Prompt: A grand, celestial scene depicting the divine act of world creation by God. The central figure of God appears as a radiant, powerful being, surrounded by swirling cosmic clouds, stars, and elements of light and dark. God's hands are outstretched, shaping a newly forming planet in the void, with energy emanating from His fingers in luminous beams. The planet appears as a glowing orb in the midst of swirling elements like stars, oceans, and continents taking shape. The background is a blend of deep space and ethereal light, symbolizing the vastness of the cosmos and the divine power of creation. Use a rich color palette of deep blues, purples, golds, and whites, with light effects to evoke awe, majesty, and a sense of spiritual wonder. By William Blake
Prompt: "Create an evocative illustration of an ivory tower nestled among the ancient, mist-covered mountains of old China, reminiscent of the landscapes that inspired the Tang Dynasty poet Li Bai.
The tower, crafted from ivory with delicate carvings and ornate details, should rise gracefully against the backdrop of lush, towering peaks shrouded in mist and clouds. The scene should capture the serene and mystical atmosphere of the time, with winding rivers and cascading waterfalls flowing through the rugged terrain.
Include elements of traditional Chinese architecture and natural beauty: pagodas perched on mountain ledges, ancient pine trees bending with the wind, and delicate cherry blossoms in full bloom. The sky should be painted with the soft hues of dawn or dusk, adding to the poetic and timeless feel of the landscape.
Ensure the composition conveys a sense of tranquility, inspiration, and the ethereal beauty that Li Bai would have found in his surrounding
Color Palette: Use soft, muted colors for the mist and sky, with rich greens for the mountains and trees. The ivory tower should stand out with its pale, elegant tone.
Textures: Incorporate traditional Chinese painting styles, such as ink wash techniques, to give the illustration an authentic feel.
Atmosphere: Emphasize the mystical and serene atmosphere with light and shadow, showing the interplay of mist and sunlight.
Details: Pay attention to the architectural details of the tower and surrounding elements to reflect the historical and cultural context of old China.
Prompt: Zerlina and Don Giovanni’s duet from Don Giovanni opera (italian language)
(La ci darem la mano,
La mi dirai di sì:
Vedi, non è lontano,
Partiam, ben mio, da qui).
By James Gurney, Howard Pyle
Prompt: financial inspector (with an angry face and curvy
smile) (with dogs) chasing me in my sleep running along the night street, waving a tax declaration paper Dark blue night. Full Moon. By Edward Munch
Prompt: Generate an image of a close-up view of dark-green, gold-veined ivy leaves. Amidst the leaves are several clusters of ripe, mature, dark purple-black ivy berries set against rich, dark green foliage. Include a shiny, spiral-striped, rainbow-colored snail on a leaf, to the side of the flowers. The nature still life conveys a sense of freshness and natural beauty, highlighting the intricate details of each berry and leaf, with a softly blurred, dark-green background to enhance the focus on the leaves and berries. Harmonious nature composition, illustration and linocut using a technique of extremely, almost microscopically fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Richly detailed magical forest linocut tapestry filled with scintillating leaves in shades of green, olive, aqua, gold and ochre. The trees stand close together, with their dense foliage interweaving in ornate, organic patterns reminiscent of a pattern by William Morris. Several pheasants perch gracefully in the trees, spreading their wings and showing their shiny, reflective feathers and plumes in shades of rust, blue and oange. At the base of the trees, an array of flowers blooms: delicate white flowers with intricate petals, complemented by an assortment of orange carnations clustered in the center, framed by lush green foliage. The background is a deep blue, enhancing the forest colors. Harmonious nature composition, peaceful and picturesque setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Extremely detailed magical landscape of a wide expanse of lush dark-green grass in the foreground transitioning to a field of electric-yellow colza in the middle ground. The colza field is bright and contrasts strikingly with the greenery. In the background, a row of trees beginning to sprout light green leaves in spring, with some bare branches still peeking through. The sky above is somewhat overcast with soft gray clouds against a light blue background. Harmonious nature composition, peaceful and picturesque rural setting. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Magical winter landscape linocut of gentle, snow-covered mountains and snow-covered evergreen trees. The scene is bathed in a warm, golden light from a low sun, casting soft shadows across the pristine white snow that blankets the foreground. The mountains in the background are majestic and snow-capped, with some peaks partially shrouded in wispy clouds. The sky is a gradient of blue, magenta, pink, orange, and soft yellow tones, suggesting a sunset. In the foreground, clusters of tall, snow-laden fir trees stand proudly, their branches heavy with fresh snow. Tranquil, peaceful, majestic, and serene natural landscape on a crisp late afternoon in winter day in a mountainous region. Illustration and linocut using a technique of extremely fine, tiny cuts. Style mentors: Laura Boswell, Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Culinary still life rendered full-screen, sidelit by sunlight streaming in the kitchen window, sharp-focus, macro-view, very close-up and in watercolor. The subject of the frontal-viewed still life is a woven water hyacinth basket filled with an array of elongated, narrow, oblong finger limes tapering at both ends, in the colors red, dark green, reddish-brown, light green and yellow-green. A single finger lime lies outside the basket on a wooden cutting board along with a small, weathered paring knife. The dark-red lime is cut in half, spilling its round, little, transparent pink, glassy lime caviar. The board lies on a dark stone kitchen counter. Behind the seemingly arrangement, we can make out a rough, whitewashed, stone kitchen wall. The background of the culinary still life is rendered in wet-on-wet alcohol ink and is painted all the way to the edges of the paper whereas the basket, the limes, the cutting board and the cut lime and the knife are lovingly, deftly and painstakingly rendered in diaphanous watercolor with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Exquisitely detailed branch of large, shiny, plump, juicy, very dark red-burgundy-colored cherries in watercolor, sunlit. Full-screen, wide-screen, sharp-focus, very close up. The background of the illustration extending all the way to the edges of the paper is a very small, very detailed mini-Cubist canvas, with style elements recalling Juan Gris, Paul Cézanne and Paul Klee, intricate, colored in a delicate, washed-out yellow-green-apricot abstract pattern with outline details. The watercolor illustration is painted completely, all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Prompt: Create a storybook image of a serene landscape featuring a row of silhouetted trees against an azure blue evening sky at dusk transitioning to darker tones near the horizon. Include a variety of tree shapes, showcasing several tall, bare trees with extremely intricate branches reaching upward, indicating a late autumn setting. One small tree should have a few leaves remaining, dark against the dusky sky, highlighting the late autumn feeling among the otherwise barren branches. The trees stand in a grassy field, slightly illuminated by the remaining light. The overall atmosphere should evoke a sense of calm and tranquility, reflecting the beauty of nature in a peaceful environment. The trees have a magical feel and are illuminated by myriads of scintillating, rainbow-colored fairy lights, gibving the entire scene a storybook ambience.
Prompt: Serene Pacific coast landscape featuring a pair of slender Pacific pine trees with twisting trunks with of textured brown bark and detailed olive-green needles. The trees stand majestically on a golden, grassy knoll overlooking the Pacific ocean. The tranquil ocean fades into a soft blue horizon, while a bright sky transitions from deep blue at the top to lighter shades closer to the horizon. The overall composition evokes a sense of calmness and natural beauty. Style mentors: Henri Rousseau, Ray Morimura, Hazel McNab, Mark Hearld, William Hays.
Prompt: Exquisitely detailed branch of bkack currants loaded with many plump, juicy, shiny black currants, watercolor, sunlit. Rendered in watercolor, full-screen, sharp-focus, very close up. The background of the biology illustration is rendered as a very small, very detailed William-Morris-style pattern, ornate, intricate, colored in a washed-out bluish-aqua-green with pen-and-ink pattern outline details. The watercolor illustration is painted all the way to the edges of the paper with extreme, ornate, exquisite detail, with some outline details highlighted in pen-and-ink, like a biology illustration. Prize-winning biology illustration in a style reminiscent of Simonetta Occhipinti, Pierre-Joseph Redouté, Jakob Demus, Hildegard Könighofer and Margareta Pertl as well as Siobhan Larkin. Museum-quality aquarelle sketch on heavy handmade rag paper.
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.