Prompt: Lone male wizard stands defiant before ancient circular portal carved into jagged, windswept cliff face. Long black leather trench coat billows violently in storm-charged wind, folds rippling like dark wings. Thick leather boots brace against uneven, scorched stone terrain as raw magical energy surges up arms and explodes from open palms in twin arcs of blazing white-blue light. Posture is taut and commanding—arms raised, fingers extended in ritual invocation—while dark hair lashes across chiseled face, framing high cheekbones, sharp symmetrical jawline, and piercing eyes locking on glowing aperture before him. Portal’s stone ring carved with concentric layers of shifting runes—glowing, oscillating, inscribed in burning gold and violet light. Each sigil pulses outward in radiant rhythm, forming corona of power that bends very air around it. Beyond threshold, chaotic silhouettes twist and lurch: monstrous figures barely held at bay by containment spell, forms hinting at horns, wings, bone. Air churns with thick grey smoke and incandescent magical sparks streaming around wizard’s silhouette like plasma caught in magnetic storm. Blasts of arcane energy ripple outward in shockwaves, tearing into cliffside, leaving trails of molten embers. Wind howls through narrow rock passages, scattering grit and ash, while faint mystical echoes vibrate space like deep metallic chant. Lighting is hyper-directional: backlit from portal’s blinding glow, rim light contours wizard’s form, sharply contrasting with dark cliff environment. Ambient fill from magical residues warms shadows, revealing wet stone textures, ritual scorch marks, glyph etchings beneath wizard’s feet. Full-length, eye-level shot, slightly wide—composition fuses high romanticism and photorealistic fantasy: archetypal confrontation between man and arcane immensity. In style of Pino Daeni, Luis Royo, Tom Bagshaw, John William Waterhouse, Hoàng Lập, Justin Gerard.
Prompt: A monumental, mystical stone hall in ruin—its once-sacred geometry fractured and strewn with broken statue fragments. The walls, lined with towering pillars and deep-relief bas-reliefs, are etched with runic inscriptions, arcane equations, and alchemical symbols. At the center stands a raised silver dais, supporting a massive transparent glass cube. Suspended within the cube, a simulation of the galaxy rotates in slow celestial motion—black space pierced by radiant stars, swirling nebulae, and cosmic filaments. A dim red glow from the simulation bleeds through mist and shadows, casting a haunted, reverent ambiance over the shattered chamber. Ultra-high-definition digital artwork, hyperreal 3D rendering with full volumetric treatment. Precision detail on stonework, particle haze, and transparent surfaces. Mystical fantasy realism with biomechanical undertones—elements echo the dense intricacy of H.R. Giger’s forms but softened by sacred architecture and cosmic minimalism. Composition evokes sacred geometry and lost civilizations through both narrative and visual structure. Dim, directional red ambient light sourced from the inner galaxy simulation. High-contrast raking light catches engraved surfaces and debris edges. Subsurface scattering within the fog layer creates soft radiant glow, especially at ground level. Muted grays and basalt tones dominate the stone interior, offset by pale silver highlights and the internal crimson galaxy core. Accents of violet and amber flicker within the glass cube’s internal swirl. Overall tone is moody and austere, with restrained palette focus. Centered, symmetrical perspective aligned with the temple’s primary axis. Foreground grounded by angular stone debris. Mid-frame holds the glowing cube, elevated for prominence. Background layers retreat into shadow and colonnade recesses, maintaining full depth and sacred framing.
Prompt: A luxurious, futuristic cliffside apartment nestled in high altitude, bathed in golden-hour sunlight. Structure features sweeping architectural curves and seamless glass walls, integrating advanced aerodynamic forms with sense of serene minimalism. Camera captures wide, cinematic 16:9 view, focused on apartment’s spacious interior—warmly lit with ambient orange tones and sleek contours. Inside, sculpted modular furniture in muted greys is arranged symmetrically around circular reception nook. Organic shapes define the space, from curved ceilings to embedded ring lights and recessed alcoves. Rounded portals and glowing embedded screens hint at high-tech smart systems. Exterior balcony is cantilevered far out over hazy urban skyline, its glinting surface polished and streamlined. A figure relaxes on low-profile lounger, gazing out toward horizon, adding sense of lived-in luxury without distraction. Glass façade reflects sunset tones, while interior lighting creates soft rim glows and ambient contrast. Tall, potted trees rise into view, silhouetted gently against back wall, bridging nature with interior design. The building’s rear wall merges into stone cliff, anchoring the futuristic habitat in natural terrain. Foreground focus includes the balcony’s curve and lounging furniture, with strong lighting bounce off sleek surfaces. Midground centers on the interior—clean lines, controlled geometry, deep spatial layering. The background shows the expansive drop-off to the city below, blurred by atmospheric haze and vertical depth falloff. Primary light sources include warm internal LEDs and exterior golden-hour sunlight diffusing through glass, creating reflection gradients and subtle glows. High-gloss surfaces, chromed trims, and translucent paneling shape the aesthetic, emphasizing both opulence and future-forward living. Visual tone blends architectural conceptual art with lifestyle magazine photography, aiming for mood of serene advancement and high-elevation
Prompt: A lone astronaut, fully suited in advanced exosuit armor, stands on a vast, frozen exoplanet—an alien ice-world stretching to the horizon, etched with sharp ridges and glacial plains under a black sky. Towering before them is an enormous monolith of unknown origin—smooth, obsidian-like, and impossibly tall, with no visible seams or markings except for faint, shifting constellations and alien equations that pulse like living starlight across its surface. Cinematic and atmospheric with a blend of hyper-realistic sci-fi and mysterious fantasy—evoking wonder, isolation, and revelation. Precision-rendered to perfection in ultra-HD style, resembling the most polished concept key art found in top-tier film and game studios. Extreme attention to material texture: reflective armor plating, frost crystals on the astronaut’s visor, microscopic imperfections in the frozen terrain. The monolith emits subtle radiant distortions, light warping around it with quantum shimmer. Dust motes and ice particles drift in thin alien wind. Everything is modeled and rendered at ultra fidelity. Wide-angle cinematic shot, low angle from behind the astronaut, emphasizing scale and emotional gravity. Deep HDR dynamic range with complex reflections. Subsurface scattering on ice. Volumetric fog rolls gently through the air, with soft ray-traced light shafts breaking through upper atmosphere. Sharp bokeh in foreground ice shards. Backlit silhouette composition. Cinema 4D + Houdini + Arnold + Octane render blend. Ray tracing enabled, RTX on. Color grading in DaVinci Resolve. Post-processing via Lightroom and After Effects. Professional-grade asset polish, as if created for major sci-fi cinema. Inspired by 2001: A Space Odyssey, Interstellar, and the cosmic surrealism of Moebius and H.R. Giger. Visual mood akin to ArtStation high-tier concept portfolios and cinematic stills featured on NASA’s exoplanet archives.
Prompt: A muscular, wild-eyed man stands in a shadowy 19th-century alchemical study—a fusion of Victorian library and chemistry laboratory. He clutches a glowing amber potion bottle near his lips, his expression equal parts suspicion and madness. His eyes blaze with supernatural light, his unkempt hair and beard casting sharp shadows across a chiseled, sweat-glossed body. His sleeveless alchemist’s tunic is weathered and tied at the waist, fraying at the seams, revealing exaggerated veins and sinew along his arms and chest. Thick fingers curl around the bottle, knuckles tense. The workspace in front of him is cluttered with hand-written notes, glass beakers, corked flasks, and metal instruments—one flask aflame with an inner fire, casting a flickering glow across the rough wood surface. Scattered candles flicker on the tabletop and in the surrounding room, their flames dancing with subtle trails of smoke. Behind him, dusty shelves overflow with old tomes, apothecary jars, and scientific instruments. The walls are soaked in deep shadow, save for where warm candlelight and bottle-glow reflect off glassware and polished wood. The atmosphere is charged—heavy with chemical tension, steam curling from uncapped beakers, motes of dust suspended in ambient haze. In the midground, laboratory shelves filled with brass fittings and dark leather-bound books define the era’s gothic-scientific mood. The background fades into shadowed complexity, evoking the density of an early 1800s scholar’s sanctum—half cathedral, half experiment chamber. The man’s stance radiates imminent transformation: legs wide, shoulders squared, as though resisting some inner force. The entire scene is a moment suspended at the edge of becoming—arcane science flirting with monstrous revelation.
Prompt: A vast and layered spaceport sprawls across a dusty plain under fading dusk light, its surface alive with cargo trams, steam-driven loaders, and rotating landing arms catching descending ships in stuttering arcs of flame. The entire scene is a clashing harmony of design languages: Deco towers with copper-lined ribs stretch upward beside blocky diesel-age silos, while Raygun Gothic spires bristle with antennae, awnings, and ridged ornament—stylized function grown decadent. Sky freighters glide overhead, their engines streaking contrails across the sky. Each section of the port pulses with motion—neon-lit freight corridors snake between glass-paneled customs bays and soot-darkened maintenance sheds. Cargo crates clatter across belt ramps under floodlight towers. Ornamental chrome railings line the upper gantries where handlers in canvas suits guide grav-sleds between merchant airlocks and administrative hatches. Pipes vent steam into layered walkways as filtered sunlight splinters through stained canopy panels and reinforced skyglass. This isn’t sleek futurism; it’s functional density retrofitted over decades, a city of industry welded together by necessity and heritage. Deco symmetry meets soot and scratch, art collides with combustion. It’s organized chaos where traffic weaves past ornament and every corridor hums with encoded purpose. Behind the skyline, a single massive moon hangs low—softly cratered, pale gold, silent. It balances the structural energy of the scene with stillness, its presence reinforcing the singularity of this world’s orbit. No others crowd the sky. Overhead, ships flare into station vectors, their fins catching refracted sun as they vanish behind warehouse domes. Surface trams hiss between polished deco rails and diesel-etched curbs. Towering cranes sweep across bays like skeletal arms performing cargo ballet. And still, more motion arrives: soot, chrome, neon, smoke—traffic, tradition, and tonal discord in perfect balance.
Prompt: <L1> Immense interdimensional reactor housed within reinforced warehouse bay, partially embedded in scorched steel flooring; core unit appears to hover inside a gyroscopic magnetic frame, its surface a semi-molten, glass-metal fusion; gravitational lensing distorts air around it; surrounding scaffolds and suspended platforms support monitoring rigs and retractable shielding; numerous alien subsystems with abstract forms—twisting rings, non-Euclidean vanes—are wired into control surfaces, each fitted with touch panels, blinking indicators, or hardwired analog toggles
<L2> Hyper-detailed digital painting with layered transparencies, polished alloys, reactive lighting, and fractal-emergent geometry; technical overlays and exploded components blend cinematic concept design with abstract engineering
<L3> Style fusion of Jim Burns, Alex Ries, and Arrival–era Denis Villeneuve design; softened structures suggest biotech origins or partially liquefied exotic matter stabilized mid-transition
<L4> High-intensity lighting spills from above and behind, creating deep vertical shafts and bloom glows through hazy air; pulse glows cycle from interior field cage; sparks and dust linger in controlled atmospheric turbulence
<L5> Cobalt, burnished chrome, graphite, and plasma-white dominate, accented by deep amber hazard glows and violet power bands; mild heat haze and emission trails disrupt clarity around core
<L6> Slightly tilted low-angle wide shot; containment rig centered, surrounding gantries frame the generator visually; background scaffold grid and hazy far wall support a sense of scale, depth, and environmental presence
Prompt: Two men—grinning broadly, sunburnt and dust-caked—wear tattered futuristic expedition uniforms with torn seams, faded insignia patches, and retrofitted utility belts; both are seated informally on cracked wooden supply crates, boots scuffed, lifting mismatched metal mugs in a celebratory toast; one leans back, head tilted in laughter, while the other gestures toward the valley with mock grandeur. They rest atop a rocky overlook at golden hour, overlooking a vast alien desert basin streaked with ochre and deep rust tones—thousands of titanic crystal formations, shimmering in electric violet, luminous teal, and blood-orange, rise vertically in clustered spires like a petrified forest of gemstones. The terrain features cracked clay flats, wind-carved ridges, and scattered desert bushes with fractal-leafed alien morphology; insect-winged shadows flicker through the haze. To one edge of the frame, barely visible and dwarfed by scale, rests their battered lander: a compact interplanetary shuttle scorched and jury-rigged, half-buried in orange dust with exposed shielding and one damaged landing strut. Surrounding the basin are stratified cliffs of realistic sandstone, worn into natural buttresses and overhangs by aeons of erosion; these frame a giant, milk-white moon resting low on the far horizon, casting faint glows across the crystal tips and sand below. The light glints through atmospheric dust, catching on the men’s mugs and sweat-slicked brows—emotionally rich, cinematic, and caught at the moment between disbelief and euphoria. In the style of Pino Daeni, Luis Royo, Boris Vallejo, Tom Bagshaw, John William Waterhouse, Hoàng Lập, and Justin Gerard.
Prompt: A vast, derelict starship drifts silently through interstellar emptiness—its design an elegant fusion of Sparth’s angular futurism and Craig Mullins’ painterly abstraction, now fractured and decaying. Once a symbol of celestial ambition, the vessel’s sweeping hull plates and spired pylons bear the patina of time, their metallic surfaces dulled, scorched, or split open to vacuum exposure. Along its curved flanks and recessed chambers, patches of biomechanical corrosion—tendril-like growths with fibrous, semi-translucent textures—creep outward like ivy overtaking a cathedral. Soft residual glows pulse faintly from deep within the structure: energy reservoirs now flickering aimlessly without purpose or command. The surrounding space is rich with layered particulate—swirling veils of cosmic dust, slow-moving meteor fragments, and suspended ionized particles catching faint starlight. A vivid nebula blooms behind the wreck: tendrils of violet, gold, and indigo gas twisting like auroral fire, highlighting the ship’s silhouette in contrast. Sharp rim lighting edges across fractured hull lines and open venting shafts, giving way to pools of ambient shadow. Across the frame, starfields stretch into infinite parallax—dense clusters in one quadrant, distant points scattered like ash in another. Composition centers on the ship’s bow, turned slightly downward, as if slumping in grief. No signs of life remain. No signal. Just the echo of engineering once divine. A solemn stillness pervades—where fantasy and science fiction merge in quiet ruin. By Sparth, Craig Mullins.
Prompt: A lone armored space explorer stands firmly in confrontation with a towering biomechanical dragon, their posture locked in tense stillness as the human raises one hand in warning or command. The dragon's maw is wide open in a guttural roar, revealing rows of serrated teeth and a molten core beneath armored plating. Spiked ridges and battle scars crisscross its dark hide, glinting beneath the planetlight. Jagged alien peaks stretch behind them, casting long shadows across dust-scattered alien plain. Cinematic digital illustration with hyperreal rendering discipline and matte-paint texture fidelity. Fine surface detailing and atmospheric layer gradation reinforce high-fidelity concept art aesthetic. Inspired by dramatic visual grammar of Ralph McQuarrie and biomechanical tension of H.R. Giger, fused with cinematic realism of Aaron Blaise’s creature logic. The image balances mythic awe with grounded anatomical accuracy, evoking sense of alien grandeur and elemental conflict. Backlit planetary glow drives silhouette emphasis, scattering volumetric shafts through airborne dust and haze. High-contrast bounce light highlights dragon’s armored ridges and the explorer’s suit, with reflective detail aiding spatial separation. Lighting plays dominant emotional role—amplifying scale, stakes, and tension. A desaturated dust palette dominates the environment, anchored by crimson accents from alien flora and the dragon’s internal glow. The explorer’s muted suit tones contrast with dragon’s dark iridescent carapace. Planetary teal and cosmic whites create chromatic contrast overhead, guiding vertical compositional flow. Wide-angle hero framing with the explorer placed in the left third and dragon occupying the right, forming tension-loaded diagonal across the frame. Ground-level camera height adds intimacy and confrontation, while receding spires build exaggerated depth layering. Visual rhythm spirals from central confrontation outward, drawing viewer into the standof
Prompt: Handsome brown-haired man in black futuristic uniform, tall tactical boots—unarmored, no helmet—captured mid-leap across volcanic terrain, suspended above dark rock and glowing lava fissures. His body fully airborne, both feet off ground, flying right to left across frame—arms outstretched, fingers reaching toward an open side-access crew door with integrated stairs extended downward from a hovering industrial vehicle. The ship hovers visibly above the lava field, its lower hull catching orange reflections from below—stairs bridge the vertical gap across open air. The stairwell is visibly attached to the ship’s fuselage, aligned directly with his leap trajectory, its steps illuminated by internal emergency lights and rimmed with scorched metal edges. Leading leg kicked forward, trailing leg bent behind—every muscle straining toward the only viable escape route. Expression taut, jaw clenched, eyes locked on the stairs, face visible at camera’s eye level—his posture reflects desperate exertion: a single shot of survival against terrain failure. Man and stairs dominate the close foreground, approx. ten feet from viewer; lava flows below ripple with localized glow, framed by jagged basalt ridges and subtle heat shimmer. In background: monolithic cliffs and volcanic haze, out of focus and non-essential. Scene composed for maximum spatial clarity—leap arc cleanly tracks toward stairwell, viewer can trace full midair vector from takeoff to impact point. Fuselage surface is dark, utilitarian, weathered—no science fiction stylization. Lighting is realistic: cool daylight from overcast sky defines scene, with lava casting soft secondary glows across rocks, uniform folds, lower hull. Only thing that matters is the arc—the leap—the last chance.
Prompt: <L1> Interdimensional power generator fills massive industrial warehouse, mounted in steel floor, rising like alien monument; fusion of molten-looking alloys, crystalline transparencies, and asymmetrical sculptural tech; pulsing conduits weave through glass-metal chassis; unknown components twist into smooth, inhuman geometries—each fitted with sleek control interfaces, access panels, or glowing telemetry nodes; drone arms hover nearby, while figures in exo-suits monitor from catwalks
<L2> Ultra-detailed digital render with exploded-view overlays, industrial realism, refracted light paths, and high-fidelity surface logic; materials include polished alloy, pressure-cast composite, semitransparent crystal, and fused biomech tubing
<L3> Visual style of Jim Burns and Alex Ries—melted mechanical surrealism with cinematic hard sci-fi influence; echoes of Arrival and Annihilation
<L4> Sharp industrial lighting from above; underlit with color-shifting interior glow; beam shadows from trusses and understructure cast rhythmic bands across floor; diagnostic displays emit cool light; volumetric mist carries faint particle glow
<L5> Palette: silver, cobalt, graphite chrome, and plasma violet; iridescent highlights in crystal panels; soft orange HUD glows and amber contrast from scaffolds and safety markings
<L6> Wide-angle, slightly low perspective; generator centered, rising into steel rafters; background filled with scaffolding, tools, cables, wall plating; minor depth blur in corners to emphasize generator scale and presence
Prompt: A sleek interstellar spaceship cruising low and slow through an alien jungle of enormous, luminous flowers, each bloom nearly as large as the ship itself. The vegetation towers like colossal sequoias, their petals glowing with iridescent hues—violet, teal, bioluminescent amber. Vines as thick as subway tunnels dangle from their branches, some brushing against the hull. The jungle is dense and otherworldly, pulsing faintly with light, mist curling from the undergrowth.
Dramatic angle from below and behind the ship, showing scale contrast between vessel and flowers :: ambient light diffused through petals and mist, deep shadows under canopy :: hyper-detailed, cinematic realism, vivid color palette, fantastical but believable structure, awe-inspiring scale, surreal atmosphere :: masterpiece, ultra high resolution, sharp focus, 8k detail, photorealistic, highly intricate, perfectly composed
Prompt: On the sunlit rocky shore of a brilliant desert oasis, an elderly man with a flowing silver beard sits atop a sun-warmed boulder, calmly playing a copper pan flute. His weathered boots rest in the sand, beside a well-used satchel of tools. The oasis water glistens like liquid glass, mirroring the deep sapphire sky and golden dunes beyond. Palm trees sway rhythmically, their green fronds catching the breeze in time with the haunting melody. Small, vividly colored birds dart from branch to branch in bursts of motion. In the distance, the vast desert stretches to the horizon—an endless sea of dunes and mirages, punctuated by crumbling, half-buried ruins glowing faintly in the heat shimmer.
Full body, eye-level view, deep focus :: highly cinematic composition, hyperrealistic rendering, extremely detailed textures, photoreal quality :: warm desert sunlight, rich atmospheric depth, exquisite detail, emotionally evocative, sharp focus, ultra detailed, hyperrealistic, 8k, breathtaking fantasy realism, cinematic depth, vivid contrast, Unreal Engine, crisp quality, panoramic view, intricate fantasy, soft lighting, masterwork composition, incredible visual clarity
Prompt: A lone figure stands on a cold, barren alien planet under a starry night sky. The man is dressed in bulky, insulated cold-weather gear with a high-tech helmet featuring reflective goggles that can lower over his eyes and padded ear covers suggesting radio headphones. He stands with hands in his jacket pockets, looking left across the scene. Over his right shoulder is a rugged yet futuristic rifle, mostly hidden except for its butt near his waist and barrel and stock visible above his helmet. Behind him rises a large half-sphere dome habitat set into the ground, made of dull metallic material designed to endure harsh, extreme elements. The landscape consists of lifeless, pale hills that fade into a cold haze, creating a subdued, shadowy atmosphere. A single large ringed planet looms low on the horizon against a deep, star-filled sky. The lighting is soft and diffuse, nearly overhead, casting muted shadows in a cold palette of whites, grays, and blues, evoking isolation and the harsh solitude of a distant outpost. The scene is rendered as a realistic oil painting in the style of Jim Burns, inspired by the cover art ‘There Is No Darkness’ in subdued, cold lighting with soft diffuse shadows. The palette uses muted whites, grays, and blues. Futuristic sci-fi concept art, intricate and highly detailed.
Prompt: <L1> A futuristic tractor-trailer rig stopped in the middle lane of a wide, neomodern city street, surrounded by several equally advanced automobiles waiting behind and beside it. The truck features a chromed exoshell cab with a spherical cockpit canopy, beveled panel seams, and articulated axles for terrain adaptation. The trailer is modular and angular, with signal-orange access panels, hydraulic vents, and stylized caution glyphs. Cars behind it are low-profile floaters with podular geometry and ambient underglow, suggesting hybrid civic-industrial usage.
Pedestrian crosswalks, transit markings, and modular sidewalks suggest a hyperfunctional urban infrastructure. Background structures include towering brutalist civic towers, modular skyways, and suspended rail lines. The street is flanked by curved pylons, amber-lit signage, and overhanging foliage. Light glints from every polished surface, with a strong sunset bounce casting long ambient shadows and highlighting the chrome-matte contrast across vehicles and buildings.
The scene is rendered with high-fidelity surface logic—each panel, light, and reflection treated with industrial realism. The camera captures the moment from low observer-height, emphasizing the monumental scale of the truck and the harmony of human-scale technology. Environmental color grading reflects Syd Mead’s palette of industrial whites, charcoal greys, signal orange, and chrome blue. Optional figures in white-orange jumpsuits ground the civic theme.
<L2> digital painting, concept art, cinematic realism
<L3> Syd Mead-style civic futurism, techno-optimism, streamlined modular industrial design
<L4> sunset bounce light, HDR-style reflection logic, warm ambient haze
<L5> chrome, matte white, signal orange, industrial off-white, amber glow
<L6> low-angle civic scale framing, centered main rig, flanking midground detail, rule-of-thirds urban depth
Prompt: <L1> A steampunk clockwork engine made entirely of translucent cobalt-blue glass, gears and cogs visibly embedded within shimmering surfaces, refracting light through layered crystalline machinery; sculpted brass and chrome fittings contrast the gleaming blue interior; exposed pistons, rotating flywheels, delicate gauges, and a glowing pressure core radiating internal illumination
<L2> digital painting with cinematic polish and physically plausible texture logic; blue glass transparency layered with brushed metal, fine filigree, and luminous internal structure rendered with material-specific lighting response
<L3> stylistic fusion of Jim Burns, Donato Giancola, David Mattingly, Fred Gambino, and Chris Moore; evokes the painted hyperrealism of late-20th-century science fiction illustration with a touch of visionary futurism
<L4> studio-style lighting with internal glows, bounce highlights, and crisp focus on reflective surfaces; subtle ambient occlusion emphasizes glass density and gear contours; rim light accentuates glass edges
<L5> twilight blue-gold palette with radiant reflections and subtle iridescent scattering in the translucent components; color accents in brass, steel, and warm glows against cooler cyan and cobalt tones
<L6> centered full-body shot in a deep steampunk laboratory setting; surrounded by anachronistic Atompunk devices, glowing gauges, and retro-futuristic consoles; slight low-angle hero shot emphasizes scale and complexity; foreground framing elements add layered depth
Prompt: <L1> A striking sci-fi woman stands hipshot in the foreground of a dusty exoplanetary mining town; her posture is confident and relaxed, one hip cocked, blaster holstered at her side; her expression is cool and enigmatic, with piercing, expressive eyes and a half-smile that suggests grit and charm; attention is focused on her sharply rendered face, framed by windswept hair and shadow play; she wears retro-futuristic workwear with stylized seams, reinforced boots, and minimal accessories—evoking functional elegance in a harsh environment
<L2> Mixed-media digital illustration simulating colorful ink wash, colored pencil, and expressive linework; surfaces have raw, tactile quality with layered pigment bloom, hatching, and dry-brush grain; medium deliberately avoids photorealism in favor of iconic visual storytelling
<L3> In the visual style of Moebius, Darius Puia, Bakaarts, Sable, Ladrönn, Marc Brunet, Rlon Wang, David Ligare, Michael Whelan, and Laurent Durieux—bold minimalist composition with heavy contour lines, stylized facial definition, and space-age surrealism
<L4> High-contrast lighting with stylized shadows and fluctuating ink washes; background is a black-to-deep-purple gradient with faded silhouettes of machinery and modular outbuildings; warm edge lighting defines figure silhouette and catches on dust particles in the air
<L5> Bold ink colors—sapphire, rust red, ochre, cobalt, and lime—interplay with muted desert tones and dark negative space; heavy pigment shadowing around the face and folds of the clothing create strong form definition
<L6> Centered portrait-focused vertical composition; subject is framed from upper thigh to top of head, occupying the lower third of the image with expansive space above; light atmospheric haze and diagonal hatching suggest heat and mineral dust in the exoplanetary air
Prompt: <L1> An alien research station perched on a crystalline ridge above a surreal frozen valley; the structure is geometric and enigmatic, with stylized domes, curved antennae, and odd protrusions in vivid pastel hues; its surface is matte and lightly weathered, marked with glyphs and glowing portholes; the scene includes towering, irregular ice formations and surreal alien plants—luminous, spiraled, or coral-like—sprouting from crystalline soil; the station’s lights pulse faintly, casting long shadows over icy ridgelines; a sense of quiet observation and scientific curiosity pervades the scene
<L2> Digital illustration with flat-toned painterly textures and graphic contour lines; evokes comic-book surrealism and hand-drawn dimensionality; subtle texture grain enhances the sense of physical media
<L3> Rendered in the style of Jean Giraud Moebius—clean lines, pastel palette, and symbolic spatial logic—blended with mid-century sci-fi illustration and mild psychedelic influence; visual storytelling rooted in the absurd and wondrous
<L4> Lit by a pitch-black sky filled with stars and a massive, brightly glowing spiral galaxy that dominates the upper sky; soft underlighting from the crystalline terrain and the station’s diffused glows provide surreal depth and color contrast
<L5> Dominant palette of soft blues, pale oranges, icy violets, and cosmic white; building lights pulse amber and aquamarine; glowing flora in pink, teal, and radioactive green subtly punctuate the foreground
<L6> Wide-angle 3/4 perspective; station is left of center, distant mountain ridges arc across the background, and alien flora in the foreground anchors the frame; visual rhythm balances stylized geometry with natural asymmetry and negative space
Prompt: A figure in a futuristic spacesuit (from behind) standing on a large stony rock outcropping (detailed) with snow drifts high around its base, looking up at an oversized moon (blue-green, white highlights, glowing corona) high in the ((starry:1.9)) night sky :: Arctic valley, alien world, midday :: by Pino Daeni, Luis Royo, and Tom Bagshaw, John William Waterhouse, Hoàng Lập, Justin Gerard :: wide angle shot, eye level, soft focus :: hyperrealistic, hyper detailed, photorealistic :: masterpiece, incredible composition, amazing depth, imposing, meticulously composed
Prompt: An alien bio-mechanical drone exploring an unknown world. The ship has a sleek, organic design with a blend of alien biology and futuristic technology. Its intricate biomechanical structure is composed of metallic exoskeletons interwoven with glowing, bioluminescent details and pulsating energy cores. Long, flexible tentacles extend from its body, coiling and shifting with eerie fluidity. The drone drifts through a cosmic landscape, surrounded by swirling clouds of nebulae and cosmic debris. The vast expanse of space is filled with distant stars, with eerie darkness emphasizing the isolation of this strange world. The scene is bathed in dramatic lighting that casts sharp, deep shadows, highlighting the complexity of the drone’s form. The color palette is a vibrant mix of deep purples, blues, and greens, creating a striking contrast against the dark void of space. The scene is inspired by the visionary works of Peter Elson, Peter Andrew Jones, and Syd Mead, with a high-resolution digital art style perfect for ArtStation-level quality, full of intricate details and a sense of futuristic wonder.
Prompt: A sun-scorched, barren spaceport on a distant world, where twin suns burn brightly in the sky. The ruins of once-advanced buildings are now crumbling, casting harsh shadows over the cracked ground. Dust swirls through the air, carrying the scent of rust and decaying machinery.
A lone space cowboy leans against his battered speeder. His weathered face, tanned and scarred by years of exposure, is framed by a dark leather hat that casts a shadow over his sharp features. A faded duster clings to his shoulders, worn and frayed, and his boots are caked in red dust. His piercing eyes, hardened by countless days of waiting, scan the horizon for any signs of incoming ships. His blaster, sleek and glowing faintly, rests at his hip, ready for action. There’s a weariness in his posture, but a quiet determination too—he’s been waiting for too long.
The speeder floats a foot above the ground, its once-pristine design now marred by rust and wear. The anti-gravity engines hum faintly, their soft sputter betraying the strain of the harsh environment. Despite its battered state, the speeder still exudes a sleek, defiant grace, a relic of the cowboy’s roving life.
Resting in the speeder’s shadow, a yellow Labrador Retriever lays at ease, its clean, well-maintained coat contrasting with the cowboy’s ragged appearance. Though relaxed, the dog is always alert, its bright eyes watching the cowboy with unwavering loyalty. Its fur, groomed and pristine, suggests a life of better care than its companion.
In the distance, the remains of a grand spaceport dome stand half-collapsed, a relic of a forgotten age. Broken windows and crumbling walls speak of a once-bustling hub now abandoned to scavengers and outlaws. Rusted ships lie unmoving in the distant hangars.
A sense of isolation and quiet endurance fills the air. The cowboy, the dog, and the speeder stand as lone symbols of survival in a forgotten world, each worn but steadfast against the vast emptiness of the planet.
Prompt: Atompunk laboratory in a retrofuturistic style inspired by the Jetsons and 1960s pulp sci-fi art, filled with whimsical chrome machinery and gravity-defying gadgets, hovering atomic reactors, colorful control consoles with oversized levers, oscillating antenna arrays, transparent vacuum tubes, geodesic data domes, whirling gyroscopic instruments, robotic arms with spherical joints, suspended catwalks and spiraling support pylons, walls covered in blinking colored lights and big analog dials, console interfaces shaped like starbursts and atomic diagrams, bubble-domed monitors showing glowing waveforms, reel-to-reel computers humming in the background, steam-puffing reaction vessels with neon glows, magnetic suspension platforms displaying floating circuit blueprints, retro televisions showing 1950s newsreels, hovering coffee machine with Bakelite buttons
studio photograph of a miniature sci-fi set, stylized realism, cinematic depth of field, incredibly sharp, photorealistic textures, meticulous design, vintage futurism with optimistic tone, glowing details
inspired by Paul Alexander, Peter Elson, Chris Foss, and Jetsons-era animation design with Googie architecture influence
pastel chrome color palette: mint green, cherry red, brushed aluminum, tangerine, cream enamel, neon turquoise
balanced wide-angle view, eye-level perspective, central workbench with cluttered foreground gadgets, layered background with deep focus and strong symmetry, immersive depth, soft shadows and studio backlighting
Prompt: A futuristic, high-performance land-sailing vehicle races across a vast desert expanse at dawn. Designed like a razor-thin racing sloop, the craft features an elongated, low-drag body with a forward-positioned cockpit beneath the leading edge of a tall sail. Its hull is skinned in matte black and metallic silver composite. The craft glides across the terrain on magnetically stabilized blade-like skids—no visible propulsion—engineered for ultra-low friction and directional control over hardened granular surfaces. The vehicle appears to skim just above the salt-crusted floor, generating light dust turbulence and subtle subsurface reflections. Its towering, translucent triangular sail rises from a reinforced central mast, shaped with high-lift sailplane geometry and tensioned by carbon filaments and micro-actuated rigging. The sail glows softly in the ambient light, its structure clearly reacting to wind forces. Captured in left-to-right profile orientation, the vehicle's movement is emphasized by aerodynamic form, horizon alignment, and fine dust trails extending rearward. Motion is powered entirely by sail force and terrain drag minimization—no visible propulsion. The landscape is a wide salt basin marked by faint surface striations and a low fine particulate haze. In the distance, a futuristic neon-lit desert city glows beneath silhouetted mountains. Lighting is cinematic and atmospheric, with a horizon-skimming perspective, long shadows, and sunrise hues. Ultra-sharp rendering, photoreal textures, elegant industrial design, low-angle focal depth, high realism.
Prompt: A hyperrealistic, ultra-detailed digital illustration of a Victorian-era scientist in a grand, shadowed laboratory filled with brass instruments, arcane blueprints, pressure gauges, and hand-blown glassware. The man, mid-40s, wears a dark waistcoat, crisp white shirt, cravat, and long frock coat; his hair is slightly disheveled, face illuminated by an eerie glow as he gazes wide-eyed at a shimmering interdimensional portal of his own making. The portal—large, circular, and suspended mid-air—is surrounded by whirring gyroscopic rings, etched sigils, and delicate filigree of copper and silver, pulsing with vibrant light. The scene captures the exact moment of activation: sparks arc along the portal's edge, casting radiant beams across the laboratory.
The walls are lined with shelves of obscure tomes and labeled specimens, all bathed in a mix of warm candlelight and spectral hues from the gate. Floating geometric patterns hover subtly in the air, hinting at quantum phenomena or forgotten alchemical laws. The atmosphere is charged with tension and wonder, evoking a moment of revelation at the borders of science and mysticism.
Painted in the style of classic historical oil masters blended with subtle sci-fi surrealism. Dramatic lighting, strong chiaroscuro, impeccable texture realism, no visible brushstrokes. Cinematic low-angle framing, main subject foregrounded, gateway behind and to the right, casting dimensional light.
Prompt: A highly detailed digital illustration in a realistic, hyperrealistic sci-fi style. The scene is set inside a vast, arched cave with a rugged, rocky interior; the cave walls are composed of pale grayish-blue stone that reflects ambient light. In the foreground, a humanoid astronaut walks toward the left. He wears a sleek, white futuristic spacesuit designed for medical and scientific use — featuring a full-body suit with a smooth helmet, reinforced shoulder pads, a utility harness, a camera module, and a compact medical backpack. The faceplate is partially translucent, subtly obscuring the astronaut’s face and adding an air of mystery and isolation. In front of him lies a small, still, reflective pool on the cave floor, mirroring the suit and surroundings. In the background, two large, dome-shaped habitation modules with circular windows are embedded in the cave walls. These biodomes glow softly with blue light and are adorned with green vegetation, including small plants and a tree, introducing a serene and tranquil contrast to the rocky setting. The lighting is cool and diffused, emphasizing depth, subtle texture, and environmental realism.
Prompt: A female dragon-rider surveys a volcanic battlefield—her mount’s wings spread wide, tail whipping molten ash. Lava rivers carve scars in the earth as her armor glows with heat.
Dramatic low-angle framing, rider in foreground on left, beast in dynamic profile, volcano summit behind; fiery embers drifting.
Painted in the style of Ken Kelly, with bold heroic fantasy energy, exotic environments, primal battlefields bursting with vivacity and muscular anatomy.
Traditional oil painting, rich color palette, intense contrast, ultra-detailed, no visible brushstrokes, high-resolution masterwork quality.
Prompt: A lone figure stands on a cold, barren alien planet under a starry night sky. In the foreground, right of center, a handsome square-jawed man with piercing blue eyes is dressed in bulky, insulated cold-weather gear with a high-tech helmet featuring reflective goggles that can lower over his eyes and padded ear covers suggesting radio headphones. The man and his cold-weather gear are the focus of the image, their sharp, realistic detail contrasting with the worn, muted, cold landscape. He stands (facing the viewer) with his hands in his jacket pockets, looking toward the left side of the image. The barrel of a rugged yet futuristic rifle is visible above his helmet, its strap is over his left shoulder. Immediately behind the man and partially obscured by his body rises a half-sphere dome habitat set into the ground, made of dull metallic material designed to endure harsh, extreme elements. The dome has a large, thick hatch open toward the right side of the image, and warm yellow light emanates from the opening. In the background, the landscape consists of lifeless, pale hills that fade into a cold haze, creating a subdued, shadowy atmosphere. A ((single) large ringed planet) looms low on the horizon against a deep, star-filled sky. The lighting is soft and diffuse, lighting the man well from above, but casting muted shadows in a cold palette of whites, grays, and blues, evoking isolation and the harsh solitude of a distant outpost. The scene is rendered as a realistic oil painting in the style of Jim Burns, inspired by the cover art ‘There Is No Darkness’ in subdued, cold lighting with soft diffuse shadows. The palette uses muted whites, grays, and blues. Futuristic sci-fi concept art, intricate and highly detailed. https://tinyurl.com/y8w5fs2z
Prompt: A colossal futuristic spaceport teeming with motion and detail—freighters, skiffs, modular haulers, docking cranes, mechanical lifts, and neon-laced cargo drones in constant movement. The sprawling port city merges dieselpunk industry, steampunk ornamentation, and cyberpunk energy—massive brass-and-steel structures, exposed pipes, glowing conduits, and multilevel gantries packed with vehicles and foot traffic. Sleek chrome ships offload next to rusted, armored freighters. Billboards flicker with alien language, and overhead, tethered airships drift beside buzzing courier craft. Thick vented fog rises between engine stacks and catwalks.
In the distance, a single massive moon dominates the horizon—its cratered surface lit by warm planetary glow, lending surreal scale to the scene. The entire city is bathed in twilight atmosphere, casting long golden shadows, blue halogen reflections, and occasional pools of magenta light beneath cantilevered structures.
Captured in an extreme wide-angle cinematic shot, slight downward perspective from an elevated control tower or drone cam view, showcasing full vertical depth—from rooftop billboards to subterranean hangar entryways. Background structures fade into volumetric haze, while foreground elements retain sharp architectural detail.
Rendered in hyper-detailed, ultra-wide matte style with photorealistic materials and 32-bit lighting range. Massive scene complexity, rich surface variation, clean line architecture with distressed overlays.
((masterpiece)), ((ultra high detail)), ((4k to 8k cinematic resolution)), trending on ArtStation, 32-bit color depth, photoreal rendering, volumetric fog, depth of field, global illumination, reflective surfaces, fine ambient occlusion, ray-traced shadows
Inspired by: Eddie Del Rio, Luke Aegis, Alex Pronin, Jan Ditlev, Stas Yurev
Prompt: A sleek spaceship seen in side profile, cruising low and slow through an alien jungle of enormous flowers, each bloom nearly as large as the ship itself. The vegetation towers like colossal sequoias, their petals pale and striped with iridescent hues—violet, teal, bioluminescent amber. Vines dangle from the trees' branches and flocks of birds fly between the colossal trunks. The jungle is dense and otherworldly, mist curling from the undergrowth.
Dramatic angle from below and behind the ship, showing scale contrast between vessel and flowers :: ambient light diffused through petals and mist, deep shadows under canopy :: hyper-detailed, cinematic realism, vivid color palette, fantastical but believable structure, awe-inspiring scale, surreal atmosphere :: masterpiece, ultra high resolution, sharp focus, 8k detail, photorealistic, highly intricate, perfectly composed
Prompt: Vast underground cavern with rows of glass cylinders (upright, soft blue internal glow) containing huge ancient brains. Each cylinder rests on a futuristic machine with softly glowing indicator lights. A team of explorers in futuristic spacesuits is examining the machines.
Prompt: A swashbuckling pirate captain stands at the prow of his ship in magenta sunset, cutlass raised as spectral sea serpents burst from phosphorescent waves.
Plover-level dynamic angle; captain slightly off-center, waves and serpents framing both sides, sky swirling behind.
Painted in the style of Don Maitz, legendary narrative detail with a luminous painterly light, dramatic fantasy storytelling, textured realism.
Traditional oil painting, richly layered color, fine detail, no visible brushstrokes, high-resolution storytelling quality.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
