Prompt: Woman with golden short dress, red lips and black blindfold and headgear, hands gesturing towards a divan in a huge metallic room. The planet Earth can be seen through a window.
Prompt: A huge moon surface at night with visible craters on a street with trees and grass completely bent, broken or flying. Heavy windy rain. An enormous sea wave can be seen over the horizon.
Prompt: Huge victorian hall made of stained glass and white marble. Seven glowing winged men are aligned along the back of the hall. Many colourful glowing crystals ligh the place.
Prompt: White porcelain doll, face covered with colourful and intricate patterns, wearing a kimono, holding a fan, walking a very detailed Tokyo street with lamps and neon ligths at night.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: Girl with a Guitar on the Rooftop.
Foreground: A girl sits on the edge of an old brick rooftop, one leg hanging down the wall, the other crossed as a black electro-acoustic guitar rests on her lap. Her fingers are caught in the golden light of sunset — applied thickly using Impasto technique on her fingertips, wrists, and the shimmering metal strings. She wears a faded T-shirt, a denim jacket draped over her shoulders, her hair messy — the wind painted in motion with Mixing Palette Knife strokes. Middle ground: Rooftops of the city, full of antennas, tin chimneys, and forgotten pots of lavender. The light falls diagonally, casting a long shadow behind the girl. Lights begin to flicker on in nearby apartments, added with a gentle Glazing technique — soft orange, golden, and pink tones glowing from the windows. Background: The sky is a moving canvas. Purple-gray shades blend with orange streaks, freely spread using Mixing Palette Knife to follow the path of the wind. On the horizon, the silhouette of a distant tower flickers in the city’s half-sleep. A plane leaves a trail — a thin white line in the opposite direction of the world. Additional elements: Beside her on the rooftop, an open notebook filled with lyrics and a plastic cup of iced coffee. The wind flips a page, but she doesn’t react — lost in the tune she’s playing. The sound can’t be heard, but it’s visible in the brushstrokes.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: Girl at the Window with Paint in Her Hair.
Foreground – Mixing Palette Knife - A girl sits on the wooden windowsill of an old city house, her legs hanging out the open window, toes bare. She's holding a cup of tea, and the steam curls around her face, softly lit by the morning sun. Her hair is half-down, streaked with blue, pink, and orange — remnants of yesterday's experiment with tempera. The knife technique is used with bold, dynamic strokes to highlight the messy, colorful hair and the texture of her white shirt splattered with paint. Middle ground – Impasto On the table next to her are scattered brushes, an open sketchpad, and an old glass bottle filled with dried lavender. Everything is thickly and richly applied, almost as if you could feel the clotted paint on the brush with your fingers. On the wall behind her hangs a piece of paper with an unfinished portrait — her own eyes, but with a smile she isn’t wearing today. Background – Glazing The street behind the window is washed in gentle layers of yellow and gray, hinting at a quiet morning after rain. People are just starting to come out, a soft glow from the sun slowly pushing through the clouds. Everything feels in motion, but inward — as if the world didn’t stop, it just paused to breathe.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto and Mixing Palette Knife Techniques: Drawings on the Window.
Techniques: Impasto for the textures of fabric and hair, Mixing Palette Knife for the background and cityscape through the window, Glazing for the light transitions, Pastel tones as the dominant palette In the foreground, a girl sits at the back seat of an old tram. Her look is striking — a short jacket with metal studs, black tights with a fine spiderweb pattern, and sneakers with pink laces. She wears headphones, and her messy red-and-blue hair falls over one eye. Her face is delicate, with thin brows and eyes that stare into nothing — only the glass. On the foggy window, she draws faces of strangers she saw at the last stop, using her finger. Each face is stylized — one with an exaggerated smile, another like a skeleton with flowers, a third with a teardrop-shaped eye. An open sketchbook and a few pastels lie in her lap. She doesn't draw just with her hand — but with her soul. The tram rattles gently, but her lines on the glass are soft. In the background, created with Mixing Palette Knife technique, a softened cityscape stretches in pastel hues, soaked in twilight. Tram lights reflect through the window and spill across her face like water shadows, thanks to the Glazing effect. In the middle ground, a few passengers — blurry, barely shaped with loose strokes, as if not really there. Only she — rebellious and tender, like truth painted in a fleeting moment — is in full focus, as if the whole tram exists just for her.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Ginger in the City Dream”
Foreground (Mixing Palette Knife + Impasto): At a sunlit tram stop in the city center — a ginger-haired girl stands barefoot. Her Converse sneakers dangle from one hand, the other buried in the pocket of a crinkly retro windbreaker, tangerine in color. Next to her, a graffiti-covered post reads: “Those who dream barefoot, go far.”
The asphalt beneath her feet gleams as if glazed with glass — rendered in thick, restless impasto strokes. The sunlight hits low, casting deep purple shadows. From her bag peeks an old camera and two sprigs of lavender.
Midground (Impasto + Glazing): The city street is caught in a half-motion freeze. People walk, but they’re paused — all staring into their phones, except for a dog that looks directly at her. The buildings lean toward her, as if the city itself is trying to listen. Windows are hung with washing machines instead of curtains, and color drips from the traffic lights. Everything is clear, yet surreal — like a dream you can touch.
Background (Glazing + Blending): The sky is a blurred watercolor — like spilled acrylic someone tried to dab away with a tissue. Two moons hang overhead, one blue and one gold. A tram approaches, but it’s transparent — made of glass. Inside sits a little girl with the same ginger hair as the main figure, staring through the window — straight at her.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “First Snow”
Foreground: On a snow-covered path tumbling down a hillside, the Red Collie is racing toward the viewer — snow flies beneath his paws, and his fur whips like fire in motion. His coat is rendered in thick impasto strokes of warm reds and caramel, contrasting sharply with the frozen white surroundings. His tongue is out, eyes gleaming — pure joy in every brushstroke. The flurry of snow is painted with bold palette knife cuts, textured and restless.
Middle ground: At the hilltop stands the ginger girl, wrapped in a deep burgundy scarf and a fur-trimmed winter hat. Her copper curls spill out from beneath, bouncing around her cheeks. She's wearing a long beige coat with a thermos strapped to one shoulder. She holds a sled in one hand and laughs at her dog. Her cheeks are flushed, eyes glistening with cold and happiness — the whole figure vibrant and alive in the winter chill.
Background: Behind her — rolling hills blanketed in fresh snow, layered in soft glazing tones of blue, lilac, and steel gray. Bare trees stretch thin arms across the sky, each branch touched with shimmering frost. The sky is wintry, clouded, but one bold ray of light breaks through — spotlighting the girl in a quiet moment of magic.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “The Night She Walked Her Reflection”
Foreground (impasto, thick shadows and sharp light contrast): Her boots splash through puddles on the empty concrete riverside path. Around her — night and water. The wind tosses her ginger hair like a moving flame. In one hand, she holds an open umbrella, but doesn’t use it — just drags it along like a shadow. The red collie walks close to her legs, his tail carving circles through the water. He doesn’t bark. He just breathes, as if he knows — this isn’t an ordinary walk.
Middle ground (mixing palette knife, wet stone texture, blurred edges): Her dress clings to her legs, thin and dark with moisture. Her face is turned toward the river, but she’s not looking into the water — she’s looking at her own reflection. She’s not watching herself out of vanity. She’s watching like someone who just told herself the truth. No emotion shows on her face, but the entire scene breathes her silent inner dialogue. As if any moment, she might speak aloud — but won’t.
Background (glazing, layered night light, distant city): Far off, the city lights blur — spilled like sugar in water. The bridge flickers in indecisive tones of orange and blue. Above her, the moon hangs low but silent. The whole scene looks painted with a brush dipped in quiet. In that space between darkness and glow, walks a girl who knows that sometimes you walk just to feel where you still exist.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Evening on the Rooftop of the World"
In the foreground, a young woman with long ginger hair sits on the edge of an old rooftop, turned slightly to the side, her curls lifted by the wind into golden-orange swirls. Her eyes gaze into the distance, her face calm yet subtly defiant — tender and strong all at once. The city's night light seems to glow from within her, as if her soul is radiating through her skin. Here, we use the palette knife to capture the raw energy of the wind, the emotion in her posture, the dynamic tension of stillness.
The middle ground is the aged rooftop itself — weathered tiles, their color faded, bearing the weight of untold stories. The Impasto technique brings their texture to life, each deep red, earthy brown, and muted ochre layered thickly, like the strata of memory. Beside her lies an open notebook and a pencil — symbols of her inner world, her unspoken words etched silently into the night.
In the background, the city at dusk unfolds. The sky melts from amber into deep violet, glazed over with soft, transparent layers. The windows of distant buildings flicker like blinking thoughts, while a lone airplane slices through the twilight, leaving a trail like an unfinished sentence. This part is subtle, ethereal — like dreams not yet dreamed.
Mood of the painting: The scene conveys a quiet strength — a solitude that is not empty, but sacred. The ginger-haired girl isn’t a symbol of sadness, but of presence — wholeness. She doesn’t seek to be seen. She simply is, and that alone brings color to the world.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Crossing the Bridge Before Dusk”
Setting: Footbridge over a quiet river, late autumn, golden hour
She was crossing the bridge just before dusk.
The wooden planks beneath her feet creaked with memory — not loud, but enough to remind the moment it was real. The river below moved slowly, carrying yellow leaves like thoughts drifting downstream.
Her ginger hair was tied loosely at the nape, but the wind had already pulled it apart. Strands flew across her cheeks like fine brushstrokes dragged by instinct, not precision. The setting sun caught in her hair, and suddenly she looked like she was painted in layers of rust, bronze, and firelight — unfinished, alive.
She wore a long coat, faded green, open at the front. Underneath: a sweater that didn’t try to hide its age, and a scarf that looked like it had stories woven into every thread. Each texture on her seemed hand-built — thick with impasto, stitched by seasons.
In her left hand: a small notebook. In her right: nothing. Her fingers moved as if they remembered a tune, brushing against her coat in slow rhythm.
She wasn’t in a hurry.
She paused halfway across the bridge, where the light was softest — that golden hour just before the sun gives up and everything turns to memory. The sky behind her was violet and gold, cracked with light. Her silhouette cut through it like a palette knife line across a still-wet painting.
She leaned on the railing, gently. Looked at the water.
Not to find anything. Just to be near something that kept going, even when she didn’t.
The wind picked up again — stronger this time. Her hair lifted, coat swayed, eyes stayed still. For a second, the world behind her blurred into light and movement. But she remained — the only steady color in a changing canvas.
And then, with no signal, she kept walking.
Slowly.
Deliberately.
Like someone who’s ready to leave — but chooses to remember everything on the way out.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “The Morning You Can’t Forget”
Foreground – Impasto: A ginger-haired girl stands barefoot on a weathered wooden terrace, bathed in the first rays of the morning sun. Her hair is damp, cascading in loose curls that cling to her shoulders — painted in thick Impasto strokes that capture both moisture and light. She’s draped in an oversized white shirt, casually open at the back, leaning gently on the railing. In her hand, a steaming cup of coffee. Her face is in soft profile — half in shadow, half lit — calm, awake, and quietly powerful.
Middle ground – Mixing Palette Knife: Below the terrace, a wildflower garden spills into view. Painted with a Palette Knife, the flowers blur and burst into one another: burnt orange marigolds, violet bellflowers, unruly white daisies. The strokes are playful, layered, with movement in every leaf and petal. Occasional stones and soft ferns add texture and grounding.
Background – Glazing: In the distance, soft hills blend into a Glazing-layered morning sky. Delicate transitions of cloud pink, powder blue, and gold-grey evoke early sunlight breaking through gentle clouds. A chimney silhouette in the far distance emits a thin, curling line of smoke, adding life to the stillness.
Color Palette:
Copper red & burnt sienna (ginger curls)
Wet linen white (shirt highlights)
Warm amber & honey gold (sunlight)
Cloud pink, pale blue, dusty lavender (sky tones)
Olive green, mustard yellow, rust orange (garden textures)
Charcoal grey (shadows and chimney smoke)
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Where the Wind Listens”
Foreground – Impasto: A ginger-haired girl stands on a wind-swept hill, wrapped in a long, linen dress that clings and flutters around her legs. Her hair, thick and wavy, is lifted by the breeze like fiery ribbons. Her hands are outstretched, fingers slightly curved, as if she’s trying to touch the air. The impasto technique adds thickness and movement to her form — the texture of her hair, the folds of the fabric, and the fine detail of her bare feet digging slightly into the grass.
Midground – Mixing Palette Knife: The hill is wild and open, covered in tall, dry grasses swaying in rhythmic motion. Palette knife strokes carve the blades sharply, blending ochres, dry greens, and muted browns. A few wildflowers peek through, painted in small bold strokes — quick, intentional dabs of red and violet. A narrow dirt path disappears behind her, suggesting a journey already taken.
Background – Glazing: The sky is dramatic, vast, layered in transparent glazing: deep blue grays, faded lavender, and glimmers of peach light from a sun setting just below the frame. In the far distance, hills melt into fog, soft and blurred, adding depth. The entire background hums with quiet tension, like a storm that almost passed.
Color Palette:
Hair: Burnished copper, flowing in the wind
Skin: Warm porcelain, with wind-kissed cheeks
Dress: Natural linen white, with hints of gray
Grass: Golden ochre, sage green, raw umber
Sky: Slate blue, dusty lavender, peachy glow
Accents: Carmine red, deep violet, stormy gray
Prompt: In the style of Louis Jover: the scene comes to life through characteristic drawings and collage techniques. At dusk, on the shore, in the background of the city, stands a young woman observing the sunset. Her silhouette is outlined against the dark blue sky, while the sun's reflections shimmer on the water.
Her movements are elegant and calm as she plays with her hair, while other people walk in the distance, blurred by silhouettes. On the edge of the horizon, the city is discernible as a place of life and movement, while reflections of light play on the water, creating a magical atmosphere.
In the background, clouds pass through the sky in a soft play of colors, while birds migrate to their homes. There is a sense of peace and harmony in the air as the light descends on the city, promising a new day and new possibilities.
This scene reflects the subtle beauty and emotional depth present in the works of Louis Jover, where every detail carries its own story and emotion. It is a moment of peace and contemplation, inviting the viewer to pause and immerse themselves in the beauty of the world around them.
Prompt: Scene in Mixed Techniques of Gouache and Encaustic
Foreground: The scene opens with a bustling urban street corner at dusk. The buildings are painted in gouache, their details sharp and vivid, showcasing a mix of modern architecture and historic facades. The street, textured with encaustic, has a glossy finish, reflecting the lights from the buildings and street lamps.
Middle Ground: A street vendor's cart, vibrant with colors, stands to the side. The cart and its wares, including fresh flowers and handcrafted items, are rendered in gouache, while encaustic highlights add a tactile texture to the flowers, making them almost lifelike. The vendor, depicted in gouache, is mid-motion, interacting with a customer.
Background: The cityscape stretches out, with tall buildings silhouetted against a darkening sky. The windows of the buildings glow with warm light, created with gouache and accented with encaustic to give them depth and a slight shimmer. The sky transitions from deep blue to inky black, dotted with a few early stars.
Sky: The sky is a gradient of dusk colors, from deep blue to black. Stars, created with small dabs of encaustic wax, add a three-dimensional sparkle. The moon, not yet fully risen, is partially visible, its surface details highlighted with gouache and encaustic for a soft, glowing texture.
Details and Lighting: Street lamps cast a warm, golden light on the scene, their glow created using gouache to capture the vibrant colors and encaustic to give them a radiant presence. Shadows cast by the lamps and buildings play across the street and vendor's cart, creating a dynamic interplay of light and dark.
Emotional Impact: This scene captures the lively and vibrant atmosphere of an urban street corner at dusk. The combination of gouache and encaustic techniques brings a rich, textured quality to the painting, making the details of the buildings, street vendor, and night sky feel vivid and lifelike. The interplay of light and shadow.
Prompt: Prompt by jexiq q: Masterpiece: Scene Description in Mixed Palette Knife, Impasto, Glazing Techniques: Morning Hustle at a Modern Gym.
Palette Knife: The gym walls, painted in a bold, industrial gray, are textured with the strokes of the palette knife, giving them a rough yet modern feel. Neon lights slash across the scene, their sharp edges and vibrant colors—electric blue, fuchsia, and lime green—seeming to hum with energy. The floor, a sleek combination of black rubber and reflective chrome panels, reflects distorted glimpses of sneakers and weights. Impasto: In the foreground, a young woman stretches against a mirrored wall. Her vibrant orange workout top and teal leggings seem almost sculpted, the fabric’s folds and creases rendered with thick layers of paint that practically rise off the canvas. Sweat glistens on her forehead, tiny raised dots in impasto capturing the effort. Beside her, a muscular man performs bicep curls, the veins on his arms emphasized with bold, textured strokes. The barbells in his hands are heavy and gleaming, their metallic sheen contrasting the earthy warmth of his skin. Glazing: The large, floor-to-ceiling windows are glazed with a translucent effect, showing a bustling cityscape outside. Skyscrapers blur slightly under the morning sun, the glazing creating a soft, golden glow that spills into the gym. The light refracts on the glass water bottles lined along the counter, casting faint rainbows onto the polished surfaces. A sleek espresso machine in the corner steams gently, its chrome exterior catching the light and reflecting faint silhouettes of the gym-goers. In the background, a row of treadmills lines the far wall. Figures blur in motion, their rapid strides suggesting determination, captured with layered glazes to evoke movement. The mirrored walls reflect an infinity of activity—weights being lifted, yoga poses held, and conversations shared over protein shakes.
Prompt: On a dark, rustic wooden board, an impressive scene is created using the encaustic painting technique. Heated wax, mixed with pigments, is applied in layers and carefully shaped while still warm, creating rich texture and depth.
Foreground: Depicted is a lonely cottage by the lake. The walls of the cottage are crafted from warm brown tones of wax, with golden hues reflecting the light of the setting sun. The roof is covered in darker shades, with carefully shaped tiles giving a sense of age and patina.
Background: In the background, a serene lake stretches out, with reflections of the sky and surroundings gently rippling. The water is represented by cool blue and green tones of wax, with smooth transitions and soft lines illustrating the calm surface. Mountains rise on the horizon, made from darker shades that provide depth and contrast.
Sky: The sky is covered with dramatic clouds, with layers of wax in shades of pink, orange, and purple, creating a spectacular sunset. The clouds are layered, giving them a three-dimensional look extending over the landscape.
Details: Next to the cottage, a tree in autumn attire stands as a witness to time. The leaves are crafted from tiny spots of wax in shades of red, yellow, and orange, adding warmth and life to the scene. Small details like birds in the sky and reeds by the lake further enrich the scene, creating a sense of peace and stillness.
Prompt: Prompt by jexiq q: Scene in Mixed Palette Knife and Impasto Techniques: I imagine the scene: A young woman fixing her bicycle in front of a small garage. Foreground: The woman kneels in front of the bike, facing the wheel. Her blue jacket is painted in Impasto, with rough, textured layers creating a realistic fabric feel. Her hair, tied into a loose bun, is defined with sharp strokes of Mixing Palette Knife. Her oil-stained hands firmly grip the wrench. Background: Behind her, the garage door is slightly ajar, walls covered with tools. Soft sunlight illuminates the space, giving the scene a warm summer atmosphere, painted in a more muted color palette.
Prompt: {My Shadow is an Abyss dressed in mutated birch bark latex by: Seurat, Redon, Turner}_{Analog knitting kintsugi collage} The riotous coloring of... Rumble all artistic standards_{comically grotesquely whimsical Hellish_Maggot_Morena with one big red googly eye up there and titanium chattering teeth down there, Panic!, jiggly brain, it will grow out of hell spawn and with all that anger against life. Elements of photorealism in a truncated hyper-surreal scene. Blended art style in one by: Molzahn, Hockney, Caulfield, Craig-Martin, Voynich, Luigi Serafini, dystopian bio horror feeling}_{Inspired by The Andromeda Strain (1971) and Luigi Cozzi's movie Contamination (1980)}
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: "Whispers of Clay"
Mixing Palette Knife – for rich textures in the background and details on the hands
Impasto – in layers on the hair and dress, with deep contrasts of light and shadow
Glazing – for luminous tones on the face, eyes, and ceramics.
A ginger-haired girl in a linen apron stands barefoot in the center of a rustic atelier bathed in morning light. She leans over a potter’s wheel, her hands shaping a vase, clay spiraling between her fingers. Sunrays fall through dusty glass panes, catching the copper in her hair like fire in motion. The walls behind her are splattered with color—forgotten sketches, glazes, and notes pinned with rusted nails. In the corner, a black cat watches, motionless, as if enchanted by the rhythm of her hands. Her face is focused yet serene—part child, part old soul. She lifts the vase just slightly, eyes softening, as if listening to a whisper from the clay itself.
The painting freezes this moment—a breath between creation and silence.
Color Palette (EN):
Burnt sienna and soft terracotta for the clay
Copper, amber, and gold leaf in the hair
Olive green, muted ochre, and warm linen whites in the atelier
Diffused cerulean and hazy greys for the morning light filtering through old windows
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
38w
