Taaplari

Telephone game image 6 / X. Images stay too similar, so I'm using the previous image as a prompt

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt:
  • Using base image: No
  • Aspect Ratio: landscape_wide

• Model: AIVision

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: Tuned breakfast with a kickstart
  • Using base image: No
  • Aspect Ratio: square

Joyful Creatures in a Sunlit Forest

• Model: AIVision

• Size: 1008 X 1024 (1.03 MP)

• Used settings:

  • Prompt: umpimähkä, ylimalka, summamutikka ja äimän käki hulvattomina metsässä
  • Using base image: No
  • Aspect Ratio: landscape

"We have productivity. We have longevity. But there is a persistent, low-amplitude melancholia."

• Model: Realismo

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: Kael: So, its purpose was a form of inefficient, high-latency empathy broadcast? We have more direct methods for emotional synchronization. Chemical regulation, neural interfaces. They are predictable and controllable. This ‘music’ seems to provoke uncontrolled, often contradictory states. Your records describe this same Sibelius piece as ‘triumphant,’ ‘melancholy,’ ‘serene,’ and ‘terrifying.’ This is a chaotic signaling system. It is functionally corrupt data. Elias: You call it a bug; we call it a feature. The fact that it can be all of those things at once is the core of its value. It holds contradiction. Life is contradiction. A human mind is a vessel of contradiction. We feel joy and sorrow at the same time. We love things that destroy us. We build magnificent things, knowing they will turn to dust. Your ‘direct methods’ sound like you are tuning an engine. We are not engines. An engine that is sad is a broken engine. A human that is sad is a human. This art you have erased… it was our way of navigating these contradictions without breaking. It was a tool for metabolizing reality. Kael: ‘Metabolizing reality.’ Let us move to a visual artifact. A painting. I have an image here. Vincent van Gogh. The Starry Night. A collection of pigments on canvas. The arrangement of pigments does not correspond to the astronomical reality of the night sky at that time and location. The colors are exaggerated. The forms are distorted. As a data-storage medium, it is a failure. A photograph would have been more accurate, more efficient. Yet this distorted image is valued at a level that could fund a small city for a year. Explain this irrational valuation. Elias: You are correct. It is a terrible photograph. Thank God for that. We did not need another photograph of the sky. We have the sky itself for that. What we needed was a record of what it felt like for a man named Vincent, a man in profound pain and profound wonder, to look at that sky. The painting is not a picture of the sky. It is a picture of a man’s soul, with the sky reflected in it. The distortions, the exaggerated colors—that is the grammar of that language. He is not showing you the stars; he is showing you his awe. The function is not to document reality. The function is to communicate a state of being that is beyond the reach of ordinary language. Kael: A state of being. So, art is a communication protocol for ineffable, subjective states. This aligns with my hypothesis. Which brings me to the core of my inquiry. In my time, we have achieved a stable, optimized society. Resource conflicts are non-existent. Emotional variance is managed. Pathological states like depression and anxiety have been engineered out of the genome. We have peace. We have productivity. We have longevity. But there is a persistent, low-amplitude melancholia. A static hum of unfulfillment. We have no word for it, but the closest translation from your language would be a 'sense of cosmic pointlessness.' We have perfect answers for every ‘how.’ How to live longer, how to be healthier, how to be more efficient. But the data suggests we have lost the answer to ‘why.’ Are you telling me the answer to ‘why’ was embedded in this sophisticated noise and these inaccurate pictures?
  • Using base image: No
  • Aspect Ratio: landscape_wide

If I tell the size of the lamp, nobody believes me

• Model: Artistic

• Size: 1620 X 1296 (2.10 MP)

• Used settings:

  • Prompt: city, starry night, dreamy, painterly
  • Using base image: Yes

Didn't meant to add 2 Van Gogh modifiers though

• Model: Artistic

• Size: 1161 X 903 (1.05 MP)

• Used settings:

  • Prompt: painting
  • Using base image: No
  • Aspect Ratio: landscape

Oh, this is what a massive depth of field looks like, good.

• Model: Realismo

• Size: 1920 X 1080 (2.07 MP)

• Used settings:

  • Prompt: A very beautiful landscape photograph captured during the golden hour. In the immediate foreground, a cluster of heirloom roses—in shades of deep magenta and soft cream—are covered in tiny, sparkling dew drops. The roses lead the eye across a perfectly still, glacial lake of the deepest teal. Jagged, colossal mountain peaks, their ancient rock faces catching the last kisses of warm sunlight, dominate the background. A delicate layer of mist hovers just above the water's surface, partially obscuring the distant pine-covered shorelines and adding a profound sense of depth and mystery. Photographed on a Hasselblad X2D medium format camera with a prime lens at f/16 for a massive depth of field, rendering every detail from the rose petals to the distant glaciers with hyper-realistic clarity. Subtle, natural lens flare where the sun crests over a mountain ridge. Color graded with the rich tonality and gentle contrast of Kodak Portra 800 film. Award-winning photography, ethereal, tranquil, breathtaking.
  • Using base image: No
  • Aspect Ratio: landscape_wide

Fiimeil feis

• Model: Artistic

• Size: 1161 X 903 (1.05 MP)

• Used settings:

  • Prompt: a woman
  • Using base image: Yes

. .

• Model: Quantum (v2)*

• Size: 1657 X 1267 (2.10 MP)

• Used settings:

  • Prompt: realistic finnish landscape in mid-december
  • Using base image: No
  • Aspect Ratio: landscape

No danger here, right? The blue jets on the audience's side are for braking. I hope all went well.

• Model: AIVision

• Size: 1792 X 1024 (1.84 MP)

• Used settings:

  • Prompt: A steampunk-inspired airship soaring above a Victorian-era city, with billowing steam, intricate gears, and passengers in elaborate attire gazing at the panoramic view below.
  • Using base image: No
  • Aspect Ratio: landscape

Image telephone game: Image 3 / X

• Model: AIVision

• Size: 1792 X 1008 (1.81 MP)

• Used settings:

  • Prompt: A heartwarming scene unfolds in the sunny countryside. In the foreground, a cute black and tan dachshund puppy with big innocent eyes sits happily on the grass, wearing a stylish red paisley bandana around its neck. Beside the puppy rests a large woven wicker basket overflowing with a vibrant assortment of freshly picked berries and fruits – plump strawberries, juicy blueberries, red raspberries, and bunches of grapes spill slightly onto the lush green grass, which is dotted with small, colourful wildflowers. A winding cobblestone path meanders through the scene, leading up a gentle grassy slope towards a cozy, rustic log cabin nestled among verdant, leafy trees in the background. To the left of the path, parked on the grass, is a blue all-terrain vehicle (ATV / quad bike). It also has a wicker basket attached to its rear rack, suggesting it's been used for gathering. A traditional wooden post-and-rail fence runs along the right side of the path. Sun rays beam down diagonally from a bright blue sky filled with soft, fluffy white clouds, illuminating the idyllic landscape. The overall style is a bright, cheerful, detailed illustration, almost like a high-quality cartoon or puzzle image, full of warmth and peaceful rural charm. Focus on vibrant colours and a feeling of gentle abundance.
  • Using base image: No
  • Aspect Ratio: landscape_wide