Prompt: Rascals in an austere landscape with an assault against the dimming. Limited palette beige orange and pink. Moving together watercolor with drips and splashes.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: Reflections in the Window
A ginger-haired young woman and her dark-skinned friend stand close together before a softly lit boutique window, their laughter caught in the glass. The city has just stopped raining — droplets still slide slowly down the pane, distorting their mirrored faces like a watercolor in motion.
The reflection becomes the heart of the scene: their figures appear almost dreamlike in the glass, glowing in the pale dusk light. Behind them, cobblestones shimmer with fading puddles, while the boutique’s display of pastel fabrics and porcelain objects adds a gentle harmony of tones.
Painted with Mixing Palette Knife, Impasto, and Glazing techniques — the reflection is rendered with delicate, layered strokes that blur reality and illusion. The ginger girl’s hair flickers like liquid copper in the glass, while her friend’s laughter, caught mid-motion, glows in the soft bluish hue of evening light.
The overall palette combines powdery pinks, soft corals, muted blues, and warm amber reflections — creating a tender, nostalgic atmosphere, as if the whole scene exists only in that fragile reflection between rain and night.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: “Reflection from the River”
At the edge of a concrete embankment, a ginger-haired woman sits alone, her legs hanging above the slow river.
The water is murky but still, holding everything that has ever sunk into it.
Her face appears on the surface that shivers with the wind — sometimes clear, sometimes scattered into circles.
(Glazing: soft, translucent layers to show the trembling water surface and its play of light.)
The river doesn’t return the truth — only what you’re ready to see.
(Mixing Palette Knife: gentle blending between her real features and their distorted reflection, merging water and identity.)
Beneath the surface, shadows drift — and her reflection shifts each time her breath reaches the water.
(Impasto: thicker, tactile strokes around the ripples, giving the illusion of depth and movement.)
Light spreads across her face, until she seems to dissolve into the river itself.
(Glazing again: thin veils of golden tones, melting skin into water.)
For a moment, the wind erases everything.
Only she remains — and the thought that was never spoken aloud.
(Mixing Palette Knife + Glazing: scraped layers of reflection fading into transparent silence.)
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing and Mixing Palette Knife Techniques: A ginger-haired woman stands at the edge of a quiet river at dawn. The water is still, tinted with soft pink and silver hues of early light. She’s seen from behind, wearing a light coat that moves slightly in the breeze. In the calm surface before her, her reflection appears — delicate, dreamlike, perfectly mirrored with the morning sky above. The air feels fresh, filled with silence that hums like a heartbeat between worlds.
The reflection in the water is created with Mixing Palette Knife technique to capture gentle ripples and layered light. Her hair and the soft folds of her coat are rendered with Impasto technique for tactile realism and warmth. The misty glow of dawn and the subtle blending between sky and reflection are achieved through Glazing technique, bringing harmony and depth to the entire scene.
In the water, her reflection breathes — half sky, half memory.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “One Umbrella”
Rain begins to fall — soft at first, like whispered rhythm — and the ginger-haired girl and her dark-skinned friend hurry through a narrow city street, laughing as they squeeze beneath one oversized umbrella.
The wet cobblestones are rendered with Mixing Palette Knife, their surface thick and reflective — bronze, violet, and silver layered in bold, restless strokes. Each reflection glows like a heartbeat beneath their feet.
The shimmering reflections of neon signs and passing cars are softened with Glazing, giving the whole scene a feeling of depth and damp warmth — the kind that only exists between rain and light.
Their silhouettes are shaped in Impasto, the umbrella arching above them in sculpted texture — deep ultramarine and streaks of vermilion capturing the city’s pulse. The paint stands high, tactile, like you could touch the curve of their shoulders.
Then Colored Ink flows across the surface — thin magenta lines outlining the movement of raindrops, the curves of their hair, the laughter that escapes into the night air. Ink splatters — deliberate, lively — dance across the street like jazz in color.
The ginger-haired girl tilts her head toward her friend, rainlight glinting in her lashes. They share a story in silence, framed by the rhythm of drops on the umbrella.
The night hums — the city, the rain, and them — one small universe painted in wet shine and warmth.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “She Moves Through the City Beat”
Streetlights flicker on the wet cobblestones — the evening breathes in rhythm with the bass.
From a half-open bar door comes a deep groove; the moment it swings wide, the night gains a heartbeat.
On the threshold stands her — wind in her tousled hair, coat slightly undone, a smile carrying the taste of wine and victory.
Colors spill like sound waves: midnight blues and violet tones, their edges carved by a palette knife that slashes through the light.
Impasto strokes on her shoulders catch the neon’s glow, while a glazing layer wraps her in a faint warmth — as if lit from within.
On the pavement, reflections shimmer — trails of yellow and orange ink sliding like notes across paper.
Behind her, silhouettes of passersby dissolve in soft washes of colored ink, mere hints of motion and rhythm.
Her shadow, a blend of black ink and blurred ultramarine, moves beside her like a melody that never ends.
As she takes her first step down the street, the bass merges with her stride —
the click of her heels and the pulse of the city become one.
In that instant, the whole scene breathes, alive — like a song that has just begun.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Bass Beneath the Skin”
The bar door creaks open like an old vinyl spinning — sound and light spill together, thick and warm.
Inside — haze, rhythm, and the scent of smoke and whiskey.
The bass drops low, pulsing through the walls like a heartbeat.
She walks in slowly, her gaze scanning the room.
For a moment — time holds its breath.
On stage, the band lives inside the groove — drums whisper, guitar sways, and the bass leads — deep, velvety, clinging to the air.
The palette knife catches the glint of light across her face — quick strokes of ochre and ultramarine shadow.
Impasto textures the table: a trace of ash, a glass sweating with dim reflections.
Glazing veils the air with thin layers of translucent smoke — you can almost smell the pigment.
Colored ink flows through the background — violet strokes marking the bassline,
deep green arcs tracing the breath of the drums.
Her figure stands at the center — bold in form, soft in tone.
And as the bassist closes his eyes,
she nods, barely —
as if she already knows
where the next note will fall.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Midnight Vinyl Café”
In the half-light of an old café, the glow from the window spills across the vinyl records scattered on the counter.
On the wall, old jazz portraits shimmer under layers of glazing — sepia and ultramarine tones melting into a soft, nostalgic haze.
Behind the bar, a girl wrapped in orange scarves moves quickly, yet with precision — like palette knife strokes on a living canvas.
At the table by the window, a young man sketches on a napkin with colored ink — red and blue bleeding into violet, spreading like a slow heartbeat.
In the background, an old record crackles. The bass hums through the walls.
Their eyes meet for a brief moment, and the light above the table catches their shadows — merging into one through impasto layers of paint and air.
On the glass, a raindrop slides down, smudging the colors of the night.
It feels as if someone painted the second before a kiss, yet neither of them moves.
Time stands still.
And only the music flows — in the rhythm of words left unspoken.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Two best friends — a ginger-haired young woman with wild, wavy copper hair and a dark-skinned young woman with short curls — are sitting on the rooftop of a modern city building at golden hour. They are laughing uncontrollably while painting each other’s sneakers with bright color ink wash (vibrant red, teal, and violet splashes).
Scene is created using Mixing Palette Knife, Impasto, Glazing layers, and expressive colored ink strokes.
Thick textured impasto highlights the ginger girl's hair catching the sunset light, with palette knife strokes giving it fiery movement.
Glazing adds warm golden reflections over the edges of the buildings.
Colored ink outlines create dynamic splashes around their hands, shoes, and paintbrushes, giving the scene a playful, electric vibe.
The rooftop is scattered with open sketchbooks, spilled ink, and cups of tea glowing under the setting sun.
Atmosphere: energetic, intimate, modern, artistic chaos.
Cinematic composition, soft bokeh city lights starting to appear behind them, warm shadows, strong texture, high detail.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired young woman in a small Balkan-style supermarket, standing in front of the fruit-and-vegetable display. She is holding two tomatoes in her hands, dramatically comparing them like she’s about to make the most important decision of her life.
Her copper-red hair is tied in a messy low bun, with a few strands curling down over her cheek, catching warm overhead light.
The Impasto textures emphasize the glossy surfaces of the tomatoes, the rough plastic crates, and the chipped blue-painted shelves.
Glazing layers soften the fluorescent light bouncing off her freckled face.
Color ink wash (tuš u boji) splashes lightly around the edges — hints of red, green, and orange like watercolor bursts, adding motion and humor as if the moment is exaggerated in a comic-realistic way.
Background shows a blurred grandmother with a shopping cart watching her with amused suspicion.
Expression: the girl looks overly concentrated, eyebrows raised, lips pursed — like choosing the perfect tomato is a life mission.
Atmosphere: warm, lively, everyday-life comedy captured with artistic elegance.
Ultra-realistic textures, natural pose, shallow depth of field, vivid colors
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques:
In a small neighborhood phone repair shop, a ginger-haired girl leans against the counter, holding her half-broken phone between her fingers. Her copper-red hair falls in soft waves over her shoulders, glowing under the cool white neon lights.
Palette-knife strokes build the texture of the old, scratched work counter, while impasto highlights the tiny metal parts scattered across the table, catching the light like little sparks.
Glazing is used over the glass display case—soft reflections and light transitions showing her faint silhouette in the surface.
Behind her, a wall full of phone cases and cables is painted with broad, fast strokes, but color ink wash adds contrast: thin, lively traces of blue and orange capture the vibration of the small LED lights flickering in the background.
She smiles—tired, but warm—while the repair guy says, “It’ll be ready in half an hour.”
In that moment, the whole scene feels ordinary yet deeply alive, like a slice of everyday life frozen with texture and movement.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired girl stands under a bus stop shelter as the first evening rain begins to fall. Her hair, fiery and bright, curls slightly from the damp air, catching soft reflections from passing car lights.
The wet pavement is shaped with palette-knife strokes, thick and irregular, giving the street a living, breathing texture.
Raindrops on the transparent shelter roof are built with tiny impasto dots, each catching a bit of white light.
A soft glazing layer washes over the distant buildings, making them fade gently into the misty blue of the rainy evening.
Her hands are tucked into the pockets of her denim jacket. Beside her, a plastic shopping bag with groceries swings slightly in the breeze.
A car splashes through a puddle—captured with a color ink wash that bursts outward, streaks of gray-blue and white suggesting movement and sound without overdefining it.
She checks her phone—no bus for another 12 minutes. She sighs, smiles to herself, and leans back, listening to the rhythmic tapping of the rain on the metal roof.
It’s a quiet, ordinary moment, but painted with texture, moisture, and mood that feels vividly real.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: A ginger-haired girl sits in a quiet neighborhood laundromat, curled up on a plastic blue chair with a paperback book resting on her knees. Her hair, tied in a loose messy bun, spills fiery strands that catch the cold neon light — enhanced with glazing layers to make the copper tones shimmer softly.
The washing machines form a curved line behind her, their metallic surfaces created with palette-knife texture, capturing every dent, scrape, and fingerprint like tiny stories of people passing through.
Through the round glass doors of the machines, impasto swirls mimic the motion of wet clothes tumbling — thick strokes mixed with thin translucent ones, creating a hypnotic sense of movement.
A red jacket spins inside one machine, and the glass glows with a color-ink wash, a blooming stain of warm crimson that reflects onto her pale ankles.
She flips a page, completely absorbed, unaware that her shoelace is half untied and that a soft hum from the dryers has lulled her into a gentle, peaceful rhythm.
A can of peach soda sits next to her on the floor, condensation illustrated with tiny dots of raised impasto, while soft blue ink washes melt into the tiles beneath it.
The whole scene feels like a slice of real life — quiet, imperfect, and beautifully human — a moment where she’s suspended between the spinning machines and the world inside her book.
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Errands on a Windy Afternoon”
On a windy street lined with small second-hand shops, the ginger-haired girl fights with a paper grocery bag that keeps threatening to split.
The storefronts are shaped with Palette Knife textures—scratchy, layered, imperfect, like real city edges.
Her hair whips across her face in wild Impasto curls, thick enough to almost cast miniature shadows.
She laughs under her breath when the wind steals her receipt and sends it tumbling down the street.
Soft Glazing warms the scene with muted afternoon gold, giving the sidewalks a lived-in glow.
Over her denim jacket and hands, a loose colored ink wash adds subtle movement—thin lines that track the wind’s direction.
She stops at a crosswalk, shifting the bag against her hip, tomato peeking out from the top.
A realistic moment: mundane, charming, true to life.
She squints into the gusts, hair everywhere, but smiles anyway before crossing the street.
Heartfelt Connection in a Vibrant Studio - Diversity Saturday
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Her Hands Know the Shape of My Light” — #DiversitySaturday
Description:
In a small attic art studio, filled with the scent of turpentine and soft morning light, two women stand facing each other. One has ginger hair, gently wavy, loosely tied so a few strands fall over her shoulder. The other has dark, almost blue-black hair, cut short, surrounded by a quiet glow of confidence and tenderness.
The canvas behind them is painted in Impasto — bold, textured strokes that pulse like a heart opening for the first time. All around them, tables are scattered with color palettes, while the light in the room is shaped through delicate Glazing layers that add depth and subtle drama.
The shadows on their skin are rendered with Mixing Palette Knife strokes — raw but soft, as if the artist is painting intimacy itself.
And layered over everything, their outlines and points of touch are emphasized with thin lines of colored ink wash — ultramarine wrapped around their fingers, red ink brushed across their cheeks, gold shimmering around their smiling eyes.
One woman gently brushes paint across the other’s cheek, as if signing her love directly onto her skin.
The other laughs quietly, honestly, looking at her like the world shrinks into the two centimeters of space between their lips.
Outside, through the window, lies a city that has often felt “too much” for their love — but inside this little studio, the world is finally soft, safe, and allowing.
Diversity Focus:
This scene makes visible the love between two women — ordinary, everyday, artistic, tender — a love that has often been pushed aside or silenced, yet deserves to shine just as brightly as any other.
Joyful Dance in a Cozy Kitchen Setting - Diversity Saturday
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Late-Night Kitchen Sparks” (realistic, sensual, LGBT pride)
A hyper-realistic, intimate late-night scene painted with Mixing Palette Knife, Impasto, Glazing, and Color Ink Wash techniques. A ginger-haired girl and a Black girl are barefoot in a dimly lit kitchen at midnight, dancing slowly to music only they can hear. The ginger girl leans back against the fridge, laughing breathlessly, while the Black girl gently lifts her chin and brushes a kiss against her cheek — small, electric, playful.
Warm kitchen lights create thick, textured reflections on the countertops and soft shadows wrapping around their bodies. The LGBT pride flag hangs on a small magnet on the fridge door. Their silhouettes overlap as they sway in sync, with color ink wash adding vibrant splashes of magenta, amber, and midnight blue to capture the movement and quiet desire between them. The whole scene feels alive, real, sensual, and full of spontaneous love.
Neon Nights: A Rainy City Encounter - Diversity Saturday
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: “Late-Night Street Support”
A realistic nighttime urban street scene. Rain-slick pavement rendered with thick impasto reflections. A ginger-haired girl sits on a curb, hoodie up, clearly exhausted after a long day. The Black girl stands beside her, holding an umbrella over both of them, one hand gently resting on her friend’s shoulder.
In the background, an LGBTQ+ pride flag appears as a small sticker on a lamppost — subtle but symbolic. Color ink wash is used for dripping neon lights reflecting in puddles. The atmosphere is serious: two young women supporting each other in a tough moment. Realistic expressions, deep texture, cinematic lighting, emotional but grounded.
City Crosswalk: A Moment of Unity - Diversity Saturday
Model:
AIVision
Size:
1792 X 1008
(1.81 MP)
Used settings:
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene: Impasto, Glazing, Colored Ink Wash and Mixing Palette Knife Techniques: Two best friends — one ginger girl with light freckles, one Black girl with natural curls — standing at a rainy city intersection during early evening. No posing, no photography theme — just natural realism. They wait next to a broken crosswalk button with exposed wires. A city worker in the background puts up a peeling poster that says “Equality Week — We Hear You!”. Urban realism with Mixing Palette Knife, Impasto texture on pavement and buildings, thin Glazing layers for light reflections. Wet asphalt, reflections of streetlights, diverse people rushing past them. Serious social-political atmosphere, modern European city mood, no glamour, no posing, no romance.
Prompt: …Artists Richard Burlet and Tran Nguyen…the girl from nowhere…otherworldly ethereal beauty… Shadow-Soul Black…Wanderer Ink…Dusk-Drifter Grey…Solitary Figure Umber…gorgeous beauty,féminity and grâce
,glamour and aesthetic,,dramatic, inspiration soufiane idrassi,Edwardian Avant Garde fashion,in the style of Luis Gabriel Pacheco, Jean-Baptiste Monge, Harry Clarke, Agnes Cecile, Anna Sui and Richard Burlet
Prompt: A pop art style image of the Shroud of Turin with bright colors and bold lines. The Shroud is depicted as a white cloth with a faint image of a man. The background is a deep blue hue.
Prompt: …Artists Richard Burlet and Tran Nguyen…the girl from nowhere…otherworldly ethereal beauty…Twilight Indigo Memory, the rich shadow under her eyes…Midnight Violet Weight, the heavy, dreamy purple along her hat brim…Storm-Worn Blue, the textured depth swirling in her hair… Amaranth, the red-violet glow warming her lips…Ancient Teal Silence, quiet mystery around her neckline.gorgeous beauty,féminity and grâce
,glamour and aesthetic,,dramatic, inspiration soufiane idrassi,Edwardian Avant Garde fashion,in the style of Luis Gabriel Pacheco, Jean-Baptiste Monge, Harry Clarke, Agnes Cecile, Anna Sui and Richard Burlet
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
17d
16d
