflection — painting herself into another reality.
(Mixing Palette Knife: gentle blending of her real features with the mirrored image, creating a textured merge of identity and illusion.)
She holds a cup of coffee, steam intertwining with golden streaks of light.
(Impasto: thick strokes of light and steam, giving the warmth a tactile, almost breathing presence.)
Beneath the layers of paint lies depth — the reflection is not just her face, but everything she has ever left unspoken.
(Glazing again: emotional transparency through successive layers of memory and silence.)
Layer by layer, it’s as if the palette knife peels time away from her gaze.
(Mixing Palette Knife: scraping gently through pigment and meaning, exposing the underpainting of her truth.)
The eyes in the reflection and the eyes in the world do not align — in one there is peace, in the other, a question.
Outside, the world fractures in fragments; inside, it gathers in silence.
(Impasto + Glazing combined: outside — rough textured strokes of chaos; inside — softened translucent calm.)
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Reflection from the River”
At the edge of a concrete embankment, a ginger-haired woman sits alone, her legs hanging above the slow river.
The water is murky but still, holding everything that has ever sunk into it.
Her face appears on the surface that shivers with the wind — sometimes clear, sometimes scattered into circles.
(Glazing: soft, translucent layers to show the trembling water surface and its play of light.)
The river doesn’t return the truth — only what you’re ready to see.
(Mixing Palette Knife: gentle blending between her real features and their distorted reflection, merging water and identity.)
Beneath the surface, shadows drift — and her reflection shifts each time her breath reaches the water.
(Impasto: thicker, tactile strokes around the ripples, giving the illusion of depth and movement.)
Light spreads across her face, until she seems to dissolve into the river itself.
(Glazing again: thin veils of golden tones, melting skin into water.)
For a moment, the wind erases everything.
Only she remains — and the thought that was never spoken aloud.
(Mixing Palette Knife + Glazing: scraped layers of reflection fading into transparent silence.)
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Reflection in Chrome”
On a cold metal worktable, a ginger-haired woman leans over a spilled cup of coffee.
A droplet running down the edge of a spoon carries her reflection — small, distorted, but alive.
(Glazing: thin, shimmering layers that reveal the mirrored surface and soft morning light.)
Her eyes in the metal look different — calmer, maybe more honest.
(Mixing Palette Knife: subtle blending between the warmth of skin tones and the cold silver texture.)
As the morning light filters through half-open blinds, each stripe of brightness bends inside the chrome, creating a miniature world within every reflection.
(Impasto: thick strokes around the highlights, capturing the tactile shimmer of light on metal.)
In that curved surface, she sees what reality doesn’t show directly — fatigue, silence, and a thought she never shares.
(Glazing again: transparent emotional layering, like unspoken truth beneath the surface.)
The world around her is sharp and flat, but the reflection is soft and warm.
As if life only looks beautiful when it’s slightly distorted.
(Mixing Palette Knife + Glazing: blending the real and the reflected into one continuous breath.)
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Reflection on the Screen”
In the quiet of late evening, a ginger-haired woman sits at her computer.
The glow from the monitor spills across her shoulders, tinting her hair in tones of electric copper.
(Glazing: soft, translucent layers of bluish light reflecting on her hair and skin.)
On the dark screen, among open windows and scattered icons, her face appears faintly — not clear, but as a shadow of thought.
(Mixing Palette Knife: subtle blending between digital light and human warmth, shaping her reflection within the glassy surface.)
The reflection isn’t a mirror, but a trace — a part of her watching herself.
Her eyes in the screen look more tired, yet gentler, as if they understand what she truly feels.
(Glazing again: emotional transparency through layered digital light.)
On the desk lie papers, a cup, the shadow of her hand — everything melting into that mix of light and presence.
(Impasto: thick texture around the edges of the glow, giving weight to the ambient light and reflection.)
The screen flickers, and with it the reflection fades — only for a moment — then returns, like breathing.
(Mixing Palette Knife + Glazing: the rhythm of human pulse and artificial light blending into one reflective stillness.)
Prompt: A black-and-white painting, a sketch filled with streams of dull watercolor paint.
Rain in the middle of a street in a provincial town, retro-style houses with lanterns. In the background, black silhouettes of people under umbrellas.
In the center of the painting, a boy in beggar's clothes walks forward, wearing a jacket with colorful patches and torn pants. Under his arm, he holds a small white tiger cub that is sleeping. The teenager presses the cub to his chest and wraps it in the edges of his jacket to protect it from the rain.
Prompt: A truffle hunter stands in a dense oak forest in autumn, facing the viewer. He wears a traditional dark red wool Phrygian cap, the toe slightly askew, while his sturdy brown boots sink into a carpet of russet and gold dead leaves. Beside him, a well-groomed pig, with glossy pink skin and an intelligent gaze, sniffs eagerly at the foot of a gnarled truffle oak, its snout dusted with earth. Sunlight filters through the canopy, dappled on the hunter's worn corduroy trousers and the pig's leather harness, with a woven basket half-filled with black Périgord truffles visible at their feet. Impressionist style, Renoir, Monet, oil painting, Renoir palette.
Prompt: Whimsical watercolor, girl with a tender gaze, wearing a cozy wool jacket and a matching beret. A picnic basket is next to her on a stone ledge. Muted mint and grey tones brushed with warmth. Soft golden light touches her cheek, giving the painting a nostalgic glow.
Prompt: comics drawing style, squiggly lines, a cute little witch child is sitting on her knees under a big wooden table
she is a victorian shoulder-off corseted and timetravellish european teen, with a pointy nose, grey-blue piercing eyes, a cute expression, and long silver white messy hair
Behind the table, a monochromous black and white crowd of serious adults are laughing and talking to each other, in a mundane salon-like party
by eryn
far above in the air above the crowd, near the ceiling, a very small rainbow coloured butterful is flying discreetly, and is spilling colours into the air and onto the child
no ones sees the butterfly but the child
isolation and difference
cuteness and sorrow
Prompt: Abstract impressionism painting of two boats in the shore, at evening, Use impasto, brush strokes, underpainting, tones of light blue, green, white, red, white, complex, feathering.
Prompt: Rustic wicker basket, overflowing with ripe red apples, wooden kitchen table, cozy country house interior, vintage charm, sunlight streaming through window, soft shadows, rustic farmhouse decor, fresh green leaves, textured wicker details, polished wooden surface, warm and inviting atmosphere, traditional kitchen setting, apple varieties like Gala and Fuji, detailed illustration, realistic style, vibrant colors, natural lighting, homely and comforting vibe.
Prompt: beautiful woman purple, in the style of Luis Gabriel Pacheco, Jean-Baptiste Monge, Harry Clarke, Agnes Cecile, Anna Sui and Richard Burlet,gorgeous beauty,féminity and grâce,,glamour and aesthetic,in the style of Luis Gabriel Pacheco, Jean-Baptiste Monge, Harry Clarke, Agnes Cecile, Anna Sui and Richard Burlet, by Medlinyelle
Prompt: Cubism portrait. Ink wash painting with infused watercoloring, opaque and translucent shapes, collagraphy elements, mysterious aura, delicate linework, blurred edges for a soft focus effect, sfumato technique for subtle transitions, plasticity 1.8, cel-shaded, diffused tranquil atmosphere with the faintest glimmer of light, smoky charcoal tones creating depth, gradients of ink in flowing strokes adding movement, severe fluidity of inking with organic brushwork, serene delicacy in the gradations of dark ink, lines by William Bradley, sawtooth wave, negative lucas numbers, Psychosomatic surrealism by Gayane Khachaturian and Paul Kidby, linework and tinsels dissolving into textures, cross-hatching, collided fierceful, brushed, soft energy, rupture and decay, fragile coloring, fine-line drawing with airbrush techniques, intricate line-art with diffused highlights and reflections, mip-mapping, texture mapping 1.3, dappled and rimmed shimmer, low key lighting, mip-mapping 1.2, liminal, diffusion, dynamic lighting form top to bottom, deconstructed, alternative, pollished, displacement mapping, simplicity and minimalism highlighted by delicate imperfections. colourful surreal, complex line-art, contouring forms by Lawrence Schwinger, dyed, nuanced painterly, abstract outlines, warped, tall and lean details, avant-garde merge with modernism, complex coloring reminiscent of Keith Haring's style, fine micro-pen line art with warped watercoloring, skin texture, hues by Margaret Keane, warped, simplified trippy op-art, brightness 1.8, orphism reference, very abstract post-avantgarde style, triadic color scheme dark-pink magenta-red dark-grey, soft pastel colors, squiggly orphism and geometrical art merged with jsgraffito. outlines reminiscent of Francis Bacon and Georgia O'Keeffe and Jim Davis,
Prompt: So gothic. Black and white, monochrome, colorful accenst on places. Red lips. Close up of a beautiful witch with a rag doll by a river, Gothic scene by a foggy river under a cosmic night sky, created in a mixed media painting style combining Art Nouveau, expressive ink drawing and encaustic wax painting, strange shadows, Egon Schiele, David Lynch and Tove Jansson, Bill Sienkiewicz metallic paint details. Silver, sepia, black and oxidized brass color palette. Lovecraftian, occult, sinister, supernatural, liminal and gothic. Art Nouveau Boris Vallejo, Caravaggio, linear perspective wide angle view, Rain falls in thin needles across the scene, droplets settle on the ink lines, blurring the boundaries of reality. a combination of Art Nouveau and Gothic: a castle in the distance, trees stretching upward in graceful ink-colored curls, their crowns melting in a thick waxy fog.
Prompt: ancient. Cubist-style abstract artwork, featuring fragmented and reassembled elements of flowers, trees, and landscapes in bold, contrasting colors and textures. A serene landscape a stark yet beautiful contrast.
You'd Better Know Whos In Charge, Honey! (READ THE DESCRIPTION)
Model:
FluX
Size:
1296 X 1728
(2.24 MP)
Used settings:
Prompt: Mixed-media portrait rendered in a raw, hybrid, and dynamic style, where chaos and precision coexist. The composition merges bold brushwork, ink drips, and fragmented paint textures with realistic anatomical structure. Every line trembles with energy, every color bleeds into another — a living collision of control and expressive disorder. The surface feels spontaneous, layered, and emotionally charged, balancing distortion and detail.
At the center, a young woman stands against a saturated coral background (Pantone 2345 C), her gaze intense and unwavering. Her skin is pale porcelain (Pantone 4685 C) with faint rose undertones (Pantone 7616 C), lightly freckled across her cheeks and nose. Her bright turquoise-green eyes (Pantone 3262 C) burn through the chaos of the composition — calm and defiant amid the surrounding movement. Her lips are painted in a muted coral-red (Pantone 1788 C), softly blurred at the edges.
Her hair is styled into two voluminous, messy buns of chestnut brown (Pantone 7533 C), with loose strands escaping in expressive strokes that dissolve into the background. Her makeup is bold and exaggerated — electric pink eyeshadow (Pantone 219 C) extends in sharp geometric wings, bleeding slightly into abstract pigment trails, while faint splatters of magenta and violet (Pantone 5135 C) spread across her cheekbones like accidental brushstrokes.
She wears a high-collared, oversized windbreaker in vibrant synthetic fabric, painted in energetic blocks of turquoise (Pantone 3125 C), violet (Pantone 2587 C), fuchsia (Pantone 213 C), and lemon yellow (Pantone 109 C). The jacket’s reflective folds are rendered with quick gestural marks and streaks of metallic paint, blurring into expressive ink splashes that give the impression of motion and noise.
The background is an explosion of abstract texture — coral-orange fading into stains of raw sienna and pink (Pantone 7416 C, 1775 C), streaked with drips and paint scratches. Ink spatters radiate outward from her silhouette, merging figure and space in a field of vibrant entropy.
The overall atmosphere is kinetic and confrontational, a portrait alive with tension and rhythm — youth rendered as pure color and energy. A perfect fusion of structure and chaos, beauty and turbulence, where emotion replaces symmetry and imperfection becomes power.
Prompt: Paint across canvas an ethereal and serene, with a focus on a blend of flowers beauty and nature. The artwork appears to be in a watercolor style, characterized by soft, translucent washes of color and a lack of sharp outlines. The color palette is predominantly pastel and delicate, with shades of pink, blue, yellow, and green creating a dreamy atmosphere.
The composition features a serene flowers which can be interpreted as a blend of classical painting and modern digital art techniques. This style is often used to evoke feelings of tranquility, fantasy, and elegance. The use of watercolor gives the impression of a soft, flowing, and delicate composition, colorful, light and translucent flowers, floating on a soft pale green background, fine traditional Chinese painting style, ethereal atmosphere, botanical illustration, subtle shadows, elegant composition, soft gradient washes, high detail, ink and wash aesthetic
Prompt: An enchanting young girl dressed as a witch sits on a broomstick, cradling a black kitten in her arms. She wears a classic black witch's hat decorated with miniature pumpkins and dark foliage. Her dress is made of black lace with a ruffled hem and is complemented by black combat boots. The scene is isolated against a black background. The artistic style resembles a digital painting with soft gradients and high detail. The colors are muted, with a limited palette dominated by black, orange, and subtle skin tones. The composition is straightforward, focused on the girl, with a low eye level, conveying a childlike sense of wonder. The lighting is soft and diffuse, creating a warm and inviting atmosphere. The textures are designed to emphasize the soft fur of the kitten and the delicate lace of the dress. The mood is lighthearted and whimsical, evoking a sense of childlike innocence and Halloween fun.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
