Transverse City - Vibrant Futuristic Mall of Holographic Wonders
Model:
DaVinci2
Size:
1424 X 720
(1.03 MP)
Used settings:
Prompt: Commercial Spaces
Mega-mall atriums are lined with mirrored pillars, glitter chandeliers, and synth-wave light shows, recalling 70s glam extravagance. Heavy Metal–style kiosks dispense graphic novellas and cyber-punk merchandise in lurid, erotic imagery, blending Moebius and Giger influences. VR Holodomes host Bowie-esque theatrical concerts, fusing androgynous glam with immersive tech—an homage to Bowie’s peacocking and Excess aesthetic.
Androgynous Glam
Fluid Silhouettes: Tailored jackets with exaggerated shoulders pair with flowing trousers or mini-dresses, all cut from metallic lamé, holographic vinyl, and liquid satin. Structured capes and asymmetrical hems nod to Bowie’s Ziggy Stardust era—individuals use clothing as a stage to project ever-shifting personas.
Bold Ornamentation: Sequins, studs, and geometric appliqués are everywhere, from helmet-like headpieces to corset-style belts. Makeup is part of daily uniform: glitter eyeshadows, painted lightning bolts, and metallic lip gloss shape faces into mini-canvases.
Platform Footwear: Towering boots, some rising a foot or more, remain de rigueur—often with transparent heels that light up to the beat of ambient music.
High-Concept Uniformity
Neo-Utopian Workwear: In offices and public institutions, uniforms evoke Logan’s Run’s sterile utopia: smooth white tunics cinched at the waist, paired with silver sashes. Yet each uniform is personalized—embroidered insignias, luminescent piping, or detachable sculptural collars allow self-expression.
Black’s 7 Influence: For more pragmatic or industrial roles (transport workers, security), utilitarian jumpsuits in charcoal and gunmetal feature angular lines, hidden pockets, and high-tech fabrics that shift color with temperature or light exposure.
Prompt: in the style of a fairytale woodcut - 2 wayward, jolly, drunken Irish Giants relaxing, sitting on a farm house and an out building in the countryside. their cloths are raggedy and they laugh drunkenly, the use the farm buildings as seats and at their feet is a wine jug the size of a horse cart
Prompt: fantasy illustration in the style of The Brothers Hildebrandt - cute little flirty female red imp with horns and a pointy tail drinking big coffee
A Charming Devil of Pointless Folly in Vintage Elegance
Model:
DaVinci2
Size:
1352 X 760
(1.03 MP)
Used settings:
Prompt: the devil of pointless folly (with short dark horns and a face that speaks of folly and a wasted life) wears a powdered British lawyer's wig and dressed like a dandy from a Charles Dickens' novel, he carries a large bottle of wine and a deck of playing cards, in the style of Leonora Carrington. he has a look of drunker joy on his face. must have horns on his head and look like a devil, he has a crafty glint in his eyes
Prompt: fantasy illustration in the style of The Brothers Hildebrandt - a happy old wizard with a long grey beard and a pointed hat, sitting under a tree reading from a large book to 3 small cute goblin children with green skin and big ears who look up at him in wonder as they sit on the ground around him
Prompt: a caricature of 4 clearly very stupid people in shabby clothes, wearing hats leaning on a fence, talking about all the troubles of the world. their faces have the comical look of both the very stupid and the very proud.
Prompt: huge menacing bipedal rabbits from Hell, blowing hunting horns and firing muskets and bows at fleeing naked dammed humans in a dark and stony landscape in Hell, under a sky filled with storm clouds, in the style of Hieronymus Bosch
Prompt: A futuristic fortified government building in the style of the 1960's soviet space race propaganda Stephen Hillenburg Kelly Freas renaissance painting romanticism oil on canvas colorful complex detailed ethereal hyperdetailed holographic infinity light dust fantasy sci-fi dystopian futuristic retrofuturism
Prompt: Futuristic tourist town on an alien world, beach scene if designed in the 1970's. Stephen Hillenburg Kelly Freas renaissance painting romanticism oil on canvas colorful complex detailed ethereal hyperdetailed holographic infinity light dust fantasy sci-fi dystopian futuristic retrofuturism
Living in a Promised Future - Departures at the Space-Port
Model:
DaVinci2
Size:
1280 X 720
(0.92 MP)
Used settings:
Prompt: A futuristic fortified government building in the style of the 1960's soviet space race propaganda Stephen Hillenburg Kelly Freas renaissance painting romanticism oil on canvas colorful complex detailed ethereal hyperdetailed holographic infinity light dust fantasy sci-fi dystopian futuristic retrofuturism
Prompt: near the dusty road of Hell, where lonely damned souls walk with heads bowed, stands strange stone towering buildings that look like primitive gothic cathedral's towers, they stand on rough stilts of wood like dead tree branches and sharp coral, so they don't rest on the ground. from their windows peek timid demons watching those who walk past their stone cubes. each tower leans at slight angles as they stand on rough stilts of wood like dead tree branches and sharp coral, so it looks like they are looming over those who walk by on the dusty road. Gerald Brom, Moebius, poster art, renaissance painting, oil on canvas, landscape, fantasy
Prompt: the city of Drunkards in Hell, where the buildings all look to be made from huge overturned terracotta wine containers, broken or just discarded. in the dirt streets around the buildings both fat horned demons and clocked gaunt dammed souls engage in drunken but mournful revelry till they retch. demons carry barrels of wine and force the dammed souls to drink. Gerald Brom, Moebius, poster art, renaissance painting, oil on canvas, landscape, fantasy
Infernal Architecture - the Chained Cages of Avarice
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Within a great vaulted room of oca browns and terracotta colors, hang row after row of rusted cages. Each cage hangs on a long iron chain from the ceiling of this great cavanios room. Each cage is made of red rusted iron with spikes coming from the bars and a large ring at the top of the cage that holds it to the chain coming from the ceiling. Within the cage damned souls are pressed close, their arms and legs hanging between the bars.
Under the rows of hanging cages there are raised stone walkways, along which walk thin demons with bird-like faces and long thin black poles that they use to poke those trapped in the cages.
Gerald Brom, Moebius, poster art, renaissance painting, oil on canvas, landscape, fantasy
Prompt: near the dusty road of Hell, where lonely damned souls walk with heads bowed, stands strange stone towering buildings that look like primitive gothic cathedral's towers, they stand on rough stilts of wood like dead tree branches and sharp coral, so they don't rest on the ground. from their windows peek timid demons watching those who walk past their stone cubes. each tower leans at slight angles as they stand on rough stilts of wood like dead tree branches and sharp coral, so it looks like they are looming over those who walk by on the dusty road. Gerald Brom, Moebius, poster art, renaissance painting, oil on canvas, landscape, fantasy
Prompt: near the dusty road of Hell, where lonely damned souls walk with heads bowed, stands strange stone cube buildings with a single hole in them to enter, they stand on rough stilts of wood like dead tree branches and sharp coral, so they don't rest on the ground. from the holes peek demons watching those who walk past their stone cubes. Gerald Brom, Moebius, poster art, renaissance painting, oil on canvas, landscape, fantasy
Prompt: a tall thin Anthropomorphic raven (70% human, 30% raven) in the backstreets of a 1940’s film noir city at night. he wears a grey trench coat and a brown suit. it is raining and he stands half out of the shadows of an alleyway. he is trying to draw a revolver from the pocket of his coat. he has a panicked look his face and his beak is pen as if he is about to cry out. his face is that of a cartoon raven with red eyes and a long black beak and is in proportion to his body. full figure shown in picture
Prompt: A shapely, grey and white furred, amazon tall Anthropomorphic squirrel (70% human, 30% squirrel) dancing at a 1940’s Burlesque night club. Her long golden hair is done up in a large pony tail (her blonde Pony tail must be shown) at the back and a large bouffant at the front. she has a cartoon squirrel face with red lipstick, soft blue eye shadow and long eyelashes and a big smile that shows off her bucked squirrel teeth. (Head must be in proportion to her body) she stands in the spotlight on stage, full figure shown as she swings energetically to the music. she is very chesty and wears sequined pasties with tassels and a matching sequined dancer's loincloth (these must be her only clothes). behind her her big fluffy squirrel tail swings to the music as she dances and she looks to the viewer with a coy look in her pretty eyes. full figure shown in picture
Prompt: A skinny, pink furred, transvestite Anthropomorphic hare (70% human, 30% hare) singing at a 1940’s night club. His pink hair is done up in a 1940’s type ‘victory roll’ hair-do. He has a cartoon rabbit face with red lipstick, soft blue eye shadow and long eyelashes. His eyes are half closed as he sings softly into a bronze 1940s Ribbon Microphone. He wears a red strapless corsetted evening gown as he stands in the spotlight. full figure in picture
Prompt: A short, fat, brown Anthropomorphic pug (70% human, 30% pug) he stands in a 1950's office holding a cup of coffee in one hand and a lit cigar in the other. he wears a stripped white shirt, deep blue pants with suspenders and polished black shoes. he has a stern look on his face that says he is the boss of the office. his face is that of a cartoon pug and is in proportion to his body. full figure shown in picture
Prompt: A shapely, grey and white furred, amazon tall Anthropomorphic squirrel (70% human, 30% squirrel) dancing at a 1940’s Burlesque night club. Her long golden hair is done up in a large pony tail (her blonde Pony tail must be shown) at the back and a large bouffant at the front. she has a cartoon squirrel face with red lipstick, soft blue eye shadow and long eyelashes and a big smile that shows off her bucked squirrel teeth. (Head must be in proportion to her body) she stands in the spotlight on stage, full figure shown as she swings energetically to the music. she is very chesty and wears sequined pasties with tassels and a matching sequined dancer's loincloth (these must be her only clothes). behind her her big fluffy squirrel tail swings to the music as she dances and she looks to the viewer with a coy look in her pretty eyes. feminine, heavy chested, full figure shown in picture
Prompt: a small skinny sassy, busty female gnome like imp (demon) sunbathing nude on a large rock in the stony desert of Hell. she has a pointed tail, and bright red skin. he has long straight red hair that falls halfway down her back. she has a small nose high on her face nose and a wide smile that shows large buck-teeth, one of her teeth is gold. she has no hair on her. (no nipples shown)
By Arthur Rackham, Brian Froud, John Bauer
Prompt: a small skinny sassy, busty female gnome like imp (demon) sunbathing nude on a large rock in the stony desert of Hell. she has a pointed tail, and bright red skin. he has long straight red hair that falls halfway down her back. she has a small nose high on her face nose and a wide smile that shows large buck-teeth, one of her teeth is gold. she has no hair on her. (no nipples shown)
By Arthur Rackham, Brian Froud, John Bauer
Prompt: fantasy painting in the style of Roger Dean - interior view of the back seat of an old and worn bus, there sit a small (3 foot tall) gnome like demon in a shabby coat and a bowler hat. he has a pointed tail, and pink wrinkly skin. he is bald with short white horns. he has a very large nose and a happy look on his face. he has no hair on his body and his legs and feet are bare under his coat. he carries a battered suitcase. In the style of Rodney Matthews
Prompt: In Beksinski’s apocalyptic vision of Hell, the genocidal sinners are cast into a desolate, post-apocalyptic landscape filled with crumbling, skeletal structures and endless wastelands. The sky is a perpetually dark, swirling vortex, and the air is filled with ash and soot. The sinners wander aimlessly, their bodies deteriorating as they breathe in the toxic air. Demons of desolation, abstract and nightmarish, drift through the ruins, their forms constantly shifting and merging with the landscape. These demons inflict psychological torment, warping reality to create endless illusions of the horrors the sinners inflicted, ensuring they are forever haunted by their past.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.