Prompt: joy cat and harmony bird dreamscape, Salvador Dali collaboration Paul Klee and Tim Burton, Picasso's integrated flowing composition, colourized brooding grayscale balanced by many bright colourful details
Prompt: A sunken Volkswagen Beetle rests at the bottom of the sea, its frame now part of a vibrant underwater world. Bright marine fish dart through its open windows, weaving through the rusted interior. Luminescent jellyfish drift nearby, casting an ethereal glow over the scene. Surrounding the car, a breathtaking coral reef bursts with vivid colors—reds, blues, and purples swaying with the ocean’s gentle currents. A warrior mermaid, adorned in ornate armor made of shells and pearls, floats nearby, her piercing gaze fixed on the vehicle, as if contemplating its story
Prompt: A darkened room
Lit from beyond the veil of reality
by tessellated pink light particles streaming into our reality
from the mouth, eyes, and nose
of an being older than time
the grave's bouquet
the mandrake root
the hangman's scaffold
are the locus, focus, and hocus-pocus
for summoning the dread, profane, enigmatic, terrifying
Inter-dimensional Dinner Guest Who Wouldn't Leave
(milky-pink light siholoutte of a terrifying psychosis inducing monstrosity breaking into our planar realm amidst a hyper-realistic decrepit hangman's scaffold and overgrown mandrake. Stars in constellations of a hostile and unknown configuration).
Prompt: Prompt by jexiq q: <<Masterpiece>>: Scene Description: Encaustic Technique: Golden landscape in the Wind.
In the foreground, waves of tall houses and wheat ripple in shades of gold, amber, and aged honey, shaped by thick, wax-like layers that add texture and depth. Each blade and stalk bends gently under the invisible touch of the wind, leaving traces of light across the surface.
In the middle ground, a solitary tree with dark, almost charcoal-like bark stands tall, its branches streaked with hints of bluish and purplish wax, while its leaves shimmer as if dusted with golden powder. The wind pulls them toward the horizon, leaving behind swirling patterns of movement.
In the background, the sky unfolds in the warm hues of a setting sun—deep orange and copper tones blending into rich blues, while the clouds, formed from thick waxy whorls, seem to burn from within. The sun, immense and almost liquid, sinks into the horizon, breaking its rays through waves of light and shadow.
Prompt: Dry needle technique printed on wet paper, on zinc plate depicts a savannah, giraffes standing next to each other against a background of umbrella acacia trees, style by Albrecht Dürer
Prompt: *Six witches fly on broomsticks through a stormy sky illuminated by streaks of lightning. Each witch wears a uniquely coloured cloak and pointed hat; vibrant pink, fiery orange, golden yellow, bright turquoise, deep green, and rich purple. The scene is filled with dynamic movement as the witches ride through the rain, their capes trailing behind them. The background is a dark, wintry eerie landscape stretches into the distance, featuring a misty, small, quaint village with glowing windows below them.
*The painterly style, reminiscent of classic fantasy illustration, blends intricate detailing, rich colour saturation, and dynamic lighting. The contrast between the background and the luminous witches creates a striking, otherworldly effect.
*Magical adventure, possibly with a hint of mischievous energy.
*Inspired by the style of Brian Froud, Rebecca Guay.
Prompt: FEAR: 3D image effects, Evolution of beauty; highly detailed digital painting in the style of Loui Jover and Zdzisław Beksiński and Peter Gric, perfect beautiful realistic eyes, cracks, fissures, weathered ancient stone, by Catrin Welz-Stein, van Gogh, colorful, cinematic, 4k, epic, sharp focus, smoke, sparks, motherboard, ladders, branches, clouds of steam, by Greg Rutkowski, hyperrealism, painting, concept art of detailed character design, matte painting, 4 k resolution,
Prompt: A young boy kneeling on a stone-paved ground, wearing a red sweater, blue jeans, and sturdy brown boots. His blond hair is slightly tousled, and his expression is focused, filled with curiosity, as he leans over to gaze into a puddle of water on the ground. The puddle is not an ordinary reflection of his surroundings but instead reveals a stunningly detailed cosmic scene.
In the reflection, a fully suited astronaut appears, as if reaching out or waving back at the boy. The astronaut's suit is bright white, complete with intricate details like tubes, patches, and a golden-tinted visor reflecting distant starlight. Surrounding the astronaut is the vast expanse of outer space, filled with vibrant galaxies, bright stars, and swirling nebulae. There is also a small Earth-like planet and hints of spacecraft drifting in the background, adding depth and scale to the cosmic reflection.
The boy’s hand almost touches the surface of the puddle, as if trying to connect with the astronaut or the universe itself. The contrast between the ordinary, grounded setting of the cobblestone and the infinite, fantastical reflection of the cosmos creates a surreal and thought-provoking scene. The image powerfully symbolizes human curiosity, imagination, and the intrinsic desire to explore the unknown.
Prompt: Hast du etwas Zeit für mich
Dann singe ich ein Lied für dich
Von neunundneunzig Luftballons
Auf ihrem weg zum Horizont
Denkst du vielleicht gerad' an mich
Dann singe ich ein Lied für dich
Von neunundneunzig Luftballons
Und dass so was von so was kommt
Neunundneunzig Luftballons
Auf ihrem weg zum Horizont
Hielt man für UFOs aus dem All
Darum schickte ein General
'Ne Fliegerstaffel hinterher
Alarm zu geben, wenn's so wär
Dabei war'n da am Horizont
Nur neunundneunzig Luftballons
Neunundneunzig Düsenflieger
Jeder war ein großer Krieger
Hielten sich für Captain Kirk
Es gab ein großes Feuerwerk
Die Nachbarn haben nichts gerafft
Und fühlten sich gleich angemacht
Dabei schoss man am Horizont
Auf neunundneunzig Luftballons
Neunundneunzig Kriegsminister
Streichholz und Benzinkanister
Hielten sich für schlaue Leute
Witterten schon fette Beute
Riefen: Krieg und wollten Macht
Mann, wer hätte das gedacht
Dass es einmal soweit kommt
Wegen neunundneunzig Luftballons
Neunundneunzig Jahre Krieg
Ließen keinen platz für Sieger
Kriegsminister gibt's nicht mehr
Und auch keine Düsenflieger
Heute zieh' ich meine Runden
Seh' die Welt in Trümmern liegen
Hab'n Luftballon gefunden
Denk' an dich und lass' ihn fliegen
Prompt: A monstrous mushroom colony with human-like eyes embedded in its soft, fleshy surface. The eyes dart around frantically, watching, as its stalks writhe like grasping fingers. A sickly, meaty stench fills the air as it secretes a thick, crimson sap.".
Prompt: A twisted, elongated figure with Thaddeus Squidward-esque face features, screaming in a contorted, anguished expression, amidst a whirlwind of ethereal, ghostly fingers, like tendrils, in a mesmerizing dance, against a haunting, dreamlike backdrop of deep, muted colors, reminiscent of Mark Rothko's abstract expressionism and Joan Miró's surrealist landscapes. The figure's face is distorted in a macabre, comical grin, echoing the playful yet eerie style of Stephen Hillenburg, as it laughs maniacally, dabbing paint onto a canvas, surrounded by the psychedelic, swirly patterns of a rock concert, inspired by Soviet rock star Viktor Tsoi's 1980s USSR aesthetic. In the background, a faded, ghostly image of a Roswell 47 incident-inspired UFO hovers, shrouded in mystery, as the atmosphere thickens with an air of creepy, low-brow art, blending Seurat's pointillism, Redon's symbolism, and Turner's romanticism, with a dash of Genndy Tartakovsky's dark humor and Dr. Seuss's whimsicality, in a fusion of photobashed pop surrealism and fabricated surrealism, with a dash of scientific occultism and Yossi Kotler's peculiar, awe-inspiringly scary style, evoking the sense of unease and fascination found in the works of Zdzisław Beksiński and Stephen Gammell.
Prompt: Checkerboard spiraling tower with multiple spires, inspired by Aboriginal dot painting and folklore art, realistic oil painting on canvas. Vibrant colors in a whimsical style, featuring a patchwork landscape reminiscent of Iwona Lifsches, Jennifer Lommers, Cathy Horvath Buchanan, and Meghan Duncanson. The scene includes gerbera lollipops, a mountainscape, and a plethora of geometric designs, spirals, and colorful zentangle patterns. The sky is a starry night with a Mandela moon and moon face, illuminated by cool moonlight hues. Crafted with the finesse of Julie Paschkis and Maud Lewis, this artwork is a high-quality AI-generated masterpiece in 8k resolution. The detailed composition offers great depth, scale, and a cinematic feel, creating an awe-inspiring visual experience.
Prompt: 60s erotic model, benday dots, crosshatches, shadows, chiaroscuro, retrofuturistic, horror, eerie, black and white combined with glitching red and yellow, cinematic, concept art, Digital Illustration
Prompt: And I saw an angel coming down out of heaven, having the key to the Abyss and holding in his hand a great chain. He seized the dragon, that ancient serpent, who is the devil, or Satan, and bound him for a thousand years. He threw him into the Abyss, and locked and sealed it over him, to keep him from deceiving the nations anymore until the thousand years were ended. After that, he must be set free for a short time.
Prompt: And I saw an angel coming down out of heaven, having the key to the Abyss and holding in his hand a great chain. He seized the dragon, that ancient serpent, who is the devil, or Satan, and bound him for a thousand years. He threw him into the Abyss, and locked and sealed it over him, to keep him from deceiving the nations anymore until the thousand years were ended. After that, he must be set free for a short time.
Prompt: Intricately textured, abstract Catrin Welz-Stein, Edward Atkinson Hornel, Andy Kehoe and John Hoyland style watercolor, pastel and ink painting, strong outlines, plique-à-jour technique, metallic silver fractal effects: beautiful wild surreal fissured dreamworlds of one majestic stylized flying eagle amidst trees and rocks full of magic and mysticism; Arthur Rackham, John Holland, Monet, sunset afterglow, scratching, layered, beautiful iridescent vibrant colors, magical atmosphere, by Susanne, cinematic lighting.
Prompt: The Victorian era was an exciting time for photography, known for its distinctive trends and intriguing practices. Cabinet cards, a popular medium introduced in the 1860s, became the standard way to capture portraits and exchange images. These sturdy cards measuring about 4×6 inches showcased studio portraits and sometimes curious, whimsical, or eerie compositions that remain captivating to this day.
A unique subset of Victorian photography was the fascination with the strange and unusual, often blending reality with imagination. Themes of the macabre and the supernatural were particularly prominent, as the era was marked by a growing interest in spiritualism and séances. Photographers experimented with double exposures and early compositional techniques to create "ghostly" effects, delighting audiences with images that seemed to hold an otherworldly presence of spirits. Create such a photograph from the Victorian era.
Picture a spiritism session with the apparition of spirits in this style
Prompt: This sci-fi film uses Phantom slow shutter-Speed camera sequences of a fast x3450 transport flying at incredible futuristic very large flying stealthy rust oil battlesub class like transport above the alien dystopian land of phobos. Well-choreographed futuristic city transport scenes and impressive effects immerse audiences in a sophisticated realm, merging technology and city of phobos in a visually striking display of strength and precision. Pushing the limits of special effects, this movie keeps viewers enthralled, eagerly waiting for the next chapter in this epic saga
Prompt: In the hands of a kind, young, beautiful sorceress, a shopping bag with delicious buns, pretzels, gingerbread and cakes falling out, the sorceress has a purple hat, a bright colored dress against the background of a magical, fairy-tale land, where funny and cheerful little girls and boys in colorful clothes live. A sorceress with sweets in the foreground, she brought and gives sweets to children against the background of a fairy-tale house and a river that flows among a fairy-tale magical land, where little girls and boys receive sweet gifts from the sorceress. Magic realism, elements of fantasy and myths, illustration in the style of Jacek Yerka, the style of Catherine Abel, Stephen Gibb, Ernst Haeckel. Textured gold foil inlay, filigree processing, all over the surface, velvety, rough effect on the surface of the sorceress, side lighting, merge into one incredible fractal-psychedelic tangle of surreal, fairy-tale art. High resolution, volumetric super-detailed 3D.
Prompt: We dance on trails of silver light,
With the moon as our witness, we’ll float till it’s bright,
A kaleidoscope heart wrapped in musical vines,
In this moment, we’re infinite – two souls intertwined, vibrant colours and patterns, Isabelle Arsenault, Maurice Sendak, Mark Chagall, magical, surreal, 3D
Prompt: A powerful galactic-level merciless cultivator Beautiful cat girl, clad in dark, glowing armor that pulsates with cosmic energy. her eyes are cold and fierce, radiating an aura of unstoppable power. ready to cleave through the very fabric of space. Surrounded by swirling galaxies and turbulent nebulae, she stands as a dominant force in the universe, embodying ruthless strength
Dream Level: is increased each time when you "Go Deeper" into the dream. Each new level is harder to achieve and
takes more iterations than the one before.
Rare Deep Dream: is any dream which went deeper than level 6.
Deep Dream
You cannot go deeper into someone else's dream. You must create your own.
Deep Dream
Currently going deeper is available only for Deep Dreams.
12w
